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WEIMAR AND NOW: GERMAN CULTURAL CRITICISM Edward Dimendberg, Martin Jay, and Anton Kaes, General Editors 1. Heritage of Our Times, by Ernst Bloch 2. The Nietzsche Legacy in Germany, 1890–1990, by Steven E. Aschheim 3. The Weimar Republic Sourcebook, edited by Anton Kaes, Martin Jay, and Edward Dimendberg 4. Batteries of Life: On the History of Things and Their Perception in Modernity, by Christoph Asendorf 5. Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution, by Margaret Cohen 6. Hollywood in Berlin: American Cinema and Weimar Germany, by Thomas J. Saunders 7. Walter Benjamin: An Aesthetic of Redemption, by Richard Wolin 8. The New Typography, by Jan Tschichold, translated by Ruari McLean 9. The Rule of Law under Siege: Selected Essays of Franz L. Neumann and Otto Kirchheimer, edited by William E. Scheuerman 10. The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923–1950, by Martin Jay 11. Women in the Metropolis: Gender and Modernity in Weimar Culture, edited by Katharina von Ankum 12. Letters of Heinrich and Thomas Mann, 1900–1949, edited by Hans Wysling, translated by Don Reneau 13. Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935, by Karl Toepfer 14. In the Shadow of Catastrophe: German Intellectuals between Apocalypse and Enlightenment, by Anson Rabinbach 15. Walter Benjamin’s Other History: Of Stones, Animals, Human Beings, and Angels, by Beatrice Hanssen 16. Exiled in Paradise: German Refugee Artists and Intellectuals in America from the 1930s to the Present, by Anthony Heilbut 17. Cool Conduct: The Culture of Distance in Weimar Germany, by Helmut Lethen, translated by Don Reneau 18. In a Cold Crater: Cultural and Intellectual Life in Berlin, 1945–1948, by Wolfgang Schivelbusch, translated by Kelly Barry 19. A Dubious Past: Ernst Jünger and the Politics of Literature after Nazism, by Elliot Y. Neaman 20. Beyond the Conceivable: Studies on Germany, Nazism, and the Holocaust, by Dan Diner 21. Prague Territories: National Conflict and Cultural Innovation in Franz Kafka’s Fin de Siècle, by Scott Spector 22. Munich and Memory: Architecture, Monuments, and the Legacy of the Third Reich, by Gavriel D. Rosenfeld 23. The Ufa Story: A History of Germany’s Greatest Film Company, 1918–1945, by Klaus Kreimeier, translated by Robert and Rita Kimber 24. From Monuments to Traces: Artifacts of German Memory, 1870–1990, by Rudy Koshar 25. We Weren’t Modern Enough: Women Artists and the Limits of German Modernism, by Marsha Meskimmon 26. Culture and Inflation in Weimar Germany, by Bernd Widdig 27. Weimar Surfaces: Urban Visual Culture in 1920s Germany, by Janet Ward 28. Graphic Design in Germany: 1890–1945, by Jeremy Aynsley 29. Expressionist Utopias: Paradise, Metropolis, Architectural Fantasy, by Timothy O. Benson, with contributions by Edward Dimendberg, David Frisby, Reinhold Heller, Anton Kaes, and Iain Boyd Whyte 30. The Red Count: The Life and Times of Harry Kessler, by Laird M. Easton 32. The Dark Mirror: German Cinema between Hitler and Hollywood, by Lutz Koepnick 33. Rosenzweig and Heidegger: Between Judaism and German Philosophy, by Peter Eli Gordon 34. The Authority of Everyday Objects: A Cultural History of West German Industrial Design, by Paul Betts 35. The Face of East European Jewry, by Arnold Zweig, with fifty-two drawings by Hermann Struck. Edited, translated, and with an introduction by Noah Isenberg [3.134.104.173] Project MUSE (2024-04-25 02:00 GMT) Text: 10/13 Sabon Display: Univers Condensed, Light and Bold Compositor: Integrated Composition Systems Printer and Binder: Thomson-Shore, Inc. ...

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