The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics

Bibliography

311 Bibliography A Ying. Wanqing wenyi baokan shulue (A Brief Account of Late Qing Art Journals and Newspapers). Beijing: Gudian wenxue chubanshe, 1958. A Ying. Zhongguo xinwenxue yundongshi ziliao (Research Materials on the Chinese New Literary Movement). Shanghai: Shanghai shudian, 1982. Abbot Xinrong and Jiang Canteng. Juzan fashi yanjiu (Research on Abbot Juzan). Taipei: Xinwenfeng chuban gongsi, 2006. Ai Wei Wei. “Louisiana Talks” series. See http://www.youtube.com/watch?v=xR6 BcfmgVh0&feature=related, accessed March 8, 2013. Produced by Marie Friis Forchhammer and Martin Kogi and copyrighted by the Louisiana Museum of Modern Art, 2011. Ai Wei Wei. “Shame on Me, Part 1: ‘Shame on Me’,” interview in Der Spiegel, November 24, 2011, http://www.spiegel.de/international/world/ai-weiweishame -on-me-a-799302.html, accessed March 6, 2013. Ai Wei Wei. “Shame on Me; Part 2: ‘Do They Want Me to Leave?’,” interview in Der Spiegel, November 24, 2011, http://www.spiegel.de/international/world/ ai-weiwei-shame-on-me-a-799302–2.html, accessed March 6, 2013. Akiyama Aisaburō. The Gion Festival. Kyoto: Akiyama Aisaburō, 1924. An E (Zhang Shiyuan). An E wenji (Collected Works of An E). Beijing: Zhongguo wenlian chuban gongsi, 2008. An E (Zhang Shiyuan). Wuyue liuhua zhao yanming: Peitong Shimotelai fangwen Li Xiannian zongdui (Accompanying Smedley Visiting Li Xiannian’s Army). Wuchang: Huazhong shifan daxue chubanshe, 1989. An E (Zhang Shiyuan). Yanzhao ernü (Sons and Daughters of Northern China). Shanghai: Shenghuo shudian, 1938. An Yu. “Zhanhuo zhong zouchu de hongse cainü: An E” (An E: A Red Female Talent Emerged from the Fire of War). Dangshi bocai (Records of Party History), no. 2 (2008), 44–46. Anderson, Marston. The Limits of Realism: Chinese Fiction in the Revolutionary Period. Berkeley: University of California Press, 1990. 312 bibliography Andrews, Julia F. Painters and Politics in the People’s Republic of China, 1949–1979. Berkeley: University of California Press, 1994. Anon. “Yan’an minzhong kangzhan liuzhounian jinian dahui guanyu huyu tuanjie fandui neizhan tongdian” (A Public Telegram Issued By the People of Yan’an Calling for Unification against Civil War on the Occasion of the Sixth Anniversary of the Anti-Japanese War). Jiefang ribao (Liberation Daily, Yan’an), July 10, 1943. Arner, G. B. L. Review of Socialism: An Analysis, by Rudolf Eucken, American Economic Review, vol. 12, no. 3 (September 1922). Ashiwa Yoshiko, and David L. Wank, eds. Making Religion, Making the State: The Politics of Religion in Modern China. Stanford, CA: Stanford University Press, 2009. Auden, W. H., and Christopher Isherwood. Journey to a War. New York: Octagon Books, 1972. Austin, J. L. How to Do Things with Words. Cambridge, MA: Harvard University Press, 1962. Avshalomov, Jacob, and Aaron Avshalomov. Avshalomovs’ Winding Way: Composers Out of China—a Chronicle. Bloomington, IN: Xlibris, 2002. Baishe zhuan (The White Snake). Beijing, 1996, Zhongguo changpian shanghai gongsi, VCD, with Li Bingshu as the White Snake. Baishe zhuan (The White Snake). Tianjin, 2004, Tianjinshi wenhua yishu yinxiang chubanshe, VCD, with Zhao Yanxia as the White Snake. Baishe zhuan (The White Snake). Beijing, 2005, Beijing wenhua yishu yinxiang chubanshe , DVD, with Diao Li as the White Snake. Baishe zhuan (The White Snake). Beijing, 2007, Beijing wenhua yishu yinxiang chubanshe , DVD, with Zhang Huoding as the White Snake. Bakker, Kees, ed. Joris Ivens and the Documentary Context. Amsterdam: Amsterdam University Press, 1999. Bao Weihong. “Baptism by Fire: Spectatorship and Aesthetic Affect in Chinese Cinema from Shanghai to Chongqing.” PhD diss., University of Chicago, 2005. Barmé, Geremie R. An Artistic Exile: A Life of Feng Zikai (1898–1975). Berkeley: University of California Press, 2002. Barnstone, Tony, and Chou Ping, eds. The Anchor Book of Chinese Poetry Web Companion. http://web.whittier.edu/academic/english/chinese/Ouyangxiu.htm. Accessed January 16, 2012. Belden, Jack. China Shakes the World. New York: Harper, 1949. Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations: Essays and Reflections. Edited with an introduction by Hannah Arendt, translated by Harry Zohn. New York: Harcourt, Brace & World, 1968. Benjamin, Walter. “The Author as Producer.” New Left Review, vol. 1, no. 62 (JulyAugust 1970), 83-96. bibliograhy 313 Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. New York: Penguin Books, 1988. Bernard, Elizabeth. “Tian Han’s ‘Reactionary Works’: 1956–1962.” In The 30th International Congress of Human Sciences in Asia and North Africa, China 1, edited by G. de la Lama. Mexico City: Colegio de Mexico, 1982. Bernardi...