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335 Index adaptation, 29, 114, 317 Albany Park, 10, 173–84, 197–98, 207, 210–16, 219n2, 257n1, 304, 324 Angelou, Maya, 119 Bacon, Wallace, 2, 69–70, 75, 77, 78n3, 104–5, 120n2, 308, 329 Ban Vinai, 127–67 Becker, Howard, 41, 60, 254–55 blackness, 111, 117, 318; and performance , 112; and signifying, 317 co-performance, 9, 11, 14, 37, 92–93, 276, 325–26 cultural performance, 19, 26, 56, 65, 92–94, 128–31, 297n23, 313 death penalty, 3–4, 9, 264–67, 277, 279, 281–85, 294n4, 296n22, 314, 324; as performance, 267, 286–94; as ritual, 267–77 dialogic performance, 8, 70, 75–77, 78n3, 79n7 Douglas, Mary, 16–17, 79n4, 156, 211, 225–27, 267 Douglass, Fredrick, 36–38, 44n2, 49– 53, 116, 118, 121n7, 320–21 elocution, 34, 104–20, 120n1, 121n4– 5, 296n18; and race, 107–8, 110–18, 121n10, 315–18, 320–21 ethnography, 6–12, 16, 35, 38, 48, 51, 88–91, 98–101, 119, 254, 259n7; as method, 6–9, 78, 82–87, 93, 96, 99, 101, 307; and performance, 6–12, 16, 22, 22n2–3, 27, 37, 44n3, 50, 78, 91–97, 100, 119, 307; as praxis, 9– 11, 16, 22, 56, 86, 96; and reflexivity, 8, 12, 76, 85, 98–102 Fabian, Johannes, 23n5, 37, 50, 79n5, 86–87, 217 Foucault, Michel, 9, 19, 33, 102, 157– 58, 212, 264–66, 277 Gates, Henry Louis, Jr., 50, 109–10, 115–16, 316–17 Geertz, Clifford, 17, 19–22, 23n6, 38– 39, 51, 53–54, 60n2, 66–67, 77–78, 81–84, 87, 92–93, 98–101, 162, 227, 258n6, 267 Gilroy, Paul, 32, 36, 38, 49, 51, 52, 118 graffiti, 181, 191, 213, 214, 233, 239, 258n5; as communication, 227–28, 236–38, 240–41, 250–53, 257, 305 habitus, 106–7, 112, 173, 241, 272, 312 Hmong, 67–68, 70–71, 128, 131, 144– 47, 154–56, 166n1, 167n3, 171, 192, 198, 310, 324; and health theater, 133–43, 147–54, 159–60, 163–66 Hurston, Zora Neale, 10, 39–40, 44n2, 53–54, 310, 324 intracommunal communication, 224– 25, 240–41, 245, 247, 250, 254 kinesis, 27–28, 30n2–3, 49, 55–57, 60n3, 87 Latin Kings, 91, 213, 224, 228, 231–53, 259n8–9, 260n12–13, 304 literacy, 34–38, 40, 50–51, 93, 106, 109–10, 115, 117–18, 142, 163, 165, 305, 316, 318, 321–22 making do, 27, 90, 189, 195–96 McVeigh, Timothy, 265–66, 277, 281, 285, 288, 291–94 336 IndEx mimesis, 27, 30n2, 49, 56–57, 60n3, 87 Mother Clean, 141–44, 148–54, 163– 67 performance: as dialogue (see dialogic performance); and ethnography (see ethnography and performance); as method, 2, 7–9, 12–13, 28–30, 41, 59–60, 92, 96–97, 131, 306–7, 311– 12; as paradigm, 17, 21, 22, 60, 92– 93, 95, 98; and performativity, 47, 108, 112; as theory, 2, 6–7, 12–13, 28–29, 33, 41–43, 55–58, 311, 322 Performance Studies, 6, 8, 12, 13, 26– 30, 33, 40–43, 47–48, 78, 104, 118, 120, 267, 310–13, 322, 329–30 Phelan, Peggy, 26, 28, 59, 270 poiesis, 30n2, 27, 56, 60n3 political economy, 7, 13, 35–36, 106, 173, 184, 255, 303–5, 312, 316 Schechner, Richard, 27, 57, 306–8 self and other, 20–21, 75, 77, 88, 162, 214, 308 sense of the other, 2, 22n3, 68, 75, 105 shamans, 27, 58, 70–71, 128, 129, 136, 140–41, 155–56, 159–60, 164–66, 171, 324, 329 street gangs, 3, 8, 9, 10, 213–57, 258n6, 259n8–9, 259–60n12, 315, 322 tactics of resistance, 173, 204–7, textocentrism, 35–36, 38, 39–40, 47– 55, 59, 93–94, 97, 315, 322, 324 textualism. See textocentrism textuality. See textocentrism Turner, Victor, 7, 15, 18–19, 27, 56–57, 60, 66, 92–98, 157, 207, 240, 241, 267, 307 Uncle Tom’s Cabin, 107–8, 113–14, 121n4, 317 voice, 2, 13, 56, 77, 87, 105–20, 225, 311, 316–18, 320–22, 329–30 witnessing. See co-performance ...

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