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257 Index C abduction, 32, 58, 119 Acosta, Javier: Amor xtremo, 87 actor crossings, 68–70 Adams, Reginald B., Jr.: Inside Jokes, 57, 58 Agrasánchez, Rogelio, Jr.: Mexican Movies in the United States: A History of the Films, Theaters, and Audiences 1920–1960, 4 Aguirre, Salvador: De ida y vuelta/Back and Forth (also known as To and Fro), 65 Ait El Caid, Boubker: Babel, 107 Alatriste, Gabriel: Otra película de huevos y un pollo/Another Movie About Eggs and a Chicken, 2, 86; Una película de huevos y un polo/A Movie About Eggs and a Chicken, 2 Alatriste, Rodolfo Riva Palacio: Una película de huevos y un polo/A Movie About Eggs and a Chicken, 2 Alcazár, Damían: Crónicas, 70; Un mundo maravilloso/A Wonderful World, 82 Alien, 146, 152 Aliens, 146 Allende, Isabel: La casa de los espíritus/ House of the Spirits, 70 Almeida, Andrés, 62 Almodóvar, Pedro: Bad Education, 51, 70 Alonso, Adrián: Al otro lado/To the Other Side, 63, 84; La misma luna, 63 Altavista, 8, 67, 83 Altman, Robert, 145; The Player, 112 Álvarez-Nóvoa, Carlos: La hija del caníbal/Lucía Lucía / The Daughter of Canibal, 123 Amparo Escandón, María: Santitos/ Little Saints, 62 amygdala, 47, 52, 115 Anhelo, 8 Anthony, Marc: Man on Fire, 73 anticipation function, 38–39 Apollo 13, 145 Arau, Alfonso: Como agua para chocolate /Like Water for Chocolate, 68; Zapata: El sueño del héroe, 90–91 Argentina, 1, 3, 70, 105 Armendáriz, Pedro, Jr., 77; Matando Cabos, 37 Arnaiz, Richardo: The Legend of Nahuala , 2 Aronofsky, Darren: The Fountain, 74 Arredondo, Hector: 40 días/40 Days, 62 Arriaga, Guillermo: Babel, 104; El Búfalo de la noche/The Night Buffalo , 76 art emotion, 54 art-house films, 1, 7, 16, 19, 20, 66, 67, 258 • Index 69, 84; audiences, 3; critics, 21; international, 70 Ashitey, Clare-Hope: Children of Men, 110 Athié, Francisco, 77 audience, 2, 7, 9, 12, 16, 23, 27, 28, 29, 34, 43, 44, 47, 48, 49, 54, 56, 62, 63, 65, 66, 68, 73, 76, 84, 87, 94, 96, 105, 138, 141–42, 143, 145–46, 147, 149, 150, 151, 152, 153, 156, 157–58; art-house, 3; blueprint, 31, 32, 45, 88, 109, 144; Cuarón’s films, 109–11, 114–20; English-reading, 4; Fukunaga’s films, 139; ideal, 14, 22, 30, 32, 33, 41, 45, 46, 51, 55, 59, 78, 80, 82, 90, 91, 93, 99, 100, 102, 109, 112, 117; international , 8, 67, 101; interpretation, 33; location, 18–19; middle-class, 8, 77, 83, 85, 101; music, 40; Novaro’s films, 131; Plá’s films, 133; Reygadas ’s films, 20, 21, 52; Serrano’s films, 123, 126, 127; Sistach’s films, 129–30; Vargas’s films, 139 audio, 29, 144, 149, 152, 153; bridge, 16, 31, 36; smash, 39 Austen, Jane, 147 autopoiesis, 26 Ayala, Ximena: Perfume de violetas, 127, 129 Ayer, David: Harsh Times, 73 Babenco, Hector, 7 Bale, Christian: Harsh Times, 73 Bardem, Javier, 46; Biutiful, 44; El amor en los tiempos del cólera/Love in the Time of Cholera, 70 Barraza, Adriana: Babel, 65, 102, 105, 106 Battleship Potemkin, 146 Bauche, Vanessa: Amores perros, 34 Baugh, Scott L.: “Developing History/ Historicizing Development in Mexican Nuevo Cine Manifestoes around ‘la Crisis,’,” 5 Beeker, Kuno: La hija del caníbal/Lucía Lucía / The Daughter of Canibal, 123 Berman, Zev: Borderland, 74 Bernal, Dario Yazbek: Ana y Daniel, 48 Bernal, Gael García, 5, 68, 76; Amores perros, 34, 67; Babel, 103; El abuelo y yo, 69; El crimen del padre Amaro, 31; Rudo y Cursi, 59, 100 Bichir, Bruno, 69; Conejo en la luna/ Rabbit on the Moon, 82; Sexo, pudor y lágrimas, 92 Bichir, Demián, 68 American Visa, 70 A Better Life, 69 Che, 69 Rina, 69 Sexo, pudor y lágrimas, 92 Todo el poder, 94 Weeds, 69 Bichir, Odiseo, 69 Bielinsky, Fabián: Nueve reinas, 70 Blade Runner, 75, 145 Blanchett, Cate: Babel, 102, 106 blind spot, 32 blueprint, 3, 11, 12, 19–20, 21, 26, 27–32, 39, 42, 44, 45–46, 52, 54; audience, 31, 32, 45, 88, 109, 144; open-ended, 16 border crossing films, 62, 64 Bordwell, David, 31–32; Narration in the Fiction Film, 19; Poetics of Cinema, 31, 89 Brando, Marlon: Viva Zapata, 71 Brazil, 1 Bresson, Robert, 143; Notes on Cinematography , 144 Brine...

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