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251 Works Cited C Agrasánchez,Rogelio,Jr.Mexican Movies in the United States: A History of the Films, Theaters, and Audiences, 1920–1960. Jefferson, N.C.: McFarland, 2006. Agren, David. “Mexico: Death Toll from Drug-Related Violence Is Thousands Higher Than Was Reported Earlier.” New York Times, August 3, 2010, http:// www.nytimes.com/2010/08/04/world/americas/04forbriefs-MEXICO.html. Armes, Roy. Thirdworld Filmmaking and the West. Berkeley: University of California Press, 1987. Ayala Blanco, Jorge. La fugacidad del cine mexicano [The ephemerality of Mexican cinema]. Mexico City: Océano, 2001. Bartsch, Anne. “Meta-emotion: How Films and Music Videos Communicate Emotions about Emotions.” Projections 2, no. 1 (2008): 45–59. Baugh, Scott L. “Developing History/Historicizing Development in Mexican Nuevo Cine Manifestoes around ‘la Crisis.’” Film and History 34, no. 2 (2004): 25–37. Berg, Charles Ramírez. Cinema of Solitude: A Critical Study of Mexican Film, 1967– 1983. Austin: University of Texas Press, 1992. Berg, Charles Ramírez. “The Indian Question.” In New Latin American Cinema: Theory, Practices, and Transcontinental Articulations, edited by Michael T. Martin , 76–93. Detroit: Wayne State University Press, 1997. Berg, Charles Ramírez. Latino Images in Film: Stereotypes, Subversion, and Resistance . Austin: University of Texas Press, 2002. Bordwell, David. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985. Bordwell, David. Poetics of Cinema. New York and London: Routledge, 2009. Chatman, Seymour. “What Novels Can Do That Films Can’t (and Vice Versa).” In Literary Theories in Praxis, edited by Shirley F. Staton, 159–69. Philadelphia: University of Pennsylvania Press, 1987. Cohen, Annabel. “Film Music: Perspectives from Cognitive Psychology.” In Music and Cinema, edited by James Buhler,Caryl Flinn,and David Neumeyer,360–78. Hanover, N.H.: Wesleyan University Press, 2000. de Gelder, Beatrice. “Toward the Neurobiology of Emotional Body Language.” Nature 7 (March 2006): 242–49. 252 • Works Cited de la Mora, Sergio. Cinemachismo: Masculinities and Sexuality in Mexican Film. Austin: University of Texas Press, 2006. Deleyto, Celestino, and María del Mar Azcona. Alejandro González Iñárritu. Urbana : University of Illinois Press, 2010. Donnelly, K. J. The Spectre of Sound: Music in Film and Television. London: British Film Institute, 2005. Dudai, Yadin. “Enslaving Central Executives: Toward a Brain Theory of Cinema.” Projections 2, no. 2 (2008): 21–42. Dugdale, Timothy. “The French New Wave: New Again.” In New Punk Cinema, edited by Nicholas Rombes, 56–71. Edinburgh: Edinburgh University Press, 2005. Duncan, Seth, and Lisa Feldman Barrett. “Affect Is a Form of Cognition: A Neurobiological Analysis.” Cognition and Emotion 21 (2007): 1184–211. Eder, Jens. “Feelings in Conflict: A Clockwork Orange and the Explanation of Audiovisual Emotions.” Projections 2, no. 2 (2008): 66–84. Feagin, Susan L. “Time and Timing.” In Passionate Views: Film, Cognition, and Emotion, edited by Carl Plantinga and Greg M. Smith, 168–79. Baltimore: Johns Hopkins University Press, 1999. Finnegan, Nuala. “‘So What’s Mexico Really Like?’ Framing the Local, Negotiating the Global in Alfonso Cuarón’s Y tu Mamá También.” In Contemporary Latin American Cinema: Breaking into the Global Market, edited by Deborah Shaw, 29–50. New York: Rowman and Littlefield, 2007. Fojas, Camilla. Border Bandits: Hollywood on the Southern Frontier. Austin: University of Texas Press, 2008. Foster, David William. Mexico City in Contemporary Mexican Cinema. Austin: University of Texas Press, 2002. Frome, Jonathan. “Representation, Reality, and Emotions across Media.” Film Studies: An International Review 8 (Summer 2006): 12–25. Gervais, Matthew, and David Sloan Wilson. “The Evolution and Functions of Laughter and Humor: A Synthetic Approach.” Quarterly Review of Biology 80, no. 4 (2005): 395–430. González, Rita, Jesse Lerner, and Isabelle Marmasse. Mexperimental Cinema: Sixty Years of Avant-Garde Media Arts from Mexico. Santa Monica, Calif.: Smart Art, 1998. Gopnik, Alison. Philosophical Baby: What Children’s Minds Tell Us about Truth, Love, and the Meaning of Life. New York: Farrar, Straus and Giroux, 2009. Grant, Catherine, and Annette Kuhn, eds. Screening World Cinema. New York: Routledge, 2006. Greene, Doyle. Mexploitation Cinema: A Critical History of Mexican Vampire, Wrestler , Ape-Man, and Similar Films, 1957–1977. Jefferson, N.C.: McFarland, 2005. Haddu, Miriam. Contemporary Mexican Cinema, 1989–1999: History, Space, and Identity. Lewiston, N.Y.: Edwin Mellen, 2007. Hernandez-Rodriguez, R. Splendors of Latin Cinema. Santa Barbara: Praeger, 2010. Hind, Emily.“Provincia in Recent Mexican Cinema, 1989–2004.”Discourse 26, nos. 1–2 (2004): 26–45. [3.141.0.61] Project MUSE (2024-04-25 18:29 GMT) Works Cited • 253 Hogan,Patrick Colm.“Epilogue of Suffering...

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