In lieu of an abstract, here is a brief excerpt of the content:

References Acosta, Leonardo. 1982. Música y descolonialización. Havana: Editorial Arte y Literatura. Acosta, Leonardo. 1989. Del Tambor al sintetizador. Havana: Editorial Letras Cubanas. Acosta, Leonardo. 1998. “La timba y sus antecedentes en la música bailable cubana.” Salsa Cubana 2, no. 6: 9–11. Acosta, Leonardo. 2004. Otra visión de la música popular cubana. Havana: Editorial Letras Cubanas. Agorsah, E. Ko‹, ed. 1994. Maroon Heritage: Archaeological, Ethnographic, and Historical Perspectives. Barbados: Canoe Press. Alén, Olavo. 1999. From Afrocuban Music to Salsa. Havana: Center for the Investigation of Cuban Music. Allen, Jafari S. 2011. ¡Venceremos? The Erotics of Black Self-Making in Cuba. Durham: Duke University Press. The American Heritage Dictionary. 1992. 3rd ed. New York: Houghton Mif›in. Aparicio, Francis. 1998. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. London: Wesleyan University Press. Armenteros Mejuto, Zoe. 1997. “Una descarga con Juan Carlos Alfonso.” Ritmo Cubano, revista de la casa discográ‹ca de la EGREM. Askew, Kelly. 2002. Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago: University of Chicago Press. Austerlitz, Paul. 1997. Merengue: Dominican Music and Dominican Identity. Philadelphia: Temple University Press. Balbuena, Bárbara. 2003. El casino y la salsa en Cuba. Havana: Editorial Letras Cubanas. Barclay, J. 1993. Havana: Portrait of a City. London: Cassel. Barnet, Miguel. 1981. La fuente viva. Havana: Editorial Letras Cubanas. Barnet, Miguel, and Esteban Montejo. 1994 [1968]. Biography of a Runaway Slave. Willimantic, CT: Curbstone Press. 185 Bascom, William. 1984 [1969]. The Yoruba of Southwestern Nigeria. Long Grove, IL: Waveland Press. Bastide, Roger. 1971. African Civilizations in the New World. New York: Harper and Row. Béhague, George H., ed. 1994. Music and Black Ethnicity: The Caribbean and South America. Miami: North-South Center, University of Miami. Behar, Ruth. 1993. Translated Woman: Crossing the Border with Esperanza’s Story. Boston: Beacon Press. Behar, Ruth, ed. 1998. Bridges to Cuba/Puentes a Cuba. Ann Arbor: University of Michigan Press. Behar, Ruth. 2002. Adío Kerida, Goodbye Dear Love: A Cuban-American Woman’s Search for Sephardic Memories. Documentary ‹lm. Women Make Movies. Behar, Ruth. 2007. An Island Called Home: Returning to Jewish Cuba. New Brunswick, NJ: Rutgers University Press. Bello, Roberto. 1997. “El Salón Rosado de la Tropical: El imperio de la salsa.” Musicalia 2, no. 1 (January–March). Beltrán, Gonzalo Aguirre. 1989 [1946]. La población negra de México. Veracruz: Universidad Veracruzana. Benítez-Rojo, Antonio. 1996. The Repeating Island: The Caribbean and the Postmodern Perspective. Durham: Duke University Press. Benmayor, Rina. 1981. “La Nueva Trova: New Cuban Song.” Latin American Music Review 2, no. 1 (Spring). Bilby, Kenneth. 1985. “The Caribbean as a Musical Region.” In Caribbean Contours , edited by Sidney W. Mintz and Sally Price. Baltimore: Johns Hopkins University Press. Bilby, Kenneth. 1994. “Maroon Culture as a Distinct Variant of Jamaican Culture .” In Maroon Heritage: Archaeological, Ethnographic, and Historical Perspectives, edited by E. Ko‹ Agorsah. Barbados: Canoe Press. Bolívar, Natalia Aróstegui. 1990. Los orishas en Cuba. Havana: Ediciones Unión. Brandon, George. 1997. Santeria from Africa to the New World: The Dead Sell Memories. Bloomington: Indiana University Press. Braun, Theodore A. 1999. Perspectives on Cuba and Its People. New York: Friendship Press. Brock, Lisa, and Digna Castañeda Fuertes, eds. 1998. Between Race and Empire: African-Americans and Cubans before the Cuban Revolution. Philadelphia: Temple University Press. Brown, David. 2003. Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. Chicago: University of Chicago Press. Browning, Barbara. 1995. Samba: Resistance in Motion. Bloomington: Indiana University Press. 186 References [18.189.170.17] Project MUSE (2024-04-23 10:34 GMT) Burton, Richard. 1997. Afro-Creole: Power, Opposition, and Play in the Caribbean. Ithaca: Cornell University Press. Cabrera, Lydia. 1986 [1957]. Anago: Vocabulario Lucumí (el Yoruba que se habla en Cuba). Miami: Ediciones Universal. Cantor, J. 1998. “The Sound of Change.” Miami New Times. October 16. Carpentier, Alejo. 1946. La música en Cuba. Mexico City: Fondo de Cultura Económica. Casanella, Liliana. 1998. “Textos para bailar: ¿una polémica actual?” Salsa Cubana 2, no. 7. Casanella, Liliana. 2000. “Mujer . . .mucho más que una musa inspiradora” (segunda parte). Música Cubana 5:54–57. Casanella, Liliana, and Taidys García. 1999. “La música bailable y su incidencia en el habla popular cubana.” Actas (volumen II), IV Simposio Internacional de Comunicación Social, editado por el Centro de Lingüística Aplicada. Editorial Oriente y Consiglio Nazionalle delle Richerche, 968–74. Castro, Jacira. 1999...

Share