Powerful Voices: The Musical and Social World of Collegiate A Cappella

Bibliography

Bibliography Works Cited Abbott, Lynn.“‘Play That Barber Shop Chord’: A Case for the African-American Origin of Barbershop Harmony.” American Music 10, no. 3 (1992): 289–325. “A Cappella Frenzy.” Sunday Morning, CBS News, January 11, 2004. “A Cappella Group Wins Championship.” University Record (University of Michigan), May 6, 2002. Ahlquist, Karen, ed. “Introduction.” In Chorus and Community. Urbana: University of Illinois Press, 2006. Alén, Olavo. “Rhythm as Duration of Sounds in Tumba Francesa.” Ethnomusicology 39, no. 1 (1995): 55–71. al Faruqi, Lois.“Qur’an Reciters in Competition in Kuala Lumpur.” Ethnomusicology 31, no. 2 (1987): 221–28. Andersen. 1989–90 Fact Book on Higher Education. New York: Macmillan, 1989. Anderson, Benedict. Imagined Communities: Re›ections on the Origins and Spread of Nationalism . London: Verso, 1993. Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis : University of Minnesota Press, 1996. Arbus, Doon.“James Brown Is Out of Sight.” New York Herald Tribune, March 20, 1966. Reprinted in The James Brown Reader: Fifty Years of Writing about the Godfather of Soul, ed. Nelson George and Alan Leeds (New York: Plume, 2008). Arenson, Karen W.“Songsters off on a Spree: Campuses Echo with the Sound of Enthusiastic A Cappella Groups.” New York Times, April 25, 2002, E1, 4. Askew, Kelly. Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago: University of Chicago Press, 2002. Averill, Gage. Four Parts, No Waiting: A Social History of American Barbershop Harmony. New York: Oxford University Press, 2003. Baker, Rachel.“These Are the Biggest Studs on Campus?” Boston, February 2007. Bartholomew, Marshall. “The 1st 100 Years, 1861–1961: A Short History of the Yale Glee 223 Club.” Unpublished manuscript at the Irving S. Gilmore Music Library, Yale University , Marshall Bartholomew Papers, MSS 24, Box 3, Folder 1. Bartholomew, Marshall. “Singing for the Fun of It.” Typescript at the Irving S. Gilmore Music Library,Yale University, Marshall Bartholomew Papers, MSS 24, Box 3, Folder 1. Bartholomew, Marshall. “The Whiffenpoofs.” Unpublished typescript at the Irving S. Gilmore Music Library,Yale University, Marshall Bartholomew Papers, MSS 24, Box 4, Folder 1. Bartholomew, Marshall, ed. Songs of Yale. New York: Miller Music, 1935. Barz, Gregory. “‘We Are from Different Ethnic Groups, but We Live Here as One Family ’: The Musical Performance of Community in a Tanzanian Kwaya.”In Chorus and Community, ed. Karen Ahlquist, 19–44. Urbana: University of Illinois Press, 2006. Barz, Gregory, and Timothy Cooley, eds. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press, 1997. Bayton, Mavis. “Women and the Electric Guitar.” In Sexing the Groove: Popular Music and Gender, ed. Sheila Whiteley, 37–49. New York: Routledge, 1997. Becker, Judith. Deep Listeners: Music, Emotion, and Trancing. Bloomington: Indiana University Press, 2004. Belz, Carl. The Story of Rock. 2nd ed. New York: Oxford University Press, 1972. “Ben Folds Goes A Cappella, with Help.” All Things Considered, National Public Radio, April 26, 2009. Bennett, H. Stith. On Becoming a Rock Musician. Amherst: University of Massachusetts Press, 1980. Blacking, John. “Towards an Anthropology of the Body.” In The Anthropology of the Body, ed. John Blacking, 1–28. London: Academic Press, 1977. Bourdieu, Pierre. Distinction: A Social Critique of the Judgment of Taste. Cambridge: Harvard University Press, 1984. Bourdieu, Pierre. “The Forms of Capital.” In Handbook of Theory and Research for the Sociology of Education, ed. John G. Richardson, 241–58. Westport, CT: Greenwood Press, 1986. Bourdieu, Pierre. The Logic of Practice. Stanford: Stanford University Press, 1990. Bourdieu, Pierre. Outline of a Theory of Practice. Trans. Richard Nice. New York: Cambridge University Press, 1977. Bourdieu, Pierre, and Loïc J. D. Wacquant. An Invitation to Re›exive Sociology. Chicago: University of Chicago Press, 1992. Bower, Adam. “Sons of Adam: An A Cappella Experience.” Undergraduate thesis, Kalamazoo College, 1995. Brackett, David. Interpreting Popular Music. Berkeley: University of California Press, 1995. Brinner, Benjamin. Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction. Chicago: University of Chicago Press, 1995. 224 bibliography Brown, Andrew R. Computers in Music Education: Amplifying Musicality. New York: Routledge, 2007. Broyles, Michael. “Music of the Highest Class”: Elitism and Populism in Antebellum Boston. New Haven: Yale University Press, 1992. Brucher, Kate.“A Banda da Terra: Bandas Filarmónicas and the Performance of Place in Portugal.” PhD diss., University of Michigan, 2005. Buechner, Alan Clark. Yankee Singing Schools and the Golden Age of Choral Music in New England, 1760–1800. Boston: Boston...