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The tumultuous decade of the 1960s in America gave birth to many new ideas and forms of expression, among them the rock musical. An unlikely offspring of the performing arts, the rock musical appeared when two highly distinctive and American art forms joined onstage in New York City. The Theater Will Rock explores the history of the rock musical, which has since evolved to become one of the most important cultural influences on American musical theater and a major cultural export. Packed with candid commentary by members of New York's vibrant theater community, The Theater Will Rock traces the rock musical's evolution over nearly fifty years, in popular productions such as Hair, The Who's Tommy, Jesus Christ Superstar, The Rocky Horror Picture Show, Little Shop of Horrors, Rent, and Mamma Mia!---and in notable flops such as The Capeman.
"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book."
---William Everett, author of The Musical: A Research Guide to Musical Theatre
"This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides."
---Studies in Musical Theatre

Elizabeth L. Wollman is Assistant Professor of Music at Baruch College, City University of New York.

Table of Contents

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  1. Cover
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  1. Front Matter
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  1. Acknowledgments
  2. pp. v-vi
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  1. Contents
  2. p. vii
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  1. Introduction
  2. pp. 1-11
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  1. 1. The Birth of the Rock Musical in New York City
  2. pp. 12-23
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  1. Interlude 1: Rock “Authenticity”and the Reception of the Staged Rock Musical
  2. pp. 24-41
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  1. 2. HAIR and Its Imitators
  2. pp. 42-64
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  1. Interlude 2: Audiences
  2. pp. 65-72
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  1. 3. Rock Concept Albums and the Fragmented Musical of the 1970s
  2. pp. 73-119
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  1. Interlude 3: Megamusicals
  2. pp. 120-129
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  1. 4. Spectacles of the 1980s
  2. pp. 130-141
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  1. Interlude 4: Economics and Marketing
  2. pp. 142-157
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  1. 5. Rock Musicians in the Musical Theater: The 1990s
  2. pp. 158-200
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  1. Interlude 5: Merging Aesthetics,Making Performances
  2. pp. 201-212
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  1. 6 Rock-Influenced Musicals at the Millennium: The Dawning of the Age of . . . the Revival
  2. pp. 213-222
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  1. Conclusion
  2. pp. 223-228
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  1. Notes
  2. pp. 229-244
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  1. Bibliography
  2. pp. 245-258
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  1. Index
  2. pp. 259-271
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  1. Image Plates
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