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Augé, Marc. Non-Places. Introduction to an Anthropology of Supermodernity. Trans. John Howe. London: Verso, 1995. Avalle-Arce, Juan Bautista. “Persiles and Allegory.” Cervantes 10 (1990): 1–17. Aznar, José María. “Seven Theses on Today’s Terrorism” (http://www3.georgetown .edu/president/aznar/inauguraladdress.html). Bacon, Francis. The New Organ. Eds. Lisa Jardine and Michael Silverthorne. Cambridge: Cambridge University Press, 2000. Baena, Julio. Discordancias Cervantinas. Newark: Juan de la Cuesta, 2003. Baena, Julio. “Spanish Mannerist Detours in the Mapping of Reason: Around Cervantes’ Novelas Ejemplares.” Reason and Its Others: Italy, Spain, and the New World. Eds. David Castillo and Massimo Lollini. Nashville: Vanderbilt University Press, 2006. 204–20. Baquero, Ana. “Los espacios de la maravilla en la novela corta áurea.” Loca Ficta: Los espacios de la maravilla en la Edad Media y Siglo de Oro. Ed. Ignacio Arellano. Madrid: Iberoamericana, 2003. 57–68. Barnes-Karol, Gwendolyn. “Religious Oratory in a Culture of Control.” Culture and Control in Counter Reformation Spain. Eds. Anne Cruz and Mary Elizabeth Perry. Minneapolis : University of Minnesota Press, 1992. 51–77. Barona, Juan de. Relacion autentica y verdadera, en la qual se trata y da cuenta de un testimonio que levantó un Cavallero en la Ciudad de Amberes, este año a una señora muy principal (que estava casada con un caballero, ya hõbre mayor en días) porque no quiso conceder a sus torpes amores, y la venganza que la dicha señora tomó del dicho cavallero, cortandole la cabeza en su misma cama, la qual va dividida en dos Romances curiosos. Compuestos por el licenciado Juan de Barona. Barcelona, Estevan Liberos, 1616. Biblioteca Nacional , Lisboa, Res. 254/29. Barthes, Roland. Mythologies. Trans. Annette Lavers. New York: Hill and Wang, 1972. Bataillon, Marcel. Erasmo y España. Trans. Antonio Alatorre. Mexico D.F.: Fondo de Cultural Económica, 1986. Battistini, Andrea. “The Telescope in the Baroque Imagination.” Reason and Its Others: Italy, Spain, and the New World. Eds. David Castillo and Massimo Lollini. Nashville: Vanderbilt University Press, 2006. 3–38. Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994. Beckford, William. Vathek. Ed. Roger Lonsdale. London: Oxford University Press, 1970. Beneath (2007). Dir. Dagen Merril. Benedict, Barbara. A Cultural History of Early Modern Inquiry. Chicago: University of Chicago Press, 2001. Benjamin, Walter. The Origin of German Tragic Drama. London: New Left Books, 1977. Benjamin, Walter. “Thesis on the Philosophy of History.” Illuminations. Ed. Hannah Arend. Trans. Harry Zohn. New York: Schocken Books, 1969. Bernabé Pons, L. F. “Estudio preliminar.” Historia Verdadera del rey don Rodrigo. By Miguel de Luna. Granada: Universidad de Granada, 2001. Blackwood, Algernon. “The Willows.” The 13 Best Horror Stories of All Time. Ed. Leslie Pockell. New York: Warner Books, 2002. Blanco Aguinaga, Carlos. “Cervantes y la picaresca. Notas sobre dos tipos de realismo.” Nueva revista de ‹lología hispánica 11 (1957): 313–42. Bono, James. “Perception, Living Matter, Cognitive Systems, Immune Networks: A Whiteheadian Future for Science Studies.” Con‹gurations 13 (2005): 135–81. Works Cited 166 Brownlee, Marina. “Postmodernism and the Baroque in María de Zayas.” Cultural Authority in Golden Age Spain. Eds. Marina Brownlee and Hans Gumbrecht. Baltimore: Johns Hopkins University Press, 1995. 107–27. Brownlee, Marina. The Cultural Labyrinth of María de Zayas. Philadelphia: University of Pennsylvania Press, 2000. Bucki-Glucksmann, Christine. Baroque Reason: The Aesthetics of Modernity. Trans. Patrick Camiller. London: University of Teesside, 1994. Buffalo News, May 7, 2006. Bynum, Caroline. Jesus as Mother: Studies in the Spirituality of the High Middle Ages. Berkeley: University of California Press, 1982. Calabrese, Omar. Neo-Baroque: A Sign of the Times. Princeton: Princeton University Press, 1992. Calderón de la Barca, Pedro. El alcalde de Zalamea. Ed. Angel Valbuena Briones. Madrid: Cátedra, 1990. Calderón de la Barca, Pedro. El médico de su honra. Ed. Angel Valbuena Briones. Madrid: Espasa-Calpe, 1965. Calderón de la Barca, Pedro. El pintor de su deshonra. Ed. Angel Valbuena Briones. Madrid: Espasa-Calpe, 1965. Carilla, Emilio. Manierismo y barroco en las literaturas hispánicas. Madrid: Gredos, 1983. Carroll, Noël. The Philosophy of Horror Or Paradoxes of the Heart. New York: Routledge, 1990. Carter, Angela. The Sadeian Woman. An Exercise in Cultural History. London: Virago Press, 1979. Casalduero, Joaquín. Sentido y forma de Los trabajos de Persiles y Sigismunda. Buenos Aires: Editorial Sudamericana, 1947. Cascardi, Anthony. “The Genealogy of the Sublime in the Aesthetics of the Spanish Baroque.” Reason and Its Others: Italy, Spain, and the...

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