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Index
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Index Academic art studies, 33 Acton, Lord, 12 Adam, Robert, 155-56 Admiralty Arch, 199 "The Adversary," 38, 83-84 Aesthetic impulse (emotion), 16, 82, 84,91-92, 94-96,112, 127,162-67 Aesthetics, 73-85, 138 Aesthetic satisfaction in art and science ' 69-72, 137 Agnew, 30 Akn-aten, 115 Alma-Tadema, Sir Lawrence, 35, 1089 American Institutionalist economics, 2, 8, 62. See also Veblen, Thorstein Anarchism and art, 45, 17I, 178 Anna Karenina, 132 Anonymity in art, 50 Apostles (Cambridge University), 3, 54 Applied art in a railway refreshment room, 188 Arnold, Matthew, 140 Art: and the aesthetes, 28-29, 52, 102, 176; and aristocracy, 182; British indifference to, 194; and mass production , 23-24; and the middle class, 23, 48-50,57, 116, 119, 152-53, 184-85; and nature, 84-85, 88, 92; and the Philistines, 25, 28,32,37,44,52-53, 103, 140-41, 151, 183; and psychoanalysis , 124-38; and religion, 17, 19, 23, 76, 96-102, 104, 113, 171, 187; and science, 17, 19-20, 69-72, III, 126, 145-49, 181-92; and society, 22-23, 25, 32, 38, 116-18, 123, 181-82, 191 Art as advertisement and source of prestige, 113-14, 118, 120-22, 127, 164-65,174-77,190 Art in capitalism, for diversion and prestige, 175 Art and Commerce, 2, 5, 20, 104n. 2, 111-123 Art critics, their role, 34, 51, 62, 86-87, 118, 163 Art education, 36, 38-42, 154, 196-97, 202-3; for industrial design, 197-99, 209-12, 215-26 Art market equilibrium, 34, 43; role of posterity in, 35 Art market imperfections: collusion, 31-32; corruption, 31; forgery, 30; information , 30, 33; scale, 33; subjugation of true art, 32, 36 Art market institutions and practices, 30-35 Art as religion, 97-106, II6 Artist: as parasite, 178-79; as prophet and priest, 187; problem of support, 179-80 The Artist and Psycho-analysis, 5, 12438 Arts Council, U.K., 46, 55, 60 Arts League of Service, III Asian and African art, 201-2 Athenaeum, 4, 10, 17, 51, 69 Baldovinetti, Alesso, 90 Bastien-Lepage, Jules, 78 Beauty, 80-81 Beckford, William, 157 Beethoven, Ludwig von, 79 2I8 Bell, Clive, v, 1,3-4,34,36-38, 49, 51, 57,92,95 Bell, Qyentin, 3, 8 Bell, Vanessa, I, 4-5, 58-59 Bellini, Jacopo, 146 Bennett, Arnold, 179 Berenson, Bernard, 51 Biological basis of applied art, 126, 161 Birmingham University, 194 Blake, William, 150 Bloomsbury group, xi, I, 4, 12, 37, 47, 52, 55, 62 Board ofTrade, U.K., 39 Bocklin, Arnold, 97 Bohemians, 105, 131 Bolsheviks, 46, u6 Bonington, Richard Parks, 150, 158 Bounder, Hiram S., 175-76 Bramble, Mr., 154 British Museum, 41, 200-201 British school of art, origin of, 152-53 Bronzes, U9 Browning, Robert, 186 Brunelleschi, Filippo, 147 Burlington, Lord, 154 Burlington Fine Arts Club, 69 Burlington House Dutch Exhibition, 159 Burlington Magazine, 4-5,51,159 Cadet, Mere, 105 Caesar, Julius, 84 Caligula, 70 Cambridge humanism, 12 Caravaggio, Michelangelo, 149 Carpenter, Edward, 45, 47 Castagno, Andrea del, 147 Cezanne, Paul, 4, 34-35, 89-90, 97, 107-9, IJ5-36, 186 Chambers, Sir William, 155-56 Chantrey bequest, 41 Chardin, Jean Baptiste Simeon, IJ5 Charles I, 159 Chaucer, Geoffrey, 172 Chinese painting, 82 Chinoiserie, 156 Christ, Jesus, 172 Christian spectator, 93 Index Christie's auctions, 34, 107-10, 185 Cinema as art, 132, 174 Cinematograph, 74-75, 174 Civilization, 37-38, 47, 49, III, II4-I5, 163; by what appraised, 106; role of culture in, WI Clark, Kenneth, v, 5, 36-37, 51-52 Classicists (men of culture), 27, 35, 8990 ,101-2 Collins, Judith, 3, 39 Commission of Fine Arts, U.K., 194 Committee decision-making, 185 Communal nature of art, 185 Constable, John, ISO, 158-59 Contemporary Art Society, 49, 57 Cotman, John Sell, ISO, 158 Council for the Encouragement ofMusic and the Arts, U.K., 60 Courtland, Samuel, 57-58 Crane, Walter, 44 Crome, John, ISO, 158 Crowd,26 Crystal Palace, u8 Cubism, 89, 207 Culture, 96-106, 140-41; "a just appreciation of spiritual values," 140 Daddi, Bernardo, 146 Darwin, Charles, 13, 55 Daumier, Honore, 104, II2 da Vinci, Leonardo, 83, 148-49 Degas, Hilaire G. E., u8 Degas sale, 57, 81, 88 della Francesca, Piero, 117, 147 Demand for art, 18-30, 62, IU-12, 153; opifacts, II3 Derain, Andre, 90 Design: rhythm, mass, space, light, and color, 82; unity in, 81-82 Diaz, Narcisse, 100 Dickens...