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Ventura, Michael. Shadow Dancing in the USA. Los Angeles: Jeremy P. Tarcher, 1985. Waksman, Steve. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, MA: Harvard University Press, 1999. Wald, Elijah. Escaping the Delta: Robert Johnson and the Invention of the Blues. New York: HarperCollins Amistad, 2004. Wald, Gayle F. Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe. Boston: Beacon Press, 2007. Walker, Alice. The Same River Twice: Honoring the Dif‹cult. New York: Simon & Schuster, 1996. Walleczek, Jan. “Bioelectromagnetics: The Question of Subtle Energies.” In Noetic Sciences Review 28 (Winter 1993). Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: Wesleyan University Press, 1993. Ward, Brian. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. Berkeley: University of California Press, 1998. Ward, Ed. Michael Bloom‹eld: The Rise and Fall of an American Guitar Hero. New York: Cherry Lane, 1981. Ward, Martha. Voodoo Queen: The Spirited Lives of Marie Laveau. Jackson: University Press of Mississippi, 2004. Wardlow, Gayle Dean. Chasin’ That Devil Music: Searching for the Blues. San Francisco : Backbeat Books, 1998. Waterman, Dick. Between Midnight and Day. New York: Thunder’s Mouth Press, 2003. Watson, John F. “Methodist Error.” (1819) Reprinted in Readings in Black American Music, 2nd ed., ed. Eileen Southern. New York: Norton, 1983. Weiand, Jeffrey. “Duchamp and the Artworld (with a note from Joel Rudinow).” Critical Inquiry 8, no. 1 (Autumn 1981): 151–57. Welding, Pete. “Hell Hound On His Trail: Robert Johnson.” In Down Beat’s Music ’66. Chicago: Maher, 1966. Werner, Craig. Higher Ground. New York: Three Rivers Press, 2004. West, Cornell. Democracy Matters: Winning the Fight against Imperialism. New York: Penguin, 2004. Wex, Michael. Born to Kvetch: Yiddish Language and Culture in All of Its Moods. New York: St. Martin’s, 2005. Whiteis, David. “The Devil Ain’t Got No Music! Mavis Staples.” Living Blues 175 (December 2004). Whiteis, David. “Singing through the Rain” (pro‹le of folk singer Rosalie Sorrells ). No Depression 58 (July–August 2005). Williams, Genevieve. “Robben Ford: Blue Moon Rising.” Blues Revue 79 (January 2003): 11. Williams, Sherley Anne. “The Blues Roots of Contemporary Afro-American Poetry .” In Afro-American Literature: The Reconstruction of Instruction, edited by Dexter Fisher and Robert B. Stepto. New York: Modern Language Press Association of America, 1978. Winant, Howard. Racial Conditions: Politics, Theory, Comparisons. Minneapolis: University of Minnesota Press, 1994. 228 Bibliography Wolkin, Jan Mark, and Bill Keenon. Michael Bloom‹eld: If You Love These Blues—An Oral History. San Francisco: Miller-Freeman, 2000. Wooten, Victor L. The Music Lesson: A Spiritual Search for Growth through Music. New York: Berkeley Books, 2006. Wyman, Bill, with Richard Havers. Bill Wyman’s Blues Odyssey: A Journey to Music’s Heart and Soul. New York: DK, 2001. Young, Alan. Woke Me Up This Morning: Black Gospel Singers and the Gospel Life. Jackson : University Press of Mississippi, 1997. Young, James O. Cultural Appropriation and the Arts, Blackwell Publishing, 2008. Zelazo, P., M. Moscovitch, and E. Thompson. Cambridge Handbook of Consciousness . New York: Cambridge University Press, 2007. Bibliography 229 [18.116.63.174] Project MUSE (2024-04-23 11:23 GMT) Recommended Listening and Viewing chapter 1 Ray Charles. The Ray Charles Story. Atlantic, ATC 2-900. Ray Charles. A Man and His Soul. ABC-Paramount, ABCS-590X. Phases 1 and 2 of Ray Charles’ storied career. The Ray Charles Story surveys the recordings of his breakthrough period with Atlantic Records. Ray’s move to ABC Paramount and his success at Atlantic gave him a then unparalleled level of artistic control—of which he took full advantage, moving in bold new directions. Sam Cooke. Portrait of a Legend—1951–1964. Abkco, (2003) B00009N1ZV. Sam Cooke. With the Soul Stirrers: The Complete Specialty Recordings. Specialty Records, (2002) 3SPCD-4437-2. Before crossing over to pop, Sam Cooke sang lead with the close harmony gospel quartet the Soul Stirrers. Portrait of a Legend surveys Cooke’s body of work from the gospel period through the pop hits to the later work, including some blues (Willie Dixon’s “Little Red Rooster” recorded for RCA). Aretha Franklin. Queen of Soul: The Atlantic Recordings. 1992, Atlantic Records, B0000032VS. Aretha Franklin. Amazing Grace. 1972, Atlantic Records, 2-906-2. Aretha established herself as the Queen of Soul during her Atlantic Records period. On Amazing Grace she is welcomed back in church with Reverend James Cleveland and the Southern California Community Choir. Curtis May‹eld...

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