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E-witnessing in the Digital Age - Kay Schaffer and Sidonie Smith
- University of Wisconsin Press
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223 E-witnessing in the Dig i tal Age kay schaf fer and sid o nie smith Since we pub lished Human Rights and Nar rated Lives in 2004, the so cial and struc tu ral en vi ron ments of human rights cam paigns have changed sig nifi cantly. The major change we take up in this essay con cerns the use of tech nol o gies and their im pli ca tions for per sonal sto ry tell ing in human rights cam paigns. These tech nol o gies, when de ployed in the pur suit of so cial jus tice, af fect every di men sion of po lit i cal or gan iza tion, in clud ing modes of trans mis sion, breadth and speed of in for ma tion flows, rhet o rics of ap peal, and cul tures of re cep tion in rights cam paigns. Whereas tra di tional United Na tions rights cam paigns and com mis sions have relied pri mar ily on re corded inter views, oral wit ness ing be fore truth com mis sions, and pub lished vic tim/sur vi vor nar ra tives, the en vi ron ments at tached to the cur rent array of dig i tal tech nol o gies in volves en sem bles of de vice, code, plat form, site proto col, net work, ge neric tem plate, and multi ply po si tioned user. This dense dig i tal en vi ron ment now af fects the forms of on line and of fline wit ness ing mo bi lized to reg is ter grie vance and ad vance col lec tive forms of rec og ni tion and re dress. His tor i cally, the pri mary mode of put ting a human face on suf fer ing and ac ti vat ing a human rights claim has been through pri mary and sec on dary wit ness tes ti mony. Per sonal wit ness ing has tra di tion ally been ad vanced through pro fes sional jour nal ism and human rights or gan iza tions (govern men tal and non govern men tal) and often cir cu lated glo bally by pub lish ers who reap sub stan tial profits from sen sa tional tales of suf fer ing and sur vi val. Ac ti vists and sur vi vor ad vo cates pro mote the chain of tell ing and lis ten ing that links wit ness sto ry tell ing to em pa thy, re sponse, and ac tion. This human rights gram mar as sumes the em o tive power of the in di vid ual voice. The par a digm of in di vid ual wit ness ing here de scribed per sists and is ro bustly ex plored in this vol ume by An nette Kobak and Mi chio Miy a saka, and el o quently en acted in Hec tor Aristiz ábal’s per sonal sto ry tell ing. It is, how ever, being over taken by other forms of tes ti mony and modes of wit ness ing made pos sible by the per va sive pres ence 224 kay schaffer and sidonie smith of tech nol o gies that alert a larger pub lic to suf fer ing and grie vance. New modes of wit ness ing are being ad vanced by the glo bal use of dig i tal tech nol ogy in var i ous forms, such as ne tizen micro ac ti vism, dig i tally driven sur veil lance tech nol o gies, cy be rhac ti vism and ever-expanding, so phis ti cated user ex per tise. This is not to sug gest that the in di vid ual story no longer has sa li ence; it is to sug gest that now multi ple av e nues for and modes of wit ness ing exist along side one an other and that, as Mark Muller argues, new tech nol o gies en able dif fer ent kinds of wit ness pol i tics, a pol i tics that may not de pend on the tropes, plots, and rhet o rics of vic tim nar ra tives.1 Dig i tal en vi ron ments raise pro voc a tive ques tions about how to ap proach emer gent acts and in stances of wit ness. How might dig i...