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215  Index ab­ sence and pres­ ence ten­ sion, 21–22, 31, 51, 58–60, 93, 109–112, 131 ac­ cess to ­ records: Cam­ bo­ dian Gen­ o­ cide Jus­ tice Act and, 79–80; ­ DC-Cam and, 6, 9, 74, 81, 83–85, 88, 90, 92, 103, 189n152; dig­ it­ iza­ tion chal­ lenges in, 88, 188n140; Na­ tional­ Archives, 83; Photo ­ Archive ­ Group’s ac­ tiv­ i­ ties and, 76; prov­ e­ nance in con­ text of, 19–20; Tuol Sleng Gen­ o­ cide Mu­ seum and, 71, 72, 92, 183n58, 188n151. See also archi­ viza­ tion of Tuol Sleng mug shots;­ records ac­ qui­ si­ tion of ­ records, by ­ DC-Cam, 81–82, 186nn112–113 ac­ ti­ va­ tion of ­ records, 16–17, 98, 132, 165, 196n107. See also nar­ ra­ tives about Khmer Rouge, and Tuol Sleng mug shots aes­ thetic ob­ jects (art works), and Tuol Sleng mugshots,4–5,74–76,88,184n67,184n69­ agency: com­ mu­ nity of ­ records ­ around Tuol Sleng mug shots in re­ as­ ser­ tion of, 7, 12, 58–60, 180n136; photo­ graphs and, 15; so­ cial life of ­ records and, 15, 16–17, 58– 60, 180n136; of sur­ vi­ vors in con­ text of tour­ ist photo­ graphs, 152–155, 199n43; and vic­ tim­ hood ten­ sion, 21–22, 58–60, 147, 154, 180n136­ agency and si­ lence (si­ lence and ­ agency): ­ within archi­ val the­ ory, 21–22; as com­ ple­ men­ tary, 21–22, 58–60, 180n136; ten­ sion in nar­ ra­ tives about Khmer Rouge ­ between, 109–112, 131, 134–135; Tuol Sleng Gen­ o­ cide Mu­ seum in con­ text of, 180n136; Tuol Sleng mug shots in con­ text of, 21–22, 58– 60, 180n136. See also si­ lences as en­ coded/ frame­ work in his­ tor­ i­ cal pro­ duc­ tion anthro­ po­ log­ i­ cal clas­ sifi­ ca­ tion, and ­ French co­ lo­ nial po­ lice pol­ i­ cies as leg­ acy in Cam­ bo­ dia, 175n56, 176n65, 177n72 Ap­ pa­ du­ rai, Arjun, 14–17, 132 archi­ val the­ ory and schol­ ar­ ship: archi­ val multi­ verse in, 21, 171n68; ­ co-creatorship and, 18, 19–20, 58–59, 171n64; in­ a­ li­ en­ abil­ ity prin­ ci­ ple in, 18, 171n57; prov­ e­ nance in, 18–21, 77, 171n57, 171n64;­ records con­ tin­ uum model in, 13, 169n30;­ records ­ life-cycle model in, 169n30, 169n34, 170n50; si­ lence and ­ agency as com­ ple­ men­ tary ­ within, 21–22; trans­ for­ ma­ tion of ­ records and, 13; ­ Trouillot’s four si­ lences com­ pared with, 12–14, 21, 161, 169n29; ­ voices heard ­ through si­ lence of photo­ graphs and, 18, 20–21, 59 archi­ vists, ­ archives, and archi­ val in­ sti­ tu­ tions: com­ mu­ nity of ­ records ­ around Tuol Sleng mug shots as, 7, 12, 167n11; ­ DC-Cam and, 90; dig­ it­ iza­ tion of ­ records in con­ text of, 88; ECCC rep­ ar­ a­ tions and, 198n9; nar­ ra­ tives about Khmer Rouge and, 107, 111–112, 133; po­ lit­ i­ cal fac­ tors in Page num­ bers in ital­ ics in­ di­ cate il­ lus­ tra­ tions. 216 I n d e x archi­ vists, … (continued ) archi­ viza­ tion and, 26, 61–62, 93–96; reuse of Tuol Sleng mug shots for, 12, 98, 100, 104, 189n4; si­ lences as en­ coded in his­ tor­ i­ cal pro­ duc­ tion as coun­ tered by, 22, 24, 96, 159–160; so­ cial func­ tion of, 57–58. See also col­ lec­ tive mem­ ory; com­ mu­ nity of ­ records ­ around Tuol Sleng mug shots; and spe­ cific archi­ vists, ­ archives, and archi­ val in­ sti­ tu­ tions archi­ viza­ tion of Tuol Sleng mug shots: over­ view of, 9, 23, 61–63, 93–96; aes­ thetic ob­ jects or art works ex­ hi­ bi­ tions and, 4–5, 74–76, 88, 184n67, 184n69; child with women and, 73, 92, 118, 121–122, 122–124, 126, 127–128, 134, 141, 195n85; con­ ser­ va­ tion ef­ forts and, 4, 63, 67, 71–73, 76; con­ tex­ tu­ al­ iza­ tion/de­ con­ tex­ tu­ al­ iza­ tion of­ records and, 74–77, 184n72, 185n85; Cor­ nell ­ University’s micro­ film­ ing pro­ j­ ect and, 62, 69–71; in ­ DC-Cam, 69; dig­ it­ iza­ tion of ­ records and, 6, 9, 12, 62, 82, 85, 86, 87–88; eth­ ics of look­ ing and, 77; fact as­ sem­ bly of...

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