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Acknowledgments
- University of Wisconsin Press
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xv Ac knowl edg ments There are many peo ple who have ac com pa nied me through out the prep ar a tion of this book. My ap pre ci a tion goes to the Di par ti mento di Storia delle Arti at the Uni ver sity of Pisa, Italy, where I com pleted the three-year doc to ral pro gram in which I had the chance to re fine and com plete the nec es sary re search work. Spe cial thanks to Pier Marco De Santi, Cinzia Sicca, and San dra Lis chi. A tip of the hat also goes to Giu lia Car luc cio at the Uni ver sity of Turin, Italy, who was the super visor of my master’s the sis (again, on John Williams) and my very first cin ema teacher. Part of this book is based on field work car ried out in Bos ton, Mas sa chu setts. On the one hand, it con sisted of my reg u lar pres ence at all the John Williams con certs with the Bos ton Pops from 2007 to 2013. On the other hand, it con sisted of archi val re search at the Bos ton Sym phony Or ches tra Archives and at the WGBH Ed u ca tional Foun da tion Media Li brary and Archives. Many thanks for their ad vice and as sis tance go to Brid get P. Carr and Bar bara Per kel (BSO Archives) and to Keith Luf, Nancy Dil lon, and Leah Weisse (WGBH Archives). My warm est thanks to my dear friends at Boston’s Sym phony Hall: Do reen M. Reis, Vin cenzo Pep pino Na tale, and Adam Cas tig li oni for their con stant friend ship and sup port, and to Ron Della Chiesa for our de light ful con ver sa tions about the his tory of the Bos ton Sym phony Or ches tra and the Bos ton Pops. A spe cial ac knowl edg ment goes to my Bos ton ian friend Vic tor Brogna, who lent a very help ful hand both with legal is sues and with the xvi • Acknowledgments proof read ing of the book man u script. This book orig i nates from my Ital ian PhD dis ser ta tion. Since I wanted to present Maes tro Williams with a copy of said dis ser ta tion upon our meet ing in June 2012, my seven-hundred-page work had to be trans lated from Ital ian into En glish. I must thank my friend Ales san dra Voi for shar ing with me the bur den some work of trans la tion under a very tight sched ule, thus help ing me meet the dead line. My friend John Nor ris de serves my warm est grat i tude and a cen tral niche of his own. He is a thorough con nois seur of film music and John Williams’s works, and was an in val u able as sist ant in my archi val re search in Bos ton. He was also my eyes and ears at those con certs that I was not able to at tend, and con se quently pro vided me with de tailed re ports and lots of ma te rial. More over, he did a re mark able job of lan guage re vi sion, hav ing been part of the trans la tion team that had worked on the En glish ver sion of my dis ser ta tion. Gra zie, John! As for the form and ap pear ance of the book, I wish to ex press my ap pre ci a tion to the many peo ple who gave their con tri bu tions at the var i ous stages of the pro cess. First of all, I’m grate ful to the Uni ver sity of Wis con sin Press for giv ing me the op por tu nity to bring this book to life. My sin cere grat i tude goes to Executive Ed i tor Ra phael Kad u shin, who has al ways be lieved in the project’s po ten tial and has been en cour ag ing from our very first e-mail con tact, to his as sist ant Mat thew Cosby, to my editor Sheila McMahon, and to all the other nice per sons I worked with at UW...