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163 Index aber tura (po lit i cal open ing) pe riod: Am nesty Law and, 12–13; Gabeira’s Com pan heiro and, 28, 35, 36; Guerra’s Memórias de uma guerra suja and, 128; media cover age and, 40 Abrão, Paulo, 17 Abreu, Cláudia, 76–77 ac count abil ity: Am nesty Law and, 11, 124; Anos re beldes and, 70, 128; “Ar gen tin iza tion”and,12;in Bonassi’sProva contrária, 91; cul tural pro duc tion and, 123; Di reito à memória e à ver dade and, 84, 85, 87, 94; jus tice as, 18; Me mo rial da Re sis tên cia and, 120; Tapajós’s Em câmara lenta and, 29; tor ture, dif fu sion of re spon sibil ity for, 36–37, 43; turn to mem ory and, 124 Aciabe, João, 111 Adorno, Theo dor, 115 Aguiar, Joa quim Alves de, 37 AI-5 (Ato In sti tu cional Número Cinco; Fifth In sti tu tional Act) (1968), 9, 10 Al bu querque, Sev e rino, 109 “Ale gria, Ale gria” (Ve loso), 144n63 Alfonsín, Raúl, 21 Aliança Li ber ta dora Na cional (Na tional Lib er a tion Al li ance), 33–34 Al mada, Izaías, 104, 106, 108, 116, 148n16 Álvarez, Analy, 104, 108 Alves, Márcio Mo reira, 141n114 Am aral, Tata, 4, 80, 98. See also Hoje (Today) (film) am bi gu ity. See un cer tainty and am bi gu ity am nesty: early calls for, 10–11; mass move ment for, 11; mean ings of, 29–30, 33; phases of, 31–33; “re cip ro cal,” 11, 31 Am nesty Com mis sion, 17, 32, 131n10 Am nesty Law (1979): cor dial ity dis course and, 87; cy cles of cul tural mem ory and, 28, 129; Di reito à memória e à ver dade on, 86–87; Gabeira’s Com pan heiro and, 33– 41; num ber of ex iles at time of, 138n56; re cip ro cal am nesty in, 11; rec on cil i a tion by for get ting and, 12–13, 123; re peal, lack of mass move ment for, 12; re turn ing ex iles and, 39, 43; sign ing of, 32–33; Sirkis’s Os carbonários and, 42–44; Tapajós’s Em câmara lenta and, 45–56; up held by Su preme Court, 18 Amor e revolução (Love and Rev o lu tion) (no vela), 80 Angel, Zuzu, 141n1 an o nym ity of vic tims, 49–51 anos de chumbo (“years of lead”): Bra zil ians in exile dur ing, 140n86; de fined, 10, 132n16; Guerra’s Memórias de uma guerra suja and, 128; Tapajós’s Em câmara lenta and sep ar atere al ityof,48–49.SeealsoAra guaia mas sa cre Note: page num bers in ital ics refer to il lus tra tions. 164 I n d e x Anos dou ra dos (Golden Years) (min is er ies), 74–75, 141n1 Anos re beldes (Rebel Years) (TV min is er ies): am bi gu ity in, 70, 75; caras-pintadas, Col lor im peach ment, and, 75–79; cy cles of cul tural mem ory and, 59–60, 124; his tory re im a gined as dit a branda (“soft” dic tat or ship) in, 65–70; mer chan dise spin-offs and com mod ifi ca tion of, 79– 80; multi ple and con flict ing mes sages in, 127–28; plot over view, 59; pub lic sphere and media self-censorship and, 70–75; rerun (2013) of, 144n74; so cial mer chan dis ing and never again mes sage in, 60–65, 77–79 ap a thy, so ci etal, 19–20, 49 Ara guaia mas sa cre, 10, 132n17, 133n18, 150n4. See also anos de chumbo archive, site of re pres sion as, 105–8 Los archi vos del card enal (The Cardinal’s Archives) (min is er ies), 80–81 ARENA (Aliança Re nov a dora Na cional; Al li ance for Na tional Ren o va tion), 9, 32 Ar gen tina: Bra zil case com pared to, 50; es cra ches (per pe tra tor “out ings”) in, 147n3; fear of “Ar gen tin iza tion” in Bra zil, 12; Sikkink’s The Jus tice Cas cade, 20–22; tes ti mo ni als in, 57 Art from a...