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39 2 Prai­ rie Fire The New Ev­ an­ gel­ i­ cal­ ism and the Pol­ i­ tics of Oil, Money, and Moral Geog­ ra­ phy dar­ ren do­ chuk Ca­ na­ dians were in a fes­ tive mood in 1967 be­ cause of their ­ country’s cen­ ten­ nial, but lo­ cals cel­ e­ brated in Fort McMur­ ray, Al­ berta, for rea­ sons all of their own. This year they ­ heralded the open­ ing of the Great Ca­ na­ dian Oil Sands (GCOS) plant. For three years, three thou­ sand work­ ers had la­ bored ­ round-the-clock, turn­ ing a $235 mil­ lion in­ vest­ ment into the “world’s first com­ mer­ cial ven­ ture” to pro­ duce syn­ thetic crude out of bi­ tu­ men. ­ Created to ­ change the world, the GCOS was also a ­ world’s crea­ tion: over the ­ course of ­ thirty-six ­ months, a multi­ tude of en­ gi­ neers, equip­ ment op­ er­ a­ tors, weld­ ers, and rig­ gers had ­ shaped a mass of sup­ plies from ­ around the globe into an enor­ mous com­ plex able to ex­ tract one of “the ­ world’s larg­ est sin­ gle en­ ergy re­ sources.” ­ Spread out over 30,000 ­ square miles from Fort McMur­ ray, with de­ pos­ its up to 150 feet thick, the oil sands, of­ fi­ cials ­ boasted, rep­ re­ sented more than six hun­ dred bil­ lion bar­ rels of oil. Wait­ ing to be har­ nessed, this fron­ tier beck­ oned de­ vel­ op­ ment on an epic scale, yet even in its hum­ ble be­ gin­ nings, they em­ pha­ sized, the GCOS stood as a “trib­ ute to man’s in­ ven­ tive­ ness and de­ ter­ mi­ na­ tion [to over­ come] the ob­ sta­ cles of na­ ture” and a sig­ nal that the “dawn of a new age” had ar­ rived.1 40 E part i: talkin ’bout a revolution? For all of the boil­ er­ plate ex­ ec­ u­ tives used to pro­ mote their prod­ uct on an inter­ na­ tional scale, ­ GCOS’s open­ ing cer­ e­ mo­ nies pul­ sated to a pro­ vin­ cial beat. In this mo­ ment of ex­ traor­ di­ nary ad­ vance­ ment for Ca­ na­ dian pe­ tro­ leum, prai­ rie folk­ si­ ness was com­ bined with Prot­ es­ tant rel­ i­ gios­ ity to en­ cour­ age a ­ down-home feel. ­ GCOS’s com­ memora­ tive lit­ er­ a­ ture ­ stressed that the pro­ ject was com­ pleted by hun­ dreds of or­ di­ nary peo­ ple who had ­ banded to­ gether in a vi­ brant com­ mu­ nity that would be­ come a model of multi­ cul­ tu­ ral­ ism. These em­ ploy­ ees “come from com­ fort­ able cit­ ies, mod­ est farms, rus­ tic vil­ lages,” GCOS pamph­ lets under­ scored, be­ fore not­ ing the pres­ ence of for­ mer back­ woods­ men and Moun­ ties on the com­ pany pay­ roll.2 GCOS also pro­ duced a ­ forty-five-minute film ­ called Ath­ a­ basca, which as­ sessed the tar sands pro­ ject ­ through the lives of two em­ ploy­ ees. One was Di­ mitry Silin, a fur trap­ per who had em­ i­ grated to the Ca­ na­ dian North from Si­ be­ ria. Film­ mak­ ers fol­ lowed him as he ­ trudged ­ through the Ath­ a­ basca River val­ ley look­ ing for bea­ ver pelts. ­ Through stun­ ning vis­ u­ als, the movie drove home the mes­ sage that Silin en­ joyed one­ ness with his en­ vi­ ron­ ment, that he rep­ re­ sented a link to a sim­ pler past now being over­ taken by­ GCOS’s in­ dus­ trial might. In­ stead of steer­ ing into some cri­ tique of in­ dus­ tri­ al­ iza­ tion, ­ though, ­ Athabasca’s crea­ tors ma­ nip­ u­ lated ­ Silin’s tes­ ti­ mony so that it tes­ tified to their de­ sired ­ truths: that GCOS was every bit as con­ cerned with the en­ vi­ ron­ ment (and every bit as “one” with it) as Silin, and that its de­ sire to de­ velop­ Alberta’s North was be­ nev­ o­ lent. Yes, ­ Silin’s idyl­ lic realm was about to be civ­ il­ ized, but civ­ il­ iza­ tion of the kind GCOS prom­ ised em­ bod­ ied the same or­ ganic ­ ideals this out­ doors­ man held dear. The...

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