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Index
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Index agency: minority points of view and, , n; of successor-authors, –, n Aglaya and aglaia, meanings of, n Aikhenval’d, Iu., n, n, n, n, n Akakievich,Akaky (Gogol character): Devushkin compared with, , – n; Devushkin’s view of, –, , ; effacement of voice, , n; Old Pokrovsky compared with, –; Prokharchin compared with, –, , , . See also “The Overcoat” Aleksey (Aleksey Ivanovich, Dostoevsky character): on accumulation and nationality, –; Dostoevsky ’s stance toward, –; as gambling for love, –; interpretations of, –, n; as inveterate gambler, , , , n; love for Polina, , , , ; on odds, n. See also The Gambler Alexander II (tsar), Al’tman, M. S., n ambiguity: of archetypical gamblers, –; in The Bronze Horseman, ; in Crime and Punishment, –; in Poor Folk, –; Pushkin’s preference for, –; in The Queen of Spades, –; in “The Stationmaster ,” , –, American Shakespeare Society, Anderson, Roger B., nn–, n Andrew, Joe, n Anna Karenina (Tolstoy), n Annenkov, P.V., Antsiferov, N. P., –, n, n Apollonio, Carol, n, n Arendt, Hannah, , –, n Auerbach, Erich, , authors: approach to, –;“death” of, –; distancing devices of, (see also irony); diverse definitions of, –; economic approach to, n; intertexuality and, –, –; inter- vs. intra-authorial relations and, n; successors as, –, n. See also influence and influence studies Avramets, Irina, , n Bakhtin, Mikhail: on carnivalization, n; on Dostoevsky’s fiction, – , ; on Dostoevsky’s late novels, , n; on The Double, ; on Bakhtin, Mikhail (continued) Pushkin’s monologic style, , n Baron (Pushkin character): as ascetic, ; crime and conscience in realizing idea, –, , , n; the effects of isolation, –, – ; finances of, , n, – n; the idea in, , –, ; inheritance and the idea in, –, , ; interpretations of, , n, n; legacy for Dostoevsky, n; pangs of conscience of, – , –, –, , , , n, nn–;“poor knight” in relation to, –, n; power obsession of, –, , –, n; son of (Albert), – , , –n, n; transgressive pleasure of, –, – , nn–, n; other characters compared: Aleksey, ; Arkady (A Raw Youth), –, n; Evgeny and Vyrin, ; Germann, ; Prokharchin, –, –, , n; Raskolnikov, –; Trollope’s Melmotte, , n. See also The Covetous Knight Barthes, Roland, – Bate,Walter Jackson: on imitating great artists, ; on originality, – , n, n; on parody, n Batyushkov, Konstantin, Baxandall, Michael, –, n Beach, Joseph Warren, –n “The Beauty” (“Krasavitsa,” Pushkin), –n Beebe, Maurice, n Belinsky,Vissarion G.: on The Covetous Knight, , n, n; on The Double, ; on Mr. Prokharchin, – n; on Poor Folk, , , n, n, n; on Pushkin age of literature, –n; on Pushkin’s works, n Belyi,A.A., , n, n, n Bem,Alfred L.: on The Covetous Knight, n; on Crime and Punishment, n; on Dostoevsky’s concept of “living life,” n; on The Gambler, , n; on guilt and sin in Dostoevsky, , n; influence studies by, –n; on Mr. Prokharchin, ; on The Queen of Spades, – Berkovskii, N. Ia., n Berlin, Isaiah, –n Bestuzhev,A., Bethea, David: on Derzhavin and Pushkin, , n, –n; on influence and Pushkin, , n; on Lotman’s view of Pushkin, n; on Pushkin’s little tragedies, n biblical references: Gadarene swine parable, ; Lazarus parable, , , ; Prodigal Son parable, –, , n, n; prophetpoet in Isaiah , –. See also religion Binyon, T. J., n Blackmur, R. P., n Blagoi, D. D., n, n, n, n Block, Haskel M., Blok,Alexander, Bloom, Harold: influence defined by, , –; limitations of influence ideas of, , n; on Milton and other poets, ; on precursor and successor (ephebe), , , ; use of terminology of, Bocharov, S. G., n, n Boris Godunov (Pushkin), , bronza, use of term, , n Index The Bronze Horseman (Mednyi vsadnik, Pushkin): first-person narration in, –; madness in, –, –; modern city theme in, ; Peter and Petersburg in, , –, –, , –, , , ; as prophetic, n; Raskolnikov as child of Peter in, –; rebellion valorized in, –, –, , – , , –; sympathy with individual in, –, –. See also Crime and Punishment (Dostoevsky); The Double (Dostoevsky); Evgeny The Brothers Karamazov (Dostoevsky): The Gambler compared with, – ; inheritance and avarice in, , , , –; narrative approach in, , ; parricide theme in, n; Pushkin’s Baron in, ; rivalry in, n; universal responsibility theme of, . See also Karamazov, Fyodor; Karamazov, Ivan Bulgarin, Faddei, Burlingame, Michael, n Byron, Lord (George Gordon Byron), Caesar, Julius, Napoleon III’s history of, , , n Callimachus (poet), , –n The Captain’s Daughter (Pushkin), , , n, n Carré, censorship, n, n Cervantes, Miguel de, Don Quixote, –, n Chekhov,Anton, n Chernova, N.V., n, n, n childhood, , –, n Chirkov, N. M., n Cicero, Clayton, Jay, n clerk-heroes. See Devushkin, Makar; Golyadkin,Yakov Petrovich; Prokharchin Coleridge, Samuel Taylor, , compassion: expectations of, –; Sonya’s, –, conscience: actions as awakening, – , n; crisis of, in Mr. Prokharchin, –; great men’s disregard of, , –; pangs of Baron’s, –, –, –, , , , n, nn–; pursuit of idea and, –, ; right to kill in good conscience, – , –, –, , , – , , ; unconscious guilt, revealed in dreams and hallucinations , , , –. See also fear/isolation/conscience/idée fixe nexus; guilt and...