Directing the Dance Legacy of Doris Humphrey
The Creative Impulse of Reconstruction
Publication Year: 2012
Published by: University of Wisconsin Press
Cover
Title Page, Copyright, Dedication, Quote
Contents
Download PDF (66.3 KB)
pp. vii-viii
List of Illustrations
Download PDF (83.3 KB)
pp. ix-x
Acknowledgments
Download PDF (66.6 KB)
pp. xi-2
I have been fortunate indeed to benefit from the wisdom of some exceptional women in dance. Elaine Macdonald, Pat Mackenzie, Wendy Cook, Ann Hutchinson Guest, Millicent Hodson, and Stephanie Jordan each in their individual ways made me feel that distant aspirations were reachable. I thank my dear friend Alexandra (Sandra) Carter for her unstinting support and encouragement as my writing progressed ...
Prologue: Negotiating a Living Past
Download PDF (88.3 KB)
pp. 3-12
Doris Humphrey made dances for America. Her opus is a repertoire of dances that span abstract, thematic, and narrative works. Many of them have breathtaking choreographic design and sociocultural significance or are just simply beautiful to watch and to dance. This legacy is a vital part of American cultural heritage and demands attention not only from the perspective of preservation but also from a contemporary desire to creatively engage the past. ...
Part One
Chasing the Ephemeral
Download PDF (159.0 KB)
pp. 15-46
If you are reading this book, then you either have heard of Doris Humphrey or have an interest in modern dance and the performing arts. Why is it important that we care about Humphrey and her work? There are some compelling reasons. First, she was one of the foremost pioneers of American modern dance. For that reason alone, preserving her legacy should be important to the American cultural psyche. ...
Part Two
Exploring the Creative Impulse
Download PDF (70.6 KB)
pp. 49-51
The diverse approaches taken with these four Humphrey dances illustrate the kinds of positions available to the contemporary director when dealing with the past. Ideas borrowed and adapted from other disciplines have provided a way forward in supplementing and extending existing practices. Collingwood’s notion of the “living past” alongside White’s “recognizable form” and Eliot’s premise that “the past alters the present as much as the present directs the past” ...
Water Study
Download PDF (230.3 KB)
pp. 52-78
Choreography: 1928
Premiere: October 28, 1928, Civic Repertory Theater, New York
Water Study opens with an ensemble of fourteen dancers clad in skin-toned unitards, arrayed across the stage in asymmetrical formation, bent low to the ground in profile. A series of ripples emerges through the backs of the dancers, who are in a tucked, kneeling position, and traverses the space, one picking up ...
Passacaglia
Download PDF (238.8 KB)
pp. 79-105
Choreography: 1938
Music: J. S. Bach, Passacaglia and Fugue in C Minor
Premiere: August 5, 1938, Armory, Bennington, Vermont
Passacaglia is cast for a group of eighteen, including two “leaders,” originally danced by Humphrey and Weidman. The opening tableau shows the entire group arrayed on a configuration of rising platforms positioned center stage, facing away from the audience with arms held aloft in a striking diamond-shaped pose. ...
With My Red Fires
Download PDF (149.5 KB)
pp. 106-128
Choreography: 1936
Music: Wallingford Reigger
Premiere: August 13, 1936, Armory, Bennington, Vermont
With My Red Fires is an exploration of the destructive elements of possessive love. Humphrey structured the dance in two parts, each with indicative subtitles: ...
The Shakers
Download PDF (179.3 KB)
pp. 129-154
Choreography: 1931
Music: Traditional Shaker hymns, arranged by Pauline Lawrence
Premiere: February 1, 1931, Craig Theater, New York
Humphrey based The Shakers on a celibate religious movement that evolved out of the Quakers. The movement was founded in England and transported in the late 1700s to the United States, where it subsequently flourished. The name transpired through a particular swaying action the body took on during prayer rituals. ...
Epilogue: Dancing the Past Tomorrow
Download PDF (66.1 KB)
pp. 155-158
The ideas and strategies presented in this book are intended to illustrate what is possible. The intention is not to replace existing practices, including reconstruction, but to extend current practice in the knowledge that the passing of time necessitates a new form of intervention. ...
Notes
Download PDF (122.7 KB)
pp. 159-168
Bibliography
Download PDF (109.9 KB)
pp. 169-182
Index
Download PDF (83.4 KB)
pp. 183-190
Further Reading
Download PDF (36.2 KB)
p. 191-191
E-ISBN-13: 9780299285838
Print-ISBN-13: 9780299285845
Page Count: 200
Publication Year: 2012
Series Title: Studies in Dance History
Series Editor Byline: A Series of the Society of Dance History Scholars
