Film and Genocide

Bibliography

241 Bibliography Abzug, Robert. Inside the Vicious Heart: Americans and the Liberation of Nazi Concentration Camps. New York: Oxford, 1985. Aguilar, Gonzalo. Otros mundos: Un ensayo sobre el nuevo cine argentino. Santiago: Arcos, 2006. Aleiss, Angela. Making the White Man’s Indian: Native Americans and Hollywood Movies. Westport, CT: Praeger, 2005. Amado, Ana. “Ficciones críticas de la memoria.” Pensamiento en los confines 13 (December 2003): 54–63. Anderegg, Michael A. Orson Welles, Shakespeare, and Popular Culture. New York: Columbia University Press, 1999. Arlen, Michael J. Passage to Ararat. New York: Farrar, Straus and Giroux, 1975. “AV Description: Step by Step Instructions.” Budapest: Open Society Archives, n.d. Avisar, Ilan. Screening the Holocaust: Cinema’s Images of the Unimaginable. Bloomington: Indiana University Press, 1988. Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge, MA: MIT Press, 2002. Barnouw, Erik. Documentary: A History of the Non-Fiction Film. Oxford: Oxford University Press, 1983. Baron, Lawrence. Projecting the Holocaust into the Present: The Changing Focus of Contemporary Holocaust Cinema. Lanham, MD: Rowman and Littlefield, 2005. Baronian, Marie-Aude. “Archiving the (Secret) Family in Egoyan’s Family Viewing.” In Shooting the Family: Transnational Media and Intercultural Values, edited by Patricia Pisters and Wim Staat, 147–62. Amsterdam: Amsterdam University Press, 2005. . “History and Memory, Repetition and Epistolarity.” In Image and Territory: Essays on Atom Egoyan, edited by Jennifer Burwell and Monique Tschofen, 157–76. Waterloo, ON: Wilfrid Laurier University Press 2006. Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 1981. Bartov, Omer. Murder in Our Midst: The Holocaust, Industrial Killing, and Representation. Oxford: Oxford University Press, 1988. . “Spielberg’s Oskar: Hollywood Tries Evil.” In Spielberg’s Holocaust: Critical Perspectives on Schindler’s List, edited by Yosefa Loshitzky, 41–60. Bloomington: Indiana University Press, 1997. Bartrop, Paul R. “The Holocaust, the Aborigines, and the Bureaucracy of Destruction: An Australian Dimension of Genocide.” Journal of Genocide Research 3, no. 1 (2001): 75–87. Basinger, Jeanine. The World War II Combat Film: Anatomy of a Genre. Middletown, CT: Wesleyan University Press, 2003. Bauman, Zygmunt. Postmodern Ethics. Oxford: Blackwell, 1993. Bazin, André. What Is Cinema? Vol. 1. Translated by Hugh Gray. Berkeley: University of California Press, 1967. Bazin, André, Charles Bitsch, and Jean Domarchi. “Interview with Orson Welles (II).” In Orson Welles: Interviews, edited by Mark W. Estrin, 48–76. Jackson: University of Mississippi Press, 2002. Beattie, Keith. Documentary Screens: Non-fiction Film and Television. New York: Palgrave Macmillan, 2004. Benigni, Roberto, and Cerami, Vincenzo. Life Is Beautiful: Screenplay. New York: Faber and Faber, 1999. Berkhofer, Robert F. The White Man’s Indian: Images of the American Indian from Columbus to the Present. New York: Vintage, 1979. Beverley, John. “The Neoconservative Turn in Latin America Literary and Cultural Criticism.” Journal of Latin American Studies 17, no. 1 (March 2008): 65–83. . “Rethinking the Armed Struggle in Latin America.” Boundary 2 36, no. 1 (2009): 47–59. Bogdanovich, Peter. The Cinema of Orson Welles. New York: Doubleday, 1961. Bogdanovich, Peter, and Jonathan Rosenbaum. This Is Orson Welles. New York: Da Capo Press, 1998. Bonaldi, Pablo Daniel. “Hijos de desaparecidos: Entre la construcción de la política y la construcción de la memoria.” In El pasado en el futuro: Los movimientos juveniles, edited by Elizabeth Jelin and Diego Sempol, 143–84. Madrid: Siglo XXI Editores, 2006. Bourke-White, Margaret. Portrait of Myself. New York: Simon and Schuster, 1963. Boutros-Ghali, Boutros. Unvanquished: A U.S.– U.N. Saga. New York: Random House, 1999. Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001. Brady, Frank. Orson Welles. London: Hodder Stoughton, 1990. Brown, Wendy. States of Injury: Power and Freedom in Late Modernity. Princeton, NJ: Princeton University Press, 1995. Brunton, Ron. “Genocide, the ‘Stolen Generations,’ and the ‘Unconceived Generations.’” Quadrant 5, no. 42 (1998): 19–24. Bruzzi, Stella. New Documentary: A Critical Introduction. New York: Routledge, 2000. Burgin, Victor. Thinking Photography. London: Macmillan, 1982. Burwell, Jennifer, and Monique Tschofen. “Mobile Subjectivity and Micro-Territories: Placing the Diaspora.” In Image and Territory: Essays on Atom Egoyan, edited by Jennifer Burwell and Monique Tschofen, 125–32. Waterloo, ON: Wilfrid Laurier University Press, 2006. Calhoun, Dave. “White Guides, Black Pain.” Sight and Sound: International Film Quarterly 17, no. 2 (2007): 32–36. 242 bibliography 243 Bibliography Calhoun, Laurie. “Death and Contradiction: Errol Morris’ Tragic View of Technokillers.” Jump Cut: A Review of Contemporary Media, no. 47 (2005). http://www...