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Contents
- University of Wisconsin Press
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v 5 The Codrus Painter and His Contemporaries 28 5.1 The Codrus Painter and the Eretria Painter 28 5.2 The Codrus Painter, Aison, and the Meidias Painter 29 5.3 The Codrus Painter and the Group of Polygnotos 30 5.4 Conclusion 30 6 Mythological Subjects 31 6.1 Heroic Kings and Royal Heroes: The Codrus Cup 31 6.2 From the Attic Land: The Erichthonios Cup 33 6.3 The Attic Hero: The Theseus Cup 36 6.4 Consulting the Oracle: The Themis Cup 39 6.5 A Theban Myth as a Platform for Athenian Ideals: The Basel Cup 40 7 Divine Assemblies 43 7.1 The Divine Banquet Cup 43 7.2 Local Deities: The Brauron Cup 46 8 Other Mythological Subjects 47 8.1 The Triton Cup 47 8.2 The Phrixos Cup 48 8.3 The Cassandra Cup 49 8.4 The Astarita Cup 49 8.5 The Amazomachy Cup 50 9 Dionysiac Subjects 52 9.1 Representations of Thiasoi 52 9.2 Dramatic Performances 53 9.3 The Herakles Cup 54 List of Illustrations vii Preface xi Acknowledgments xiii 1 Introduction 3 1.1 History of Research 3 1.2 Dating the Work of the Codrus Painter 5 2 Defining the Style of the Codrus Painter 7 2.1 Details of the Drawing 7 2.2 The Style of Painters Near the Codrus Painter 10 2.3 Recurrent Motifs and Figure-Types 13 2.4 Palmettes 14 2.5 Tondo Bands 16 3 Reconsidering Some Attributions 17 3.1 The Oxford Chous 17 3.2 The Dresden Cup 18 3.3 The Cape Town Cup 18 3.4 The Cambridge Athletes Cup 19 3.5 The Timandra Fragments 20 3.6 The Cup Once in the Basel Market 20 4 Shapes, Style, and Chronology 22 4.1 Shapes 22 4.2 Stylistic and Chronological Arrangement of the Vases 23 4.3 The Circle of the Codrus Painter 25 4.4 Manner of the Codrus Painter 25 4.5 Compare to the Codrus Painter and Aison 26 4.6 Near the Codrus Painter 26 4.7 The Painter of Cambridge 72 26 C O N T E N T S vi Contents 13 Late Fifth-Century Attic Sculpture and the Codrus Painter 71 13.1 Architectural Sculpture and Temple Decoration 72 13.2 Cult Statue Bases 76 13.3 Dedicatory and Funerary Relief Bases 78 13.4 Other Reliefs: Funerary and Votive 78 13.5 Conclusion 81 14 Overview of the Work of the Codrus Painter 83 Appendix: Kalos Names and Other Inscriptions 85 Catalogue 87 Plates 97 Notes 191 Bibliography 217 Index 229 9.4 The Cambridge Cup 55 9.5 The Oxford Chous 56 10 Departure Scenes and Hoplite Representations 57 10.1 The Zurich Cup 58 10.2 The Naples Cup 58 10.3 The Ex-Charterhouse Cup 58 10.4 The Battlefield Cup 59 11 Depictions of Youths and Athletes 61 11.1 Sport in Athens and Etruria 61 11.2 Athletic Scenes by the Codrus Painter and His Circle 61 11.3 Victors and Athletes after Training 62 11.4 Javelin Throwing, Jumping, and Combat Sports 63 11.5 Torch Races and Musical Contests 64 11.6 Generic Athletic Scenes 64 11.7 The Seesaw Cup 65 12 The Codrus Painter and the Etruscan Market 66 12.1 Attic Vases and the Etruscan Banquet 67 12.2 The Polysemic Value of Attic Vase Paintings: An Etruscan Reading of the Codrus Painter’s Cups 68 ...