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Accademia de’ Lincei, 66–67 “Aimable Vainqueur,” 241–42, 253n59, 253–54nn61–63, 255n74 Aldridge, Robert, 175 allegorical subjects and roles: in fifteenthcentury Italian dance spectacles, 26, 27, 30, 34, 40; in Paris Opera ballets, 116–17, 232 “Alta Orsina” (Caroso), 59 Altemps, Cornelia Orsina, 59 Ambrosio, Giovanni, 21 Angiolini, Gasparo, 173, 175 Anne of Austria, Queen of France, 84 Anne of Denmark, Queen of England, 72, 78, 87–88 Apollo and Daphne (Thurmond), 186, 187 Arbeau, Thoinot, 49 Ariadne and Bacchus (Gallet), 175 Artenice (Racan), 5, 76 Astier, Régine, 7–8; article by, 123–44; contributor’s note, 257 Auretti, Anne, 169 Auretti, Janneton, 169–70 autonomy, legal freedom of Paris Opera dancers, 106, 129, 142 Bacchus and Ariadne (Sallé), 161, 171, 173–75 Le Baillet des Fleur (Lany), 175 Il ballarino (Caroso), 50, 51, 53–54, 57, 58, 59, 60, 61 Ballet dansé par les Roi pour la Reine (French court ballet), 74 Le Ballet de la Reyne dansé par les Nymphes des Jardins (French court ballet), 74, 84 Ballet des Fleurs (Sallé), 171, 175, 245 Balon, Claude, 102, 113, 116, 128, 131, 134, 145, 146, 147, 148, 151, 152, 155n17, 161 “Barriera” (Caroso), 58, 69n16 “Barriera Nuova” (Caroso), 58–59 Barzun, Jacques, 229 “Bassa Honorata” (Battistino), 61 “Bassa Honorata” (Caroso), 60 “Bassa Romana” (Battistino), 59 Bassompierre, François Le Maréchal de, 76–77, 84 Battersby, Christine, 162, 165, 172–73 Battistino, Messer, 51–52, 53, 54, 57, 58, 59, 69n16 Baxter, Richard, 195 Beatrice of Nazareth, 219 Beauchamp, Pierre, 91 Beaussant, Philippe, 241 The Beaux’ Stratagem (Farquhar), 185 Beguines, 208–10, 215, 217 Behn, Aphra, 186, 194 “Le Bellezze d’Olimpia” (Caroso), 51, 54 Bernard, Pierre-Joseph, 163, 165 Besford, Esther, 175 Bestul, Thomas, 215 261 I Numbers in italics refer to figures. Biancolelli, Catherine, 194, 195 Bicknell, Margaret, 9, 184–85, 186, 187– 88, 192, 194–95, 199–200 Blamont, Colin de, 170 Blondy, Michel, 107, 113, 116, 137–38, 142, 158n60, 161 Bocan, Mr. ( Jacques Cordier), 73, 78, 89, 91n3 Boindin, Nicolas, 107, 109 Boissy, Louis de, 162–63 Bonin, Louis, 130–31 Booth, Barton, 187, 190 Bourguignon, Erika, 219 Boutade (Rebel), 130–31 Bouteville, S., 127 Bracegirdle, Anne, 192 Brooks, Lynn Matluck: contributor’s note, 257; introduction by, 3–14 Brunel, Mlle., 109 Buckingham, Duke of (George Villiers), 74, 75, 76, 77, 78, 79, 185 Burke, Peter, 233 Bussy-Rabutin (Roger de Rabutin, Comte de Bussy), 233, 237 Bynum, Carolyn Walker, 209–10, 225 Caciola, Nancy, 220 Caetana, Agnesina Colonna, 50, 51–52, 55, 57, 60–61 Caetana, Bonifacio, I, 55, 57 Caetana, Caterina Pio, 55 Caetana, Felice Maria Orsini, 50, 61, 63 Caetani family genealogy, 56 Cahusac, Louis de, 172 Calzabigi, Ranieri, 173 Camargo, Marie Anne Cupis de, Prévost and, 123 Cammasse, Lolotte (Charlotte), 170 Campanini, Barbarina, 171, 174 Campra, André, 167, 172, 189, 232 Camus, Jeanne Edmée (Mme. Delastre), 107 Caprice (Rebel), 130–31, 156n28 Les Caractèrs de la danse (Rebel), 130, 132– 33, 137, 138, 156n28, 156–57n32, 188 The Careless Husband (Cibber), 186 Caroso, Fabritio, 39; books on dancing by, 50; as choreographer, 51–52; patronesses of, 5, 49–67; “perfect theory” of dance, 58, 59–60, 61; Spanish connections of, 57, 60 Carte de Tendre (Scudéry), 230, 237 Les Cérémonies et coutomes religieuses de tous les peuples du monde (Picart), 233–34, 243 “Cesarina” (Caroso), 60 Cesi, Beatrice Caetana, 50, 51–52, 54, 55, 57–58, 68n14 Cesi, Federico (elder), 63, 66–67 Cesi, Federico (younger), 64–67 Cesi, Olimpia Orsina, 50, 51–52; as Caroso’s patroness, 50, 51–52, 64, 67; children of, 64–67; cousins of, 61–63; family of, 52–57, 59; grandparents of, 52; in-laws of, 55–61; marriage to Federico Cesi, 55, 63– 67; parents of, 52–54; as patroness of architecture and arts, 64 Cesi, Onorato, 55, 57, 60–61, 67 Cesi, Paolo Emilio, 54, 55 Chaillou, Mlle., 110, 113 Charles I, King of England, 71, 72, 76, 78, 93n27; marriage to Henrietta Maria,74,76,79,84,88;asmasque performer, 75, 79, 84 Charles II, King of England, 88 Chateauneuf, Marie, 169 Chateauvieux, Mlle., 109 Chesnée, Quesnot de la, 105–6 “Chiaranzana,” 32, 39, 60 children: dancers’ illegitimate, 107; as performers at Paris Opera, 103, 119–20n11, 126–27, 161; as performers in English masques, 75, 89–90;asprotégésof Sallé,168–70 Chloridia: Rites to Chloris and Her Nymphs (English court masque), 80–86, 88, 91 choreography: English court...

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