Early American Poetry: Selections from Bradstreet, Taylor, Dwight, Freneau, and Bryant

Poems

266 William Cullen Bryant Poems THE YELLOW VIOLET When beechen buds begin to swell, And woods the blue-bird's warble know, The yellow violet's modest bell Peeps from the last year's leaves below. Ere russet fields their green resume, Sweet flower, I love, in forest bare, To meet thee, when thy faint perfume Alone is in the virgin air. Of all her train, the hands of Spring First plant thee in the watery mould, And I have seen thee blossoming Beside the snow-bank's edges cold. Thy parent sun, who bade thee view Pale skies, and chilling moisture sip, Has bathed thee in his own bright hue, And streaked with jet thy glowing lip. Yet slight thy form, and low thy seat, And earthward bent thy gentle eye, Unapt the passing view to meet, When loftier flowers are flaunting nigh. Oft, in the sunless April day, Thy early smile has stayed my walk; But midst the gorgeous blooms of May, I passed thee on thy humble stalk. So they, who climb to wealth, forget The friends in darker fortunes tried. I copied them-but I regret That I should ape the ways of pride. 5 10 15 20 25 Poems 267 And when again the genial hour Awakes the painted tribes of light, I'll not 0'erlook the modest flower That made the woods of April bright. (1814; 1821) 30 INSCRIPTION FOR THE ENTRANCE TO A WOODI Stranger, if thou hast learned a truth which needs No school of long experience, that the world Is full of guilt and misery, and hast seen Enough of all its sorrows, crimes, and cares, To tire thee of it, enter this wild wood And view the haunts of Nature. The calm shade Shall bring a kindred calm, and the sweet breeze That makes the green leaves dance, shall waft a balm To thy sick heart. Thou wilt find nothing here Of all that pained thee in the haunts of men, And made thee loathe thy life. The primal curse Fell, it is true, upon the unsinning earth, But not in vengeance. God hath yoked to guilt Her pale tormentor, misery. Hence, these shades Are still the abodes of gladness; the thick roof Of green and stirring branches is alive And musical with birds, that sing and sport In wantonness of spirit; while below The squirrel, with raised paws and form erect, Chirps merrily. Throngs of insects in the shade Try their thin wings and dance in the warm beam That waked them into life. Even the green trees Partake the deep contentment; as they bend To the soft winds, the sun from the blue sky Looks in and sheds a bleSSing on the scene. 5 10 15 20 25 1. Reversing the message of the famous inscription Dante found at the entrance to the Inferno, Bryant counsels the reader to abandon discouragement rather than hope, while opening himself to the healing power of nature. 268 William Cullen Bryant Scarce less the cleft-born wild-flower seems to enjoy Existence, than the winged plunderer That sucks its sweets. The mossy rocks themselves, And the old and ponderous trunks of prostrate trees That lead from knoll to knoll a causey rude Or bridge the sunken brook, and their dark roots, With all their earth upon them, twisting high, Breathe fixed tranquillity. The rivulet Sends forth glad sounds, and tripping o'er its bed Of pebbly sands, or leaping down the rocks, Seems, with continuous laughter, to rejoice In its own being. Softly tread the marge, Lest from her midway perch thou scare the wren That dips her bill in water. The cool wind, That stirs the stream in play, shall come to thee, Like one that loves thee nor will let thee pass Ungreeted, and shall give its light embrace. (1815; 1817) TO A WATERFOWL Whither, midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way? Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly seen against the crimson sky,1 Thy figure floats along. 30 35 40 5 1. Earlier versions describing the bird's figure as "darkly painted on," "Limned upon," and "shadowed on" the sky indicated the pictorial quality, directly related to painting, which Bryant tried to achieve in this poem. Seek'st thou...