Joel-Francois Durand in the Mirror Land

Index

INDEX Achtenbusch, Herbert, 10 Adorno, Theodor W., xii, 45, 47, 49, 79, 86n5, 112 Alchemy, 68–71 Alexander, Christopher, xii, 52, 87n17 Angster, Armand, 28 Arel, Bülent, 27 Artaud, Antonin, 10 Artaud, Pierre-Yves, 17 Ashbery, John, 97 Bach, Johann Sebastian, 68; The Art of Fugue, 215; Goldberg Variations, 180; Musikalisches Opfer, 177; In dulci jubilo (Orgelbüchlein), 68, 69 Bacon, Francis, xii, 74 Barenboim, Daniel, 178 Barraqué, Jean, xii, 42, 43; Piano Sonata, x, 42, 43, 87n15 Bartók, Béla: Mikrokosmos No. 141 (“Subject and Reflection”), 133n9 Bayer, Francis, 7, 8 Beckett, Samuel, 35 Beethoven, Ludwig van, 6, 9, 24, 34, 50, 91, 97, 98, 123, 124, 132n3, 134n19, 207; Piano Sonata, Op. 31 no. 2, 91, 98; Piano Sonata, Op. 81a, 131; String Quartet in A Minor, Op. 132, 123; Symphony No. 3 in E-flat (“Eroica”), 207; Symphony No. 6 in F (“Pastoral”), 6 Bellini, Vincenzo, 134n18 Berg, Alban, xii, 10, 11, 60, 96, 122, 135n26; Altenberg Lieder Op. 4, 60, 96, 122, 136n29; Lulu, 11, 43; Lyric Suite, 43 Berio, Luciano, 89; Sinfonia, 48, 49 Bernhard, Thomas, viii, x, xi, xii, 10, 32, 39, 40, 207, 211–45 passim; Concrete, 212; Correction, xi, 16, 32, 176, 193, 206, 207, 208, 209n3, 211, 212, 216, 217, 218, 231–3, 240; Extinction, 216; The Lime Works, 212, 216; The Loser, 212; Old Masters, 215; Yes, 213–4, 215 Bernstein, Leonard, 207 Boulez, Pierre, ix, xii, 8, 10, 13, 122, 123, 136n31, 137n37, 176; Penser la musique aujourd’hui, 8 Brown, Earle, 7 262 Cage, John, xii, 7, 55, 59 Carter, Elliott, 72, 176; Double Concerto for Harpsichord and Piano with Two Chamber Orchestras, 72 Center, 45, 87n17, 125, 177, 178, 179, 220; defined, 48, 50; formal power of, 49; in relation to fields, 50; occurring only once, 51; radiations of, 51–2; not perceived, 52; in relation to presence, 53; single note as, 57–8; in Webern’s Sechs Stücke für Orchester, Op. 6 no. 3, 130 Charles, Daniel, 7 Conservatoire (Paris), 6, 10 Dagar brothers, 6 Dalhaus, Carl, xii, 95, 123, 130, 131, 134n19; Theory of Melody, 89–90 Darmstadt Summer Courses, 17, 19 Debussy, Claude, 136n31 Deleuze, Gilles, 6 Diastic reading, 163; in She or not, 63–5; in La Terre et le feu, 65–6, 105, 109, 241 Distance: structural, 149; in So er, 220–1 Dowden, Stephen D. 214, 216 Dowland, John, 64, 65 Durand, Joël-François, compositions of: Athanor, 20, 42, 50, 57, 58, 68, 70, 71, 72, 75, 98, 100, 112–21, 241–2; Au-delà, Cinq Études pour Piccolo, 45, 46, 61, 62, 65, 66, 100, 105–7, 109, 111, 112, 135n26, 164–71, 172n2, 172n3, 172n4; Le Chemin, 31; Concerto for Piano and Orchestra, ix, 29–35, 40, 41, 42, 43, 57, 58, 61, 62, 66, 77, 140– 52, 240; . . . d’asiles déchirés . . ., 17; L’Exil du feu, 20, 24, 25, 67, 100, 240; Five Musical Tales (Cinq Contes Musicaux), 45, 47, 62, 164, 168–71; Un Feu distinct, 20, 24, 25, 26, 32, 67, 99, 100–5, 112, 121, 240; Die innere Grenze, ix, xi, 19, 24, 37, 38–41, 52, 62, 67, 217, 233–40, 245n27; Lichtung, x, 19, 22, 24, 32, 37, 40, 71, 183– 209, 217, 233; La Mesure des choses, 66, 67, 88n23; La Mesure des choses I. La Mesure de l’air, 28, 88n23; La Mesure des choses II. La mesure de la mer, 88n23; La Mesure des choses III. La Mesure de la terre et du feu, 62, 66, 88n23, 172n1; La Mesure des choses IV. La Mesure du temps, 88n23; Ombre/Miroir, 242; Par le feu recueilli, 19, 61, 163; Les Raisons des forces mouvantes, 38, 42, 62, 67, 70, 88n25; Roman, 17; She or not, 63–5, 105; So er, xi, 19, 24, 25, 27, 32, 217–20, 233, 237; String Trio, vii, ix, 12–5, 16, 17, 22, 29, 32, 36, 37, 39, 40, 41, 52, 62, 67, 217, 240; La Terre et le feu, 38, 45, 61, 62, 65, 66, 67, 100, 105–12, 121, 135n26, 164–7, 172n1, 172n4, 174, 240–1 Duras, Marguerite, 10 Dutilleux, Henri, 8, 10; Cello Concerto, 10 263 École Normale de Musique, 5 Ensemble Intercontemporain, 183 European Community Youth Orchestra, 27 Existentialists, 35 Feldman, Morton, xii, 22, 23, 56, 86n9 Ferneyhough, Brian, xii, 10, 11, 12, 15, 17, 18, 19, 50...