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199 Bibliography  Allen, Fred. Much Ado About Me. Boston: Little, Brown, and Co., 1956. Allen, Theodore W. The Invention of the White Race: The Origin of Racial Oppression in Anglo-America. London: Verso, 1997. Altman, Rick. “Moving Lips: Cinema as Ventriloquism.” Yale French Studies 60 (1980), 67–79. Andreyev, Leonid. He Who Gets Slapped: A Play in Four Acts. Translated by Gregory Zilboorg. New York: Brentano’s, 1922. Appiah, K. Anthony, and Amy Gutmann. Color Conscious: The Political Morality of Race. Princeton: Princeton University Press, 1996. Ascheid, Antje. Hitler’s Heroines: Stardom and Womanhood in Nazi Cinema. Philadelphia: Temple University Press, 2003. Asther, Nils. Narrens väg: Ingen gudsaga [The Jester’s Path: No Myth]. Stockholm: Carlssons, 1988. Baldwin, James. “On Being ‘White’ . . . and Other Lies.” In Roediger, Black on White, 177–80. Balio, Tino. The American Film Industry. Madison: University of Wisconsin, 1985. Barnes, Geraldine. Viking America: The First Millennium. Cambridge, MA: D. S. Brewer, 2001. Barthes, Roland. Mythologies. Translated by Annette Lavers, 56–57. New York: Hill and Wang, 1972. Basten, Fred E. Glorious Technicolor: The Movies’ Magic Rainbow. Cranbury, NJ: A. S. Barnes and Co., 1980. Bederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race 200 bibliography in the United States, 1880–1917. Chicago: University of Chicago Press, 1995. Bergman, Hjalmar. Jac the Clown. Translation and introduction by Hanna Kalter Weiss. Columbia, SC: Camden House, 1995. Bergman, Ingrid, and Alan Burgess. Ingrid Bergman: My Story. New York: Delacorte Press, 1980. Berlant, Lauren. “National Brands/National Body: Imitation of Life.” In Hortense J. Spillers, ed., Comparative American Identities: Race, Sex, and Nationality in the Modern Text. New York: Routledge, 1991, Berlin, Howard. The Charlie Chan Encyclopedia. Jefferson, NC: McFarland & Co., 2000. Bernardi, Daniel, ed. The Birth of Whiteness: Race and the Emergence of U.S. Cinema. New Brunswick, NJ: Rutgers University Press, 1996. ———, ed. Classic Hollywood, Classic Whiteness. Minneapolis: University of Minnesota Press, 2000. Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. 4th ed. New York: Continuum, 2001. Borg, Sven-Hugo. The Only True Story of Greta Garbo’s Private Life. London: The Amalgameted Press, 1933. Free supplement to Film Pictorial. http://www.gretagarbo .de/private-life-of-greta-garbo-by-sven-hugo-borg (accessed July 22, 2009). Broberg, Gunnar, and Nils Roll-Hansen, eds. Eugenics and the Welfare State: Sterilization Policy in Denmark, Sweden, Norway, and Finland. East Lansing: Michigan State University Press, 1996. Brodkin, Karen. How Jews Became White Folks and What That Says About Race in America. New Brunswick, NJ: Rutgers University Press, 1998. Brownlow, Kevin. The Parade’s Gone By. Berkeley: University of California, 1968. Brundidge, Harry T. “Exposing Charlie Chan.” Movie Mirror (November 1935): 53, 87–89. Capra, Frank. The Name above the Title: An Autobiography. New York: Vintage, 1985. Chion, Michel. The Voice in Cinema. Edited and translated by Claudia Gorbman. New York: Columbia University Press, 1999. Christensen, Benjamin. Hollywood Skæbner. Copenhagen: Det Schønbergske Forlag, 1945. Chung, Hye Seung. Hollywood Asian: Philip Ahn and the Politics of Cross-ethnic Performance. Philadelphia: Temple University Press, 2006. Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926–1931. Berkeley: University of California Press, 1997. Crowe, Cameron. Conversations with Wilder. New York: Alfred A. Knopf, 2001. Daniels, Roger. Coming to America: A History of Immigration and Ethnicity in American Life. 2nd ed. New York: Harper Collins, 2002. [18.218.234.83] Project MUSE (2024-04-26 06:07 GMT) bibliography 201 Delgado, Richard, and Jean Stefancic, eds. Critical Race Theory: An Introduction. New York: New York University Press, 2001. Derry, T. K. A History of Scandinavia: Norway, Sweden, Denmark, Finland and Iceland. Minneapolis: University of Minnesota Press, 1979. Dyer, Richard. White. London: Routledge, 1997. ———. “White.” Screen 29, no. 4 (1988): 44–65. Elsaesser, Thomas. “Ethnicity, Authenticity, and Exile: A Counterfeit Trade? German Filmmakers and Hollywood.” In Naficy, Home, Exile, Homeland, 97–123. Ernst, John. Benjamin Christensen. Copenhagen: Danish Film Museum, 1967. Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution, 1926– 1930. New York: Simon & Schuster, 1997. Fitzgerald, F. Scott. The Great Gatsby. New York: Simon and Schuster, 1925. Fitzhugh, William W., and Elisabeth I. Ward, eds. Vikings: The North Atlantic Saga. Washington, DC: Smithsonian Institution Press, 2000. Florin, Bo. “From Sjöström to Seastrom.” History: An International Journal 11, no. 2 (1999): 154–63. ———.“Victor Goes West: Notes on the Critical Reception of Sjöström’s Hollywood Films, 1923–1930.” In Nordic Explorations: Film Before 1930, edited...

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