Andean Entrepreneurs: Otavalo Merchants and Musicians in the Global Arena

Index

Index acculturation, ,  Agato, , –, , , –, – , , , ; artesanías, , , , , ; music,  agrarian reform, , –, ,  agriculture, , –, , –, –, , , ,  AIDS, – air cargo, , –,  alcohol, , , , , , , , , , . See also ritual Andean, , , , , , , , , ; cosmologies, , , – ; entrepreneurs, –; Mission, ; societies, . See also textiles Andean music/musicians, , ; abroad, , , –, , , , , , ; appropriation of, –, ; authenticity of, , , , ; commodification of, ; generic, , ; influence on Otavalo, , , , –, ; Otavalos as prototypical, – . See also Inca/s, musical genres, musical instruments Andes, mountains, , , , , , , , ; region, –, , , , , , , , , , ,  anthropologists, , , , , , , , , , ,  anthropology, , , ,  Araque, , –,  artesanías: authenticity of, , –, ; community specializations in, , , –; in Ecuador, , , , , –, –, , , , , ; production/sales abroad, , –, , , –, –, – , , –, –, –, , ; stores, , –, . See also exports, place entries authenticity, ; of local cultures, –, , ; marketing of, , –; of Otavalos, –, ; as outside concern, –, , , ; staged, . See also artesanías, music Belgium, , , –, , , , ,  Bolivia/Bolivian, , , , , , , , , , ; artesanías, , , , ; music, , , , , , –, , , , , , , ,  bribery, , , , ,  Buitrón, Aníbal, , –, , , , , , , , , , , , , , , , ; and Barbara, , ,  Canada/Canadian, , , , , , , , ; as destination, , , , ; Otavalos in, , , ,  capital, , , , , ; city, , ; cultural, , –, ; outlays, , ,  capitalism/capitalist, , , , ; pre-,     Carabuela, ; artesanías, , , , , ; music, ,  Cayambe, –, , , , ; ethnic group, , , , , , , , , , , ; music, , , –,  Chavez, Leo Ralph, , , , , , , , , , , ,  Chile/Chilean, , , , , ; music, , , , , , ; Otavalos in, , ,  cholera, , ,  City Walk, – class, , , , , , ; Otavalo divisions, , –, , , ,  cloth. See textiles clothes. See dress Coba Andrade, Carlos Alberto G., , , , ,  Colla/Coya Raymi, , . See also Sara Ñusta, Yamor Collier, John, Jr., , –, , , , , , , , ,  Colloredo-Mansfeld, Rudi, , , , , ,  Colombia/Colombian, , , , , ; artesanías, ; border, , , ; Gran, ; music, , , ; Otavalos in, , , –, –, , , , , –, , , , , ; Plan, ; visitors from, , ,  compadrazgo, –, –, , ,  competition, ; abroad, , , , , ; in Otavalo, , , , , , , , , , ; OTI, –,  CONAIE (Confederation of Indigenous Nationalities of Ecuador), , –, , , , ,  Conejo, Mario, , , , , , , , , , , , , , , , ,  consumer: goods, , , ; tastes, , ,  consumption, , ; conspicuous, ; global trends, , ; local, , ; textile, , , ; of time, , , . See also household Coraza, , –, , , – , –, ,  corn (maize), , , , , , ; beer (chicha), , , ; at fiestas , , ; harvest, –, , ; princess, , ; ritual, ; significance of, – corruption, , , . See also bribery Cotacachi, , , , , , , , , , , , , , – ; artesanías, , ; mountain, –, ; music, , , – ,  cultura/culture: challenges to, , , –, –; change/loss, , , , , , , , –, , , ; clash/shock, , ; commoditization of, , –, ; core values of, , ; diasporic inter-, , , ; Ecuadorian, , , , ; foreign/outside, , , , , , , , ; global, –, , , , , , –; material, ; Otavalo, –, , –, , , , , , –, , , –; study of, ,  cultural, , , , , , ; centers , , ; construction, , ; dependency/imperialism, –, ; differences, –, , , , , , , , , , , ; exchange visa, , ; fit, ; minorities , , ; multi/pluri-, , , ; trends, . See also Otavalo curanderas/os. See healers, shamans development, –, , , –, , , ; agencies, , , ; projects, , , , , ,  diaspora, , , , , , , –, ; music,  discrimination, , –, , , , , , –, –. See also ethnic relations, mita, obrajes, wasipungu dollarization, , –   doxa, , ,  dress, , , , , ; EuroAmerican , –, , , – , , , –, –, , , , ; Inca, , –; indigenous, , , –, , ; Native North American, , –, ; washing of, , , ; white-mestizo, , , , , . See also Otavalo Dutch, , –, , , , ; airlines, , ; development projects, ,  economy, market, ; Ecuadorian, – , –, , , ; textile, , –, , ; tourism, ; underground, . See also global, globalization education: bilingual/bicultural, – ; denial/lack of, , , ; differences in, ; Ecuadorian, ; indigenous increase in, , , ,  e-mail. See Internet England, , , ,  English, , ; in album notes, – , ; language, , , , , , , , , , , , , , , ; study of, , ,  entrepreneur/ialism, –, , –, , , ,  envy, , , , , , ,  ethnic, ; art, –; boundaries , , –, , – ; categories, , –, ; crafts/designs, , ; groups, , , , , , ; multi-, , ; pride, , , , ; relations, , , , , , –, –,  ethnicity, , , , ; Ecuadorian , , ; indigenous, , ; marketing of, , –; PanAmerican , , , . See also Otavalo exports: artesanías/textiles, , –, , , , , , , –, –, , , , ,  Fichamba, Jesús, –,  FICI (Federation of Indígenas and Farmers of Imbabura), , , , , , –, , , ,  film/s, , , , , ; documentary , ; Otavalos in, –; Otavalo -maker, ; transnational flows of, ,  France, , , , , ; Otavalos in, , , , , , , ,  French, , , , ; language, , ,  gender, , –, , , , , – , ; complementarity, , ; division of labor, , –, ; in language, , , ; in music, , , – German, , , ; airlines, ; language, , , , , , ,  Germany, , , , , ; music recorded in, , ; Otavalos in, , , , , , , , , , ,  global: context, , , ; economy, , ; -local, , ; system, , , , . See also cultura globalization, –, , , , , , , , –; of ethnic music, , , –, , ; of Otavalo economy, , , , , , , , , ,  gringas/os, , , , , , –, , – Guayaquil, , , , , , , ; airport, , ; Otavalos in, ,  Hacienda: Cusín, , ; La Concepci ón, ; Peguche, , ; Pinsaquí, , ; Quinchuquí,  hacienda system, , , –, –, , , ,  handicrafts. See artesanías Hassaurek, Friedrich, –, , , –, ,  healers/healing, , –, , . See also shaman/ism    Holland, , ; as destination, – ; music recorded in, ; Otavalos in, , , , , , , , , , ,  Hotel Ali Shungu, , , , , , , , ,  hotels, hosterías, residencias. See tourism infrastructure household, , , ; burdens, , ; consumption, , ; goods, ; social unit, , , , ; textile production, –, ,  huasipungo/huasipunguero. See wasipungu Ibarra, , –, , , , , , , , , , ; artesanías, ; music, , –, , ; Otavalos in, , ,  Ilumán, , , , , , , , , , , , , , ; artesanías, , , –, , – , , , , ; healers, –; land, , , ; music, –, , ; travel from, , , –, , , –, –, , , ; water conflict, – Imbabura: Alegrías de, ; Hijos de, ; indigenous federations, , , ; migration from, , ; mountain, , , , –, ; music, , –, ; Province, , , , , , , , ; tourism to, , , , , –. See also Quichua Inca/s (Inka/s), , , , , , –, ; conquest, , –, , , ; Los, ; music, , –; Otavalos (mis)identified as, , , –, , –, , , –; music, , –; pre-, , , , ; resurgence, –; Taki, . See also dress, textiles insults, , , , ,  Internet, , , , , , , , , ,  Inti Raymi: fiesta, , , , , –, –, , ; Grupo, –, . See also San Juan, San Pedro Italy/Italian, , , , , , ; music recorded in, –; Otavalos in, , , , , , , ,  Japan/Japanese, , , , , , , ; Otavalos in, ,  Kichwa. See Quichua Korovkin, Tanya, ; et al, , , , , ,  Kyle, David Jané, , , , , , , , ,  land: inheritance of, –, , ; loss/scarcity of, , , , –, –, , , , –, ; occupation/ownership of, , , , , –, , , , –, , ; and spirituality, , , , –, . See also agrarian reform, agriculture Lema, Germán Patricio, , , , , , , , , , , , , , , –, , – lifeways, , , , , –, – looms, , , ; backstrap, , , , , , , , ; electric, , , , ; Jacquard, ; treadle, , , , , , , , , , ,  Maldonado, Luis,  Males, Antonio, , ,  Meier, Peter C., , , , ,  merchants, , , , , , – ; abroad, , –, , , , , , , , , , ; as alternative to agriculture, ; as entrepreneurs, , , ; as farmers/weavers, , , , , ; as musicians, , , ; specialties of, , –. See also mindalá, wealth, place entries mestizaje, , ,  metanarratives, , – migration: within Ecuador, , ,   , , ; illegal, , –, , –. See also transmigrants, transnational migration mindalá,  minga, , , –, ,  missionaries: colonial, –; contemporary , –, , , –, ,  mita, , –, , –,  movies. See films musical genres: ballad, , ; cumbia, , , , , , ; early Imbabura, –; hip hop, , ; huayno, , ; lambada, , , , , ; nueva canci ón, ; pop, ; rap, , , , , , ; reggae, , , , , , , , , , , ; religious, , , , , ; rock, , , , –, ; rumba, , ; salsa, , , , , ; Sanjuan(ito), , –, , , –, , , , , , , , –, , ; tecno/techno, , , ; tobas, ; verbena, , ; Western classical, ; world beat, , ,  musical instruments: classification of, –; colonial (th century ), –, , , ; preHispanic , –, ; th–st century, , , , –, , , , , –, , , , , , , –, , , ,  musicologists,  Ñanda Mañachi, , , –, , , , –, , , , , , ,  Native North Americans: contacts with, ; cult of, –. See also dress, noble savage, semiotics networks: diasporic, , ; information , , , ; kin/social, –, , –, , , ; transnational, , ,  New Age, , –, ,  noble savage, , , –, ,  nostalgia, , –, , , ,  obraje, , –, , ,  Otavalo: buses, , , , , , , , –, , , , ; business infrastructure, – ; indigenous residence...