Postethnic Narrative Criticism: Magicorealism in Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie

Contents

Contents Preface ix Acknowledgments xiii            Rethreading the Magical Realist Debate            Rebellious Aesthetic Acts            Dash’s and Kureishi’s Rebellious Magicoreels              Oscar ‘‘Zeta’’ Acosta’s De-formed Auto-bio-graphé             Ana Castillo’s (En)Gendered Magicorealism             Salman Rushdie’s Fourthspace Narrative Re-conquistas     Mapping the Postethnic Critical Method  Notes  Works Cited  Index  Tseng 2002.12.24 08:40 6758 Aldama / POSTETHNIC NARRATIVE CRITICISM / sheet 7 of 157 THIS PAGE INTENTIONALLY LEFT BLANK ...