Celluloid Vampires: Life After Death in the Modern World

Selected Bibliography

Selected Bibliography Abbott, Stacey. “Embracing the Metropolis: Urban Vampires in American Cinema of the 1980s and 90s.” In Vampires: Myths and Metaphors of Enduring Evil, edited by Peter Day. Amsterdam: Rodopi Press, 2006. ———. “Final Frontiers: Computer-Generated Imagery and the Science Fiction Film.” Science Fiction Studies 33, no. 1 (2006): 89–108. ———, ed. Reading “Angel”: The TV Spin-Off with a Soul. London: I. B. Tauris, 2005. ———. “Spectral Vampires: Nosferatu in the Light of New Technology.” In Horror Film: Creating and Marketing Fear, edited by Steffen Hantke, 3–20. Jackson: University of Mississippi Press, 2004. Arata, Stephen D. “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization.” Victorian Studies 33, no. 4 (1990): 621–645. Atkinson, Michael. “Crossing Frontiers.” Sight and Sound 4, no. 1 (1994): 14–17. ———. “Vampire Variations.” Film Comment 36, no. 6 (2000): 27–29. Auerbach, Nina. Our Vampires, Ourselves. Chicago: University of Chicago Press, 1995. Augé, Marc. Non-Places: Introduction to an Anthropology of Supermodernity. Translated by John Howe. London: Verso, 1995. Baker, Robin. “Computer Technology and Special Effects in Contemporary Cinema .” In Future Visions: New Technologies of the Screen, edited by Philip Hayward and Tana Wollen, 31–45. London: British Film Institute, 1993. Bakhtin, Mikhail. Rabelais and His World. Translated by Hélène Iswolsky. Bloomington : Indiana University Press, 1984. Baldick, Chris, ed. The Oxford Book of Gothic Tales. Oxford: Oxford University Press, 1992. Barber, Paul. Vampires, Burial, and Death. New Haven and New York: Yale University Press, 1988. Barber, X. Theodore. “Phantasmagorical Wonders: The Magic Lantern Ghost Show in Nineteenth-Century America.” Film History 3, no. 2 (1989): 73–86. Baudelaire, Charles. Painter of Modern Life and Other Essays. Translated and edited by Jonathan Mayne. London: Phaidon Press, 1964. 244 CelluloidVampires ———. “A Une Passante.” Selected Poems from “Les Fleurs du Mal.” Translated by F. W. Leakey. Hexham, Northumberland: FWL Publications, 1994. Baudrillard, Jean. Simulations. Translated by Paul Foss, Paul Patton, and Philip Beitchman. New York: Semiotext, 1983. Bauman, Zygmunt. Globalization: The Human Consequences. Cambridge, UK: Polity Press, 1998. Bazin, André. What is Cinema? Vol. 1. Translated by Hugh Gray. Los Angeles: University of California Press, 1967. Belford, Barbara. Bram Stoker: A Biography of the Author of “Dracula.” London: Phoenix Giant, 1996. Benidt, Jennifer, and Janine Pourroy. “Fright Night.” Cinefex 25 (1986): 54–71. Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: NLB, 1973. ———.“The Work of Art in the Age of Mechanical Reproduction.” In Illuminations , edited by Hannah Arendt, 217–251. Translated by Harry Zohn. New York: Schocken Books, 1969. Berman, Mark. “Francis Ford Coppola on Dracula.” Starburst, no. 175 (1993). Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. New York: Verso, 1983. Boss, Pete. “Vile Bodies and Bad Medicine.” Screen 27, no. 1 (1986): 14–26. Botting, Fred. Gothic. London and New York: Routledge Publishing, 1996. Breton, André. Nadja. Translated by Richard Howard. New York: Grove Weidenfeld , 1960. Brophy, Philip. “Horrality—The Textuality of Contemporary Horror Films.” Screen 27, no. 1 (1986): 2–13. Bruno, Giuliana. “Ramble City: Postmodernism and Blade Runner.” In Alien Zone: Cultural Theory and Contemporary Cinema, edited by Annette Kuhn, 183–195. London and New York: Verso, 1996. Buscombe, Edward, and Roberta E. Pearson, eds. Back in the Saddle Again: New Essays on the Western. London: BFI, 1998. Carroll, Noël. The Philosophy of Horror. New York and London: Routledge, 1990. Carter, Margaret L. Dracula: The Vampire and the Critics. Ann Arbor: UMI Research Press, 1988. Casper, Monica J. “Fetal Cyborgs and Technomoms on the Reproductive Frontier : Which Way to the Carnival?” In The Cyborg Handbook, edited by Chris Hables Gray, 183–202. New York and London: Routledge, 1995. Castle, Terry. “Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie.” Critical Inquiry (Autumn 1988): 26–61. Charity, Tom. “Extra Sensory Projection.” Time Out, 25 October 1995. Charney, Leo. Empty Moments: Cinema, Modernity, and Drift. Durham and London : Duke University Press, 1998. ———, and Vanessa R. Schwartz. Cinema and the Invention of Modern Life. Berkeley : University of California Press, 1995. Cohan, Steven, and Ina Rae Hark. The Road Movie Book. London: Routledge, 1997. Comte, August. The Positive Philosophy of August Comte. Translated by Harriet Martineau. London: Kegan Paul, Trench, Trübner, and Co., 1875. Bibliography 245 Connor, Steven. “The Impossibility of the Present: or, from the Contemporary to the Contemporal.” In Literature and the Contemporary: Fictions and Theories of the Present, edited by...