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I want to recognize in particular my colleagues whose work appears in these pages. Their devotion to the task and sustained goodwill have made the completion of this book a challenging and pleasurable campaign. This also applies to editor Jim Burr and the fine staff at the University of Texas Press, and to scholars Arthur M. Eckstein, Martha Nochimson, and Kelly Hankin. I was further aided by two excellent graduate assistants, Harper Cossar, who has just completed his doctoral degree in film in our Moving Image Studies program at Georgia State University and Kristopher Cannon. The publisher and I would also like to gratefully acknowledge the permission granted to reproduce the following copyrighted material in this book: Chapter 1: Albert J. LaValley, “A Troublesome Property to Script.” Introduction to Mildred Pierce in the Wisconsin/Warner Brothers Screenplay Series. Copyright © 1980. Reprinted by permission of The University of Wisconsin Press. (This chapter does not include the final three sections of the original article.) Chapter 4: “Private Knowledge, Public Space: Investigation and Navigation in Devil in a Blue Dress,” by Mark Berrettini, from Cinema Journal 39:1, pp. 74–89. Copyright © 1999 by the University of Texas Press. All rights reserved. ACKNOWLEDGMENTS /////////////////////////////////////////// THIS PAGE INTENTIONALLY LEFT BLANK [3.145.201.71] Project MUSE (2024-04-16 04:59 GMT) AUTHORSHIP IN FILM ADAPTATION ///////////////////////////////////// THIS PAGE INTENTIONALLY LEFT BLANK ...

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