In this Book

buy this book Buy This Book in Print
summary
The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples. Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Frontmatter
  2. restricted access
    • Download PDF Download
  1. Contents
  2. pp. 8-10
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. p. 11
  3. restricted access
    • Download PDF Download
  1. Introduction
  2. pp. 12-19
  3. restricted access
    • Download PDF Download
  1. PART ONE. General Studies
  1. Chapter One. Regional Approaches to Iconographic Art by George E. Lankford
  2. pp. 22-36
  3. restricted access
    • Download PDF Download
  1. Chapter Two. The Cosmology of the Osage: The Star People and Their Universe by James R. Duncan
  2. pp. 37-53
  3. restricted access
    • Download PDF Download
  1. PART TWO. Regional Studies: Middle Mississippi Valley
  1. Chapter Three. The Regional Culture Signature of the Braden Art Style by James A. Brown
  2. pp. 56-82
  3. restricted access
    • Download PDF Download
  1. Chapter Four. Early Manifestations of Mississippian Iconography in Middle Mississippi Valley Rock-Art by Carol Diaz-Granados
  2. pp. 83-115
  3. restricted access
    • Download PDF Download
  1. PART THREE. Regional Studies: Lower Mississippi Valley
  1. Chapter Five. Mississippian Ceramic Art in the Lower Mississippi Valley: A Thematic Overview by David H. Dye
  2. pp. 118-136
  3. restricted access
    • Download PDF Download
  1. Chapter Six. The Great Serpent in the Lower Mississippi Valley by F. Kent Reilly III
  2. pp. 137-153
  3. restricted access
    • Download PDF Download
  1. PART FOUR. Regional Studies: Cumberland Valley
  1. Chapter Seven. Iconography of the Thruston Tablet by Vincas P. Steponaitis, Vernon James Knight, Jr., George E. Lankford, Robert V. Sharp, and David H. Dye
  2. pp. 156-195
  3. restricted access
    • Download PDF Download
  1. PART FIVE. Regional Studies: Moundville
  1. Chapter Nine. A Redefinition of the Hemphill Style in Mississippian Art by Vernon James Knight, Jr., and Vincas P. Steponaitis
  2. pp. 220-258
  3. restricted access
    • Download PDF Download
  1. Chapter Ten. The Raptor on the Path by George E. Lankford
  2. pp. 259-269
  3. restricted access
    • Download PDF Download
  1. Chapter Eleven. The Swirl-Cross and the Center by George E. Lankford
  2. pp. 270-295
  3. restricted access
    • Download PDF Download
  1. PART SIX. Regional Studies: Etowah and Upper Tennessee Valley
  1. Chapter Twelve. Iconography of the Hightower Region of Eastern Tennessee and Northern Georgia by Adam King
  2. pp. 298-312
  3. restricted access
    • Download PDF Download
  1. Chapter Thirteen. Dancing in the Otherworld: The Human Figural Art of the Hightower Style Revisited by F. Kent Reilly III and James F. Garber
  2. pp. 313-331
  3. restricted access
    • Download PDF Download
  1. Chapter Fourteen. Raptor Imagery at Etowah: The Raptor Is the Path to Power by Adam King and F. Kent Reilly III
  2. pp. 332-339
  3. restricted access
    • Download PDF Download
  1. Bibliography
  2. pp. 340-365
  3. restricted access
    • Download PDF Download
  1. Contributors
  2. pp. 366-367
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 368-377
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.