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An in-depth examination of the use of the car, the driver, and the road in a variety of forms of creative expression, ranging from works by Robert Rauschenberg and Martha Rosler to those of Dan Graham, John Cage, and Dennis Hopper.

Table of Contents

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  1. Cover
  2. p. C
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  1. Title Page, Copyright
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xiv
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  1. Introduction
  2. pp. 1-25
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  1. 1. Conceptual Car Art: Rethinking Conceptualism through Technology
  2. pp. 27-56
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  1. 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space
  2. pp. 57-113
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  1. 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car
  2. pp. 115-149
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  1. 4. Communication Space: Automotive Urbanism in Dan Graham’s Work
  2. pp. 151-186
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  1. 5. Hummer: The Cultural Militarism of Art Based on the SUV
  2. pp. 187-226
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  1. 6. Richard Prince: The Fetish and Automotive Maleficium
  2. pp. 227-263
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  1. Conclusion: The “Freedom” of Automotive Existence
  2. pp. 265-277
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  1. Notes
  2. pp. 279-305
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  1. Bibliography
  2. pp. 307-321
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  1. Index
  2. pp. 323-331
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  1. Images
  2. pp. G1-G16
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