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318 Acland, Charles, 138–139 adaptation, 2, 6, 20, 36, 37, 40, 41, 47, 81, 82, 151, 152, 159, 167, 168–193, 211, 220, 221, 235, 247, 283n68, 293n19. See also remakes Affleck, Ben, 219 Affleck, Casey, 16 agents, talent, 25, 32, 34–35, 112, 217, 224, 281–282n24, 282n46, 296nn3,6. See also Dollard, Ann; Dollard, Pat Albright, Jayson, 103–104, 105, 288nn51,58 Allen, Woody, 40, 92–93, 94 Almodóvar, Pedro, 97 Altman, Rick, 169, 171 Altman, Robert, 7, 46, 64, 208, 253 Anders, Allison, 226 Anderson, Chris, 236 Anderson, Wes, 30 And Everything Is Going Fine, 217 Anonymous Content (agency), 217, 296n6 Antonioni, Michelangelo, 67, 91, 132, 233 Archer Daniels Midland Company (ADM), 101, 102, 105, 106, 107, 288n67. See also Decatur (Illinois city); The Informant! Index Page numbers in italics indicate photos. Artisan Entertainment, 43, 60, 81, 180 Attanasio, Paul, 82, 177 auteurism, 3, 6, 20, 38–39, 40, 42, 47, 55, 57, 68, 69, 86, 89, 91–92, 98, 100, 109–110, 114–115, 121–122, 126–127, 129, 132–133, 186–187, 214, 225–227, 242, 245, 247, 290n33. See also authorship authorship, 2, 4, 6, 16, 42, 137, 167, 172; collaboration and, 81–84, 88–90, 96–99, 104–105, 107–108, 180–181, 185–186, 216–225; critical /reception definitions of, 19, 37, 38–39, 43, 100–108, 109–133, 150–154, 267, 269; as discursive category, 37–39, 54, 55, 56–59, 62–63, 66, 68, 69–71, 90–96, 169–170, 171, 182–183, 213–216, 225–234, 236, 237–248, 258–259; as industrial category, 21, 32–37; as promotional category, 9, 10, 15, 236–246, 296n3; textual evidence and, 138, 142, 149, 156, 157, 166, 174–178, 182, 184–193; theorization of, 3, 5, 7–8, 48, 75–78, 82, 85–90, 246–248, 285n2, 287n34, 291n2; transmedia, 13–14, 197–199, 208, 210–212. See also auteurism Index 319 Caldwell, John, 12, 13–14, 15, 32, 104, 140, 202, 203, 230, 234, 280n16, 296n19 Cameron, James, 7, 184, 185–186, 193, 210, 220, 294n31 Canby, Vincent, 294n27 Cannes Film Festival, 19, 39–40, 60, 91, 92, 93, 96, 122–124, 125, 126, 187, 236, 239, 242, 253. See also Che; sex, lies, and videotape Carano, Gina, 142 Carnal Knowledge, 29–30, 51 Carringer, Robert, 82 Carville, James, 203, 204, 206, 207– 208, 295nn3,7,9. See also K Street Casablanca, 2, 79, 83, 129–130, 131, 176, 262, 286n10 Catch-22, 8, 15, 30, 230–232, 233 Che, 4, 8, 67, 110, 123, 179, 198, 209, 247, 290n23, 296n4; distribution of, 38, 91, 122–124, 212, 236–237, 287n40, 290n27, 298n22, 299n23; location production of, 75–76, 90–98, 99, 100, 287nn29,32; online promotion of, 236–246; reception of, 52, 55, 87, 111, 122–125, 128, 142, 287n38, 289n15, 291n39 Cheadle, Don, 152, 155, 159, 163, 292n26 Chinatown, 173 Cieply, Michael, 8–9, 299nn29,31 Clean, Shaven, 8, 228–229 Cleo, 70, 273–274 Clooney, George, 87, 235, 280n6, 296n6; and The Good German, 78, 79, 82, 88; and Good Night, and Good Luck, 68, 88; and the Ocean’s films, 12, 81, 125, 126, 157–158, 159, 164, 183; and Out of Sight, 151, 152, 155–156, 292–293n32; and Section Eight production company, 1, 7, 197, 214–220, 223, 224; and Smoke House production company, 211, 217, 296n7; and Solaris, 185, Bakula, Scott, 103 Bart, Peter, 33 Batchelor, Trey, 88–89 Battle of Algiers, The, 46, 55, 69, 201, 231 Bernstein, Matthew, 223 Betz, Mark, 287nn33,34,41 Bickford, Laura, 91, 297 Biskind, Peter, 27–28, 29, 39–40, 52 Blake, Larry, 4, 83, 89, 185, 224 Blanchett, Cate, 78, 79, 286n6 Blu-ray, 104, 181, 280n19, 287n43, 288n58. See also DVD Bogdanovich, Peter, 29, 45, 49, 54 Boorman, John, 2, 45, 46, 62, 180, 226, 228, 271 Boozer, Jack, 193, 293n19 Bordwell, David, 58, 130, 131, 285n3, 286n16, 287n34 Bourdieu, Pierre, 67, 111, 113–114, 245, 285n31 boutique cinema, 3–5, 7, 16, 19, 21, 28–29, 33, 43, 59, 81, 111, 213–216, 229, 232–234, 247–248, 280n6, 296n2. See also Section Eight Breathless (1983), 183, 294n27 British Broadcasting Corporation (BBC), 20, 81 British Film Institute (BFI), 43–44 Brooks, Albert, 155 Bruckheimer, Jerry, 7, 35, 219, 280n14 Bubble, 2, 44, 75, 124, 197, 208, 221, 226, 279n1, 291n10; multiplatform release of, 2, 8–15, 212, 279nn4,10,11, 280nn19,20,21, 286n22; production of, 9–11, 81, 88–90...

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