Another Steven Soderbergh Experience: Authorship and Contemporary Hollywood

Bibliography

300 Abramson, Jill. “Hyperreality TV: Political Fact Meets HBO Fiction.” New York Times. August 24, 2003. Accessed July 28, 2010. http://www .nytimes.com/2003/08/24/arts/television-hyperreality-tv-political-fact -meets-hbo-fiction.html. Acland, Charles. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham, NC: Duke University Press, 2003. Albright, Jayson. “Decatur Again Set Aside in ‘Informant!’ Home Video Release.” Decatur Herald & Review. February 25, 2010. Accessed June 10, 2010. http://www.herald-review.com/entertainment/movies/informant /article_6d066c96-224f-11df-981d-001cc4c03286.html. ———. “‘The Informant’ Comes Back Downtown.” Decatur Herald & Review. May 14, 2008. Accessed June 11, 2010. http://www.herald-review.com/news /local/article_3bacb084-0e66-5818-bcd5-96424f703665.html. ———. “Sun Shines on ‘The Informant.’” Decatur Herald & Review. May 13, 2008. Accessed June 11, 2010. http://www.herald-review.com/news/local /article_8f22cf97-d010-56e3-b729-7983d9590aa5.html. Allen, Mike, and Susan Schmidt. “Bush Aides Testify in Leak Probe: Grand Jury Called McClellan, 2 Others.” Washington Post. February 10, 2004. Page A1. Altman, Rick. Film/Genre. London: BFI, 1999. ———. “Reusable Packaging: Generic Products and the Recycling Process.” In Refiguring American Film Genres, edited by Nick Browne. Berkeley: University of California Press, 1998. Anderson, Chris. The Long Tail: Why the Future of Business is Selling Less of More. New York: Hyperion Books, 2006. Anderson, Wes. “My Private Screening With Pauline Kael.” New York Times. January 31, 1999. Accessed August 10, 2010. http://www.nytimes.com/1999 /01/31/movies/film-my-private-screening-with-pauline-kael.html. Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy.” In Modernity at Large: Cultural Dimensions of Globalization, 27–47. Minneapolis: University of Minnesota Press, 1996. Bibliography Bibliography 301 Archer Daniels Midland Company. “About ADM and ‘The Informant!’” Accessed June 19, 2010. http://www.adm.com/en-US/informant/Pages/ default.aspx. Associated Press. “Porn Star Headlines Soderbergh’s New Film.” MSNBC.com. May 3, 2009. Accessed June 22, 2009. http://www.msnbc.msn.com/id/30485 929/ns/entertainment-movies. Ault, Susanne. “IFC’s Che Gets Close Theater, VOD, DVD Release.” Video Business Online. December 19, 2008. Accessed February 4, 2009. http://www.videobusiness.com/article/CA6624248.html. Baker, Aaron. Steven Soderbergh. Urbana, IL: University of Illinois Press, 2011. Barker, Martin. “News, Reviews, Clues, Interviews, and Other Ancillary Materials—A Critique and Research Proposal.” Scope: An Online Journal of Film and Television Studies. February 2004. Accessed July 20, 2009. http://www.scope.nottingham.ac.uk/article.php?issue=feb2004&id=246 §ion=article. Barnes, Brooks. “Hollywood’s Blurb Search Reaches the Blogosphere.” New York Times. June 7, 2009. Accessed July 15, 2009. http://www.nytimes .com/2009/06/07/weekinreview/07barnes.html. Barnes, Henry. “Steven Soderbergh: ‘I Can See the End of My Career.’” The Guardian. July 14, 2009. Accessed July 20, 2009. http://www.guardian .co.uk/film/2009/jul/14/steven-soderbergh. Bart, Peter. “Beware Falling Stars!” Vanity Fair. March 2009. Accessed February 22, 2009. http://www.vanityfair.com/culture/features/2009/03/state-of -hollywood200903. Baumgarten, Marjorie. “Out of Sight” (film review). Austin Chronicle. June 29, 1998. Accessed January 22, 2010. http://www.filmvault.com/filmvault /austin/o/outofsight1.html. Bernstein, Matthew. “Hollywood’s Semi-Independent Production.” Cinema Journal 32.3 (Spring 1993): 41–54. ———. “The Producer as Auteur.” In Auteurs and Authorship: A Film Reader, edited by Barry Keith Grant, 180–189. Malden, MA: Blackwell, 2008. Betz, Mark. Beyond the Subtitle: Remapping European Art Cinema. Minneapolis: University of Minnesota Press, 2009. Biskind, Peter. Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. New York: Simon & Schuster, 2004. ———. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ’n’ Roll Generation Saved Hollywood. New York: Simon & Schuster, 1998. Bloore, Peter. “Re-Defining the Independent Film Value Chain.” UK Film Council. February 2009. Accessed July 6, 2009. http://www.ukfilmcouncil .org.uk/media/pdf/h/b/Film_Value_Chain.pdf. Boozer, Jack. Career Movies: American Business and the Success Mystique. Austin: University of Texas Press, 2002. ———. “Introduction: The Screenplay and Authorship in Adaptation.” In Authorship in Film Adaptation 1–30. Austin: University of Texas Press, 2008. 302 Another Steven Soderbergh Experience Bordwell, David. “The Art Cinema as a Mode of Film Practice.” Film Criticism 4.1 (1979): 56–64. ———. “Cutting Remarks: On THE GOOD GERMAN, Classical Style, and the Police Tactical Unit.” David Bordwell’s Website on Cinema: Observations on film art and FILM ART. November 15, 2006. Accessed April 20, 2007. http://www.davidbordwell...