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Works Cited and Filmography
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Agamben, Giorgio. State of Exception. Trans. Kevin Attell. Chicago: University of Chicago Press, 2005. Ahmad, Aijaz. In Theory: Classes, Nations, Literatures. London: Verso, 1992. Ahmed, Sara. The Cultural Politics of Emotion. New York: Routledge, 2004. Alcoff, Linda. Visible Identities: Race, Gender, and the Self. New York: Oxford University Press, 2006. Aldama, Frederick Luis. Postethnic Narrative Criticism: Magicorealism in Oscar “Zeta” Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie . Austin: University of Texas Press, 2003. ———. A User’s Guide to Postcolonial and Latino Borderland Fiction. Austin: University of Texas Press, 2009. Alibhai-Brown, Yasmin. Who Do We Think We Are? Imagining the New Britain. Harmondsworth, U.K.: Penguin, 2001. Alloway, Lawrence. “The Arts and Mass Media.” In Art in Theory: 1900–2000. Ed. Charles Harrison and Paul Wood. Malden, Mass.: Blackwell, 2003. 715– 717. Alquizola, Marilyn. “Subversion or Affirmation: The Text and Subtext of America Is in the Heart.” In Asian Americans: Comparative and Global Perspectives . Ed. Shirley Hune et al. Pullman: Washington State University Press, 1991. 199–209. Alvarez, Julia. How the Garcia Girls Lost Their Accents. New York: Penguin, 1991. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso, 1991. Aneja, Anu. “Jasmine: The Sweet Scent of Exile.” Pacific Coast Philology 28, no. 1 (1993): 72–80. Antoine, Régis. La Tragédie du roi Christophe de Aimé Césaire. Paris: Pédagogie moderne, 1984. Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute Books, 1987. Aparicio, Frances R. “On Sub-versive Signifiers: U.S. Latino/a Writers Tropicalize English.” American Literature 66, no. 4 (1994): 795–801. Works Cited and Filmography 278 Analyzing World Fiction Arnold, A. James. “Cahier d’un retour au pays natal: Reflections on the Translations into English.” Cahiers Césairiens 3 (Spring 1977): 33–41. ———. “Césaire and Shakespeare: Two Tempests.” Comparative Literature 30, no. 3 (Summer 1978): 236 –248. ———. “D’Haïti à l’Afrique: La Tragédie du roi Christophe de Césaire,” Revue de littérature comparée 60, no. 2 (1986): 133–148. ———. Modernism and Negritude: The Poetry and Poetics of Aimé Césaire. Cambridge , Mass.: Harvard University Press, 1981. Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin, eds. The Empire Writes Back. London: Routledge, 1989. ———. Postcolonial Studies: The Key Concepts. New York: Routledge, 2000. Atkinson, Yvonne. “Language That Bears Witness: The Black English Oral Tradition in the Works of Toni Morrison.” In The Aesthetics of Toni Morrison: Speaking the Unspeakable. Ed. Marc C. Conner. Jackson: University of Mississippi Press, 2000. 12–30. Baker, Houston. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1984. Bakhtin, Mikhail. “Discourse in the Novel.” The Dialogic Imagination. Austin: University of Texas Press, 1981. ———. Problems of Dostoevsky’s Poetics. Ed. and trans. Caryl Emerson. Minneapolis : University of Minnesota Press, 1984. Bal, Mieke. Narratology. Trans. C. van Boheemen. Toronto: University of Toronto Press, 1997. Basabose, Philippe. “Tant pis, tempête.” Literary Research/Recherche littéraire 18, no. 36 (Fall–Winter 2001): 403–412. Begag, Azouz. Le Gone du Chaâba. Paris: Editions du Seuil, 1986. ———. Shantytown Kid. Ed. Alec G. Hargreaves. Trans. Naïma Wolf and Alec G. Hargreaves. Lincoln: University of Nebraska Press, 2007. Benston, Kimberly W. “I yam what I yam: The Topos of (Un)naming in AfroAmerican Literature”. In Black Literature and Literary Theory. Ed. Henry Louis Gates Jr. New York: Methuen, 1984. 151–172. Benveniste, Emile. Problems in General Linguistics. Trans. Mary Elizabeth Meek. Coral Gables, Fla.: University of Miami Press, 1971. Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994. Bharatmuni. Natya Shastra. Trans. Sri Satguru. Delhi: Board of Scholars, 1994. Bordwell, David. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, Mass.: Harvard University Press, 1989. Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. Stanford, Calif.: Stanford University Press, 1995. Bourjea, Serge. “Ariel—Celui qui Sait la Mer.” In Soleil éclaté. Ed. Jacqueline Leiner. Études littéraires françaises 30 (1984): 51–60. Bourne, Stephen. Black in the British Frame: Black People in British Film and Television 1896–1996. London: Cassell, 1998. Bradby, David. Modern French Drama 1940–1990. Cambridge: Cambridge University Press, 1991. Brennan, Teresa. The Transmission of Affect. Ithaca, N.Y.: Cornell University Press, 2004. [18.117.91.153] Project MUSE (2024-04-17 16:17 GMT) Works Cited and Filmography 279 Brown, Paul “‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse...