In lieu of an abstract, here is a brief excerpt of the content:

I L L U S T R AT I O N S Gallery of figures begins following page 106. Figure 1. Christ in Majesty. Last Judgment mosaic (13th–14th c.). Baptistery of San Giovanni, Florence. Photo © DeA Picture Library/Art Resource, NY. Figure 2. Last Judgment fresco, Giorgio Vasari (1511–74) and Federico Zuccari (ca. 1540/41–1609). Basilica di Santa Maria del Fiore, Florence . Photo: Scala/Art Resource, NY. Figure 3. Detail of the Damned, Last Judgment fresco, Giorgio Vasari and Federico Zuccari. Basilica di Santa Maria del Fiore, Florence. Photo: Nicolo Orsi Battaglini/Art Resource, NY. Figure 4. Last Judgment mosaic (11th c.). Cattedrale di Santa Maria Assunta, Torcello, Italy. Photo: Alinari/Art Resource, NY. Figure 5. Last Judgment fresco, Giotto di Bondone (1266–1336). Scrovegni Chapel, Padua, Italy. Photo: Scala/Art Resource, NY. Figure 6. Last Judgment fresco, 1538–41, Michelangelo Buonarrotti (1475–1564). Sistine Chapel, Vatican Museums and Galleries, Vatican City. Photo: Alinari/The Bridgeman Art Library. ix Figure 7. Detail of the Damned, Last Judgment fresco, Michelangelo Buonarrotti. Sistine Chapel, Vatican City. Photo: Scala/Art Resource, NY. Figure 8. Detail of Christ and the Virgin Mary, Last Judgment fresco, Michelangelo Buonarrotti. Sistine Chapel, Vatican City. Photo: Art Resource, NY. Figure 9. On the Difference between theTrue Religion of Christ and the False, IdolatrousTeaching of theAntichrist, woodcut, Lucas Cranach the Younger (1515–86). Kupferstichkabinette, Staatliche Museen, Berlin. Photo: bpk, Berlin/Staatliche Museen/Jorg P. Anders/Art Resource, NY. Figure 10. Untitled Woodcut, Lucas Cranach the Younger (1515–86). Photo: The Warburg Institute, London. Figure 11. Adoration of the Trinity, Albrecht Dürer (1471–1528). Kunsthistorisches Museum, Vienna. Photo: Erich Lessing/Art Resource, NY. x Illustrations ...

Share