The Penitential Psalms in Late Medieval and Early Modern England
Publication Year: 2012
Published by: University of Notre Dame Press
Title Page, Copyright, Dedication
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I could not have completed this study without the generous support of my home institution, the University of Connecticut. I am especially grateful to the University of Connecticut English Department for granting me a semester of research leave in the fall of 2009. ...
Introduction: The Seven Penitential Psalms
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This book charts the rich and, at times, tumultuous history of the seven Penitential Psalms in England in the late medieval and early modern era. During this period, the Penitential Psalms inspired an enormous amount of creative and intellectual work: in addition to being copied and illustrated in Books of Hours and other prayer books, ...
Chapter One: Illustrating the Penitential Psalms
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From the time of Cassiodorus up to (and in many cases beyond) the Reformation, the Penitential Psalms were considered, by the religious and the lay alike, to constitute a particularly effective, and particularly comforting, set of supplications. These psalms were hailed not only as “the seven weapons wherewith to oppose the seven deadly sins” ...
Chapter Two: The Conflict over Penance
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On May 24, 1530, an assembly of clerics and learned university men convened at the edict of Henry VIII to pass judgment on several religious works deemed suspect by the king. Led by William Warham, archbishop of Canterbury, and Cuthbert Tunstall, bishop of Durham, this gathering condemned as heretical seven books, ...
Chapter Three: Plotting Reform
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In January 1541 Edmund Bonner, bishop of London, charged Sir Thomas Wyatt with treason, reviving an accusation that he had first made against the courtier three years previously.1 Bonner’s chief allegation was that, while serving as Henry VIII’s ambassador to the Spanish court of the Holy Roman Emperor, ...
Chapter Four: From Penance to Politics
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In his paraphrase of the Penitential Psalms, Sir Thomas Wyatt effects a certain fictionalization of the seven texts, translating and adapting a prologue sequence by Pietro Aretino that sets the psalms’ composition within the biblical story of David’s adultery with Bathsheba and the related murder of Bathsheba’s husband, Uriah. ...
Chapter Five: Parody and Piety
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This final chapter begins with an observation: while the central liturgical text of the Church of England, the Book of Common Prayer (first issued under Edward VI in 1549), prescribed the reading of the whole Psalter once per month, it did not make use of, or even refer to, the Penitential Psalms as a group. ...
Afterword: A Brief Reflection on Discipline and Method
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This study has a long history of its own. In fact, the seeds of the project were sown more than a decade ago, when, as a beginning graduate student in the English Department at the University of Pennsylvania, I took a course with Margreta de Grazia on the materiality of language in the age of Shakespeare. ...
Appendix: John Harington of Stepney and Sir Thomas Wyatt’s Penitential Psalms
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Page Count: 312
Publication Year: 2012
Series Title: ND ReFormations: Medieval & Early Modern