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Index
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INDEX Italicized page numbers indicate illustrations. achimenengule, 60, 61, 125, 136, 138, 153n38 acrobats. See sarakasi African Pentecostalism, 90 African popular culture: hybridity, 19, 47–48, 50, 145n1, 151nn10,11; nature of, 2, 4–6, 8; scholarship on, 9–12. See also cultural arts troupes; popular performance Afro-Shirazi Party, 149n34 agency: cultural models, 6–7, 62, 66; female, 77–84,88;individual/collectivedynamics,129; nationalism/globalism and local agency, 137 Ahmed, Abbas, 111 AIDS/HIV-AIDS, 1–4, 51, 52, 98–99, 100, 103–106, 118 Ajwang’, Robert O., 9, 11, 59, 80, 85, 145n22, 153n37, 157n13 alternative nationalism, 7, 41, 130 Amkpa, Awam, 57 Anderson, Benedict, 127 Anikulapo-Kuti, Fela, 143n5 army cultural arts troupes, 30, 32, 148nn29,30. See also JKT; JWTZ; Magereza Arusha Declaration, 5, 103, 147n16; artistsoldiers , 148n29; cultural revolution, 19, 22, 26–27, 147n16; gender and nation, 89, 102; resettlement policy, 155n6, 156n28. See also ujamaa Askew, Kelly, 7, 58, 67, 144n17, 149n33 audience participation: competitive performances, 121; composition of audience, 151nn8,9; fans (shabiki/mashabiki), 127, 132, 141, 157n22; Mandela Cultural Troupe, 140; masewe, 72–73, 78–79; Muungano Cultural Troupe, 72, 78–79, 154nn11,17; taarab, 59, 91–92, 133; Tanzania One Theatre (TOT), 46, 61–62, 85, 95, 124, 155n20; tipping (kutunza), 2, 44, 45, 46, 92, 125; TOT/ Muungano competition, 111–12, 116–17, 120, 123–25, 124, 133–34, 157n19 Bagamoyo College of Arts: bugobogobo performances, 69–70, 77; curriculum, 10; faculty, 12, 36; founding, 30, 68–69; Friday Show, 79–80, 154n18; gender politics, 79– 82; ‘‘Issue,’’ 80, 154n20; Muungano dance contest, 78–79, 154nn16,17; National Arts Festivals, 69, 81, 97, 154n8, 154n21, 155n21; ngoma performances, 68–70, 73–74, 153n6; plays about rape, 93, 155n17; ukala choreography, 133 Bagamoyo Players, 74, 76 Bagenda, Prince, 153n35 Bakhtin, Mikhail, 110 Ballet Africaines (Guinea), 21 Balme, Christopher B., 76 Bantu Acrobatics, 149n36 Baragumu Cultural Troupe, 36 baraza, 105–106, 141 Barber, Karin, 9, 11, 135, 151n10 Barz, Gregory, 28 Battaglia, Debbora, 155n6 Bayart, Jean-François, 145n1 beni, 47, 67, 117, 118, 146nn5,7 Bhabha, Homi K., 50, 68, 77, 84, 127, 135, 144n14, 151n15, 155n9 Boha, Haji, 157n19 Bora Cultural Troupe, 29, 31, 34 British Colonial Office, 146n13 bugobogobo (Sukuma harvesting dance), 49, 68, 69–70, 77, 79, 154n7 Burundi, 5 Cameroon, 6, 58, 144n16 Canning, Charlotte, 157n22 Cassanova’s Club (Dar es Salaam), 85, 154n1 CCM. See Chama Cha Mapinduzi Chabal, Patrick, 144n16 Chagga ethnic group, 49, 151n13, 157n16 Chaligha, Amon, 38 Chama Cha Mapinduzi (CCM; Party of Revolution): anniversary performance, 32–33; criticism of, 57, 152n31; election victories, 7, 131; flag, 157n18; founding, 34; multiparty system, 152n32; national perception of, 5; political campaign, 59–60, 62, 127–29, 153n35, 157nn23,24; and popular performance groups, 3, 38, 59–60, 124, 150n43; rural support base, 153n41; ten-house cell concept, 152n21; youth membership, 115, 138 Changombe, 1, 143n2 Chaplin, Charlie, 28, 148n27 Chatterjee, Partha, 72, 88, 102, 113 Chenga, Norbert: Bagamoyo dance contest, 154n17; biography, 34, 37, 38, 150n40; masewe performances, 35, 72–73; Snake Garden Bar, 151n6; TOT/Muungano competition, 113–14, 116, 122, 125–26, 157n10. See also Muungano Cultural Troupe choreography: beni, 146n5; kukata kiuno, 65–66, 69, 71–74, 78–79, 141; military formations, 19, 67, 117, 118, 146n5; ngoma, 68, 70–74, 77–84; of resistance, 77–84; sexual innuendo, 68, 70–74; ukala, 133; Zigua hunting dance, 133 Christianity, 20, 145n24 Civic United Front (CUF), 39, 121, 127, 157n22 civil society, 41, 150n4 class system: audiences, 44, 46, 151nn8,9; class rage, 102–105; mockery of, 54–55, 119, 124; reputation of TOT, 113. See also walalahoi collaborative nationalism, 7, 17–18, 30–33, 130 College of Theatre Arts (Dar es Salaam), 24, 68. See also Bagamoyo College of Arts Collins, John, 11 colonialism: colonial subjects as ‘‘other,’’ 47; ethnic assumptions of, 157n16; European performance formats, 21–22, 150n3; legacy, 146n13, 153n3, 154n5; missionary school system, 21, 34, 143n5, 146n13, 147n14, 157n16 Comaroff, John L., and Jean, 44, 144n13 commercialization/commodification of cultural arts, 31–33, 65, 70–77, 83, 156nn4,7 Community Theatre Group, 155n21 competitive performance, 109–11; declaring winners, 78, 120, 154n15; Mashibotta, 136; spectators’ role, 121. See also mashindano; TOT/Muungano competition; utani composite performances, 32, 38. See also variety/vaudeville style Congo Jazz, 158n3 Congolese popular music, 135–36, 149n35. See also soukous Conquergood, Dwight, 12 conviviality, 5–7, 144n11 Coronil, Fernando, 101 cosmopolitan nationalism, 7, 135–40 creolization, 47. See also hybridity cultural...