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— 315 — REFERENCES Alden, Ray, producer. 1985. The Young Fogies. 33 rpm LP. Galax, Va.: Heritage Records, 056. Anders, Jentri. 1990. Beyond Counterculture: The Community of Mateel. Pullman: Washington State University Press. Bealle, John. 1987. “A History of the Bloomington Old-Time Music and Dance Group.” Distributed regionally as an attachment to the annual Sugar Hill Calendar. Reprinted verbatim in Bealle 1988: 295–345. ———. 1988. “American Folklore Revival: A Study of an Old-Time Music and Dance Community.” Ph.D. dissertation, Indiana University. ———. 1993. “Self-Involvement in Musical Performance: Stage Talk and Interpretive Control at a Bluegrass Festival.” Ethnomusicology 37: 63–86. Benford, Mac. 1989. “Folklorists and Us: An Account of Our Curious and Changing Relationship (with More Personal Reminiscences ).” Old-Time Herald 1(7): 22–27. Bernhardt, Jack. 1986. “The Hollow Rock String Band.” Bluegrass Unlimited 21(6): 74–81. — 316 — References Blaustein, Richard. 1975. “Traditional Music and Social Change: The Oldtime Fiddlers Association Movement in the United States.” Ph.D. dissertation, Indiana University. ———. 1994. “The Oldtime Fiddlers Association Movement: A Grassroots Folk Revival.” Southern Folklore 51: 199–217. Bloomington Old-Time Music and Dance Group. Web site. http:// www.bloomington.in.us/botmdg/. Bluegrass Breakdown. 1992. CD. Newport Folk Festival Classics (series ). Santa Monica, Calif.: Vanguard Records. Bluestein, Evo, et al. 1992–93. “A Tribute to Sweet’s Mill: Same Old Man Living at the Mill.” Old-Time Herald 3(6): 32–41. Bradley, Sandy. 1979. Potluck and Dance Tonite! 33 rpm LP. Waterbury, Vt.: Alcazar Records, 202. Burns, Thomas A., and Doris Mack. 1978. “Social Symbolism in a Rural Square Dance Event.” Southern Folklore Quarterly 42: 295–327. Bustin, Dillon. 1982a. If You Don’t Outdie Me: The Legacy of Brown County. Bloomington: Indiana University Press. ———. 1982b. “ ‘The Morrow’s Uprising’: William Morris and the English Folk Revival.” Folklore Forum 15: 17–38. ———. 1983. Dillon Bustin’s Almanac. 33 rpm LP. Whitesbury, Ky.: June Appal Records, JA-045. ———. 1988. “New England Prologue: Thoreau, Antimodernism, and Folk Culture.” In Jane S. Becker and Barbara Franco, eds., Folk Roots, New Roots: Folklore in American Life, 1–6. Lexington, Mass.: Museum of Our National Heritage. ———. 1990a. “Lotus Dickey and His Music.” Country Dance and Song 20 (March): 1–5. ———. 1990b. “The Virtues of Lotus Dickey: ’Sitting at the Feet of Lotus.’ ” Country Dance and Song 20 (March): 7–13. ———. 1995. “ ‘His Ceaseless, Ever Changing Song’: The Creative Life of Lotus Dickey.” In Nancy C. McEntire, Grey Larsen, and Janne Henshaw, eds., The Lotus Dickey Songbook, 5–19. Bloomington: Indiana University Press. Bustin, Dillon, and Richard Kane. 1981. Tough, Pretty, or Smart: A [3.15.190.144] Project MUSE (2024-04-26 14:51 GMT) — 317 — References Portrait of the Patoka Valley Boys. Documentary film. Bloomington : Indiana University. ———. 1982. Water from Another Time. Documentary film. Alexandria , Va.: Kane-Lewis Productions. ———. 1984. Add and Mabel’s Punkin Center. Documentary film. Watertown , Mass.: Documentary Educational Resources. Camp, Charles, and Timothy Lloyd. 1980. “Six Reasons Not to Produce Folklife Festivals.” Kentucky Folklore Record 26: 67–74. Canby, Vincent. 1979. “A Comedy in Which Class Tells.” New York Times, September 2, p. 13. Cantwell, Robert. 1996. When We Were Good: The Folk Revival. Cambridge , Mass.: Harvard University Press. Cauthen, Joyce H. 1989. With Fiddle and Well-Rosined Bow: OldTime Fiddling in Alabama. Tuscaloosa: University of Alabama Press. Christmas Country Dance School. 1988. Christmas Country Dance School, 1938–1988. Berea, Ky.: Christmas Country Dance School, Policy Committee. Claus, Jeff, and Doug Crosswhite, producers. 1977. An Anthology: Old Style, Old Time Fiddling. 33 rpm LP. Huntsville, Ala.: Tennevale Records, TV-004. Cockrell, Dale. 1997. Demons of Disorder: Early Blackface Minstrels and Their World. New York: Cambridge University Press. Cohen, John. 1964a. “Adapted and Arranged in the Public Domain.” In John Cohen and Mike Seeger, eds., The New Lost City Ramblers Song Book, 33–38. New York: Oak Publications. ———. 1964b. “Introduction to Styles in Old-Time Music.” In John Cohen and Mike Seeger, eds., The New Lost City Ramblers Song Book, 10–21. N.Y.: Oak Publications. ———. 1975. Musical Holdouts. Film. New York: Phoenix Films. ———. 1996–97. “Conversation with Chad Crumm and Keith Brand of the Hix.” Old-Time Herald 5(6): 22–29. Cohen, Ronald D. 2002. Rainbow Quest: The Folk Music Revival and American Society, 1940–1970. Amherst: University of Massachusetts Press. — 318 — References Collins, Jim. 1996. “Who Still Follows the Pied Piper of Canterbury?” Old-Time Herald 5(4): 10–13. Conway, Cecelia. 1995. African Banjo Echoes in Appalachia: A Study of Folk Traditions. Knoxville: University...

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