The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy

Bibliography

Bibliography m a n u s c r i p t s Brussels, Bibliothèque Royale de Belgique, MS 9085. Cornazano, Antonio. Libro dell’arte del danzare. Rome, Biblioteca Apostolica Vaticana , Codex Capponiano, 203. Domenico da Piacenza. De arte saltandj & choreas ducendj De la arte di ballare et danzare. Paris, Bibliothèque Nationale, MS fonds it. 972. Florence, Biblioteca Nazionale, Magl. VII 1121 and Magl. XIX 31. Florence, Biblioteca Nazionale Centrale, Codex Palatini. Foligno, Seminario Vescovile, Biblioteca Jacobilli, MS D.I.42. Gresley of Drakelow papers. Derbyshire Record Office, D77 box 38, pp. 51–79. (Guglielmo Ebreo). Modena, Biblioteca Estense, Codex Ital. 82, α. J. 94. (Guglielmo Ebreo). Siena, Biblioteca Comunale, Codex L. V. 29. Guglielmo Ebreo da Pesaro. Domini Iohannis Ambrosii pisauriensis de pratica seu arte tripudii vulgare opusculum faeliciter incipit. Paris, Bibliothèque Nationale, MS fonds it. 476. Guglielmo Ebreo da Pesaro. Ghuglielmi ebrei pisauriensis de praticha seu arte tripudi vulghare opusculum feliciter incipit. New York, New York Public Library, Dance Collection, *MGZMB-Res. 72-254. Guglielmo Ebreo da Pesaro. Ghuglielmi hebraei pisauriensis De praticha seu arte tripudij vulghare opusculum feliciter incipit. Florence, Biblioteca Nazionale Centrale , Codex Magliabecchiana-Strozziano XIX 88. Guglielmo Ebreo da Pesaro. Guilielmi Hebraei pisauriensis de pratica seu arte tripudii vulgare opusculum incipit. 1463. Paris, Bibliothèque Nationale, MS fonds it. 973. Guglielmo Ebreo da Pesaro. Qui chominca elibro de bali Ghugliemus ebreis pisauriensis de praticha seu arte tipudi volghare opuschulum. Florence, Biblioteca MediceaLaurenziana , Codex Antinori, A13. Nuremberg, Germanisches Nationalmuseum, MS 8842/GS 1589. Il Papa, New York Public Library, *MGZMB-Res. 72-254. p r i n t e d w o r k s Aiken, Jane Andrews. “Leon Battista Alberti’s System of Human Proportions.” Journal of the Warburg and Courtauld Institutes 43 (1980): 68–96. Alberti, Leon Battista. The Family in Renaissance Florence. (Translation of I libri della famiglia.) Translated and with an introduction by Renée Neu Watkins. Columbia: University of South Carolina Press, 1969. ———. On Painting. (Translation of De pictura.) Edited and translated by Cecil Grayson, with an introduction and notes by Martin Kemp. London: Penguin, 1991. 224 Bibliography ———. On Painting. (Translation of Della pittura.) Translated by John R. Spencer. London: Routledge and Kegan Paul, 1956. ———. On the Art of Building in Ten Books. (Translation of De re aedificatoria.) Translated by Joseph Rykwert, Neil Leach, and Robert Tavernor. Cambridge , Mass.: MIT Press, 1988. Alexander, Jonathan J. G. “Dancing in the Streets.” Journal of the Walters Art Gallery 54 (1996): 147–62. Alighieri, Dante. The Divine Comedy. Vol. 1, book 1, Inferno. Translated with commentary by Charles S. Singleton. London: Routledge and Kegan Paul, 1971. ———. The Divine Comedy. Vol. 3, book 1, Paradiso. Translated with commentary by Charles S. Singleton. Princeton: Princeton University Press, 1975. ———. Purgatorio. Verse translation by W. S. Merwin. New York: Knopf, 2000. Altieri, Marco Antonio. Li nuptiali di Marco Antonio Altieri. Edited by Enrico Narducci. 1873. Reprint, Rome: Roma nel Rinascimento, 1995. Ames-Lewis, Francis. The Intellectual Life of the Early Renaissance Artist. New Haven : Yale University Press, 2000. Ames-Lewis, Francis, and Mary Rogers, eds. Concepts of Beauty in Renaissance Art. Aldershot: Ashgate, 1998. Arbeau, Thoinot. Orchesography. 1589. Translated by Mary Stewart Evans, 1948. Reprint, with an introduction and notes by Julia Sutton, New York: Dover Publications, 1967. Arcangeli, Alessandro. “Carnival in Medieval Sermons.” European Medieval Drama 1 (1997): 199–209. ———. “Dance and Punishment.” Dance Research 10, no. 2 (1992): 30–42. ———. “Dance under Trial: The Moral Debate, 1200–1600.” Dance Research 12, no. 2 (1994): 127–55. ———. Davide o Salomè? Il dibattito europeo sulla danza nella prima età moderna. Rome: Viella, 2000. Aristotle. The Nicomachean Ethics. Rev. ed. Translated by J. A. K. Thomson, revised by Hugh Tredennick. London: Penguin, 1976. Ashbee, Andrew, ed. Records of English Court Music, vol. 7, 1485–1558. Aldershot: Scolar Press, 1993. Baldassarri, Stefano U., and Arielle Saiber, eds. Images of Quattrocento Florence: Selected Writings in Literature, History, and Art. New Haven: Yale University Press, 2000. Baron, Hans. From Petrarch to Leonardo Bruni: Studies in Humanistic and Political Literature. Chicago: University of Chicago Press, 1968. Battista, Eugenio. “Natura Artificiosa to Natura Artificialis.” In The Italian Garden, edited by David R. Coffin, pp. 3–36. Washington, D.C.: Dumbarton Oaks, 1972. Baxandall, Michael. Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition, 1350–1450. Oxford: Clarendon Press, 1971. ———. Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style. Oxford: Oxford University Press, 1972. Berger...