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Illustrations Chapter 2: Figure 1. A standard arrangement of the string sections of the orchestra. 7 Figure 2. A common alternative to the arrangement in ¤gure 1. 8 Chapter 3: Example 1. One page from a typical Baroque period score: Bach, Magni¤cat,¤rst movement, measures 1–4. 28 Example 2. One page from a typical Viennese Classical score: Haydn, Nelsonmesse, Kyrie, measures 1–5. 29 Example 3. One page from a typical Romantic era score: Brahms, Ein deutsches Requiem, Op. 45, second movement, measures 1–9. 30 Chapter 4: Figure 3. A recommended baton pattern for legato, carrying rebounds forward and using the horizontal plane effectively. 36 Chapter 7: Example 4. “Sinfonia,” measures 1–4. 64 Example 5. A possible realization of the trills in the “Sinfonia,” measure 9. 65 Example 6. “But who may abide the day of His coming,” measures 77–84. 73 Example 7. “But who may abide the day of His coming,” measures 141–146. 74 Example 8. Short trills in measures 10–11 of “O thou that tellest good tidings to Zion.” 76 Example 9. Long trills as an alternative. 76 Example 10. “The people that walked in darkness,” measures 1–4. 79 Example 11. “The people that walked in darkness,” measures 59–63. 80 Example 12. “Glory to God,” measures 42–49. 85 Example 13. “He shall feed His ®ock like a shepherd,” measures 53–56. 88 Example 14. Prototypical measured (¤ve-note) trill ¤gures in the aria “He was despised,” measures 2–3. 92 Example 15. Suggested bowings for “Surely He hath borne our griefs,” measures 1–2. 93 Example 16. Suggested bowings for “Surely He hath borne our griefs,” measures 6–7. 93 Example 17. Suggested bowings for “Behold, and see if there be any sorrow,” measures 3–6. 97 Example 18. Suggested bowings for “But Thou didst not leave His soul in hell,” measures 1–5. 99 Example 19. Suggested bowings for “Lift up your heads, O ye gates,” measures 1–10. 100 Example 20. Suggested bowings for “Lift up your heads, O ye gates,” measures 39–42. 100 Example 21. Suggested bowings for “How beautiful are the feet of them,” measures 1–4. 103 Example 22. Suggested bowings for “How beautiful are the feet of them,” measures 20–24. 104 Example 23. Suggested bowings for “Why do the nations so furiously rage,” measures 1–4. 106 Example 24. Suggested bowings for “Let us break their bonds asunder,” measures 33–38. 108 Example 25. Suggested bowings for “Thou shalt break them,” measures 9–12. 108 Example 26. Suggested bowings for “Hallelujah!” measures 1–14. 110 Example 27. Suggested bowings for “Hallelujah!” measures 31–41. 111 Example 28. Suggested bowings for “The trumpet shall sound,” measures 1–8. 114 Example 29. Suggested bowings for “But thanks be to God,” measures 25(1)–30(6). 116 Example 30. Suggested bowings for “Worthy is the Lamb that was slain,” measures 1–7. 118 Example 31. Suggested bowings for the ¤nal movement, measures 72–78. 120 Chapter 8: Example 32. Suggested bowings for “Et exsultavit spiritus meus,” measures 1–14. 126 Example 33. Suggested bowings for “Et misericordia,” measures 1–4. 129 Example 34. Suggested bowings for “Fecit potentiam,” measures 1–3. 130 Example 35. Suggested bowings for “Fecit potentiam,” measures 21–23. 131 Example 36. Suggested bowings for “Deposuit potentes,” measures 1–14. 132 Example 37. Suggested bowings for “Gloria Patri,” measures 15–20. 134 Chapter 9: Example 38. One set of possible bowings for “Et in terra pax hominibus,” measures 1–5. 140 Example 39. Suggested bowings for “Domine Fili Unigenite,” measures 1–10. 144 Chapter 10: Example 40. Suggested bowings for the Nelsonmesse Gloria, measures 151–156. 162 x Illustrations ...

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