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WORKS CITED Allen, Paul. “Interview with Athol Fugard.” New Statesman and Nation 3, no. 17 (7 September 1990). Amato, Rob. “Fugard’s Confessional Analysis: ‘MASTER HAROLD’ . . . and the Boys.” In Momentum: On Recent South African Writing, edited by M. J. Daymond, J. U. Jacobs, and Margaret Lenta, pp. 198–214. Pietermaritzburg, South Africa: University of Natal Press, 1984. Arthur, Thomas H. “Looking for My Relatives: The Political Implications of ‘Family’ in Selected Works of Athol Fugard and August Wilson.” South African Theatre Journal 6 (September 1992): 5–10. Bachmann, Dieter. “Der hohle Klang der letzten Fragen: Fugards Dimetos in Basel.” Frankfurter Allegemeine Zeitung, 6 November 1980. Baker-White, Robert. “Authority and Jouissance in Fugard’s Statements after an Arrest under the Immorality Act.” Text and Performance Quarterly 12 (1992): 228–244. Beckett, Samuel. Waiting for Godot. New York: Grove Press, 1954. Bender, John. Imagining the Penitentiary. Chicago: University of Chicago Press, 1987. Benson, Mary. Athol Fugard and Barney Simon: Bare Stage, a Few Props, Great Theatre. Randburg , South Africa: Ravan Press, 1997. Blumberg, Marcia. “Languages of Violence: Fugard’s Boesman and Lena.” In Violence in Drama, edited by James Redmond. Cambridge: Cambridge University Press, 1991. ———. “Negotiating the In-Between: Fugard’s Valley Song.” Journal of Literary Studies 12 (December 1996): 456–469. ———. “Re-Staging Resistance, Re-Viewing Women: 1990s Productions of Fugard’s Hello and Goodbye and Boesman and Lena.” In Staging Resistance: Essays on Political Theatre, edited by Jeanne Colleran and Jenny S. Spencer. Ann Arbor: University of Michigan Press, 1998. ———. “Women Journeying at the South African Margins: Athol Fugard’s The Road to Mecca.” Matatu 11 (1994): 39–50. Blumberg, Marcia, and Dennis Walder, eds. South African Theatre as/and Intervention. Amsterdam : Rodopi, 1999. Bowker, Veronica. “Fugard’s Experimentation in My Life: The Practice of Representation and the Representation of Practice under Scrutiny.” Current Writing: Text and Reception in Southern Africa 7 (1995): 47–53. Bowker, Veronica, and Mary West. “An Interview with the Cast of My Life, 20 August 1994.” Current Writing: Text and Reception in Southern Africa 7 (1995): 54–59. Brée, Germaine. Camus. New Brunswick, N.J.: Rutgers University Press, 1959. Brook, Peter. The Empty Space. Harmondsworth, England: Penguin Books, 1972. Campbell, Roy. “The Snake.” In The Collected Poems of Roy Campbell, vol. 1. London: The Bodley Head, 1949. Camus, Albert. Carnets. Vol. 1. Paris: Gallimard, 1962. ———. The Myth of Sisyphus and Other Essays. Translated by Justin O’Brien. New York: Alfred A. Knopf, 1969. ———. Notebooks: 1935–1942. Translated by Philip Thody. New York: Modern Library, 1965. Canby, Vincent. “Athol Fugard’s Salute to the New South Africa.” New York Times, 9 May 1996. Chapman, Michael. “The Liberated Zone: The Possibilities of Imaginative Expression in a State of Emergency.” English Academy Review [Johannesburg] 5 (1988). Cody, Gabrielle, and Joel Schechter. “An Interview with Athol Fugard.” Theater 19 (Fall/Winter 1987): 70–72. Coleman, David. “After 10 Years the Flaws Are Showing.” Natal Mercury [Durban] 133, no. 36908 (12 October 1984). Colleran, Jeanne. “A Place with the Pigs: Athol Fugard’s Afrikaner Parable.” Modern Drama 33 (1990): 82–92. ———. “Athol Fugard and the Problematics of the Liberal Critique.” Modern Drama 38 (1995): 389–407. ———. “Lessons from a Fair Country.” In South African Theatre as/and Intervention, ed. Marcia Blumberg and Dennis Walder, pp. 113–123. Amsterdam: Rodopi, 1999. Colleran, Jeanne, and Jenny S. Spencer, eds. Staging Resistance: Essays on Political Theatre. Ann Arbor: University of Michigan Press, 1998. Coveney, Michael. “Challenging the Silence: Athol Fugard Talks to Michael Coveney.” Plays and Players 21, no. 2 (November 1973): 34–37. Crow, Brian. “Athol Fugard.” In Post-Colonial English Drama, edited by Bruce King. New York: St. Martin’s Press, 1992. Crow, Brian. “‘A Truly Living Moment’: Acting and the Statements Plays.” In Theatre and Change in South Africa, edited by Geoffrey V. Davis and Anne Fuchs, pp. 13–24. Amsterdam : Harwood Publishers, 1996). Crow, Brian, with Chris Banfield. An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press, 1996. Cushman, Robert. “‘The Naked Truth’: Review of Statements after an Arrest under the Immorality Act.” The Observer [London], 27 January 1974. Reprinted in Athol Fugard, edited by Stephen Gray, pp. 87–88 (Johannesburg: McGraw-Hill, 1982). Daniel, Raeford. “Fugard in Retrospect.” The Citizen [Johannesburg], 7 August 1997. Davis, Geoffrey V., and Anne Fuchs, eds. Theatre and Change in South Africa. Amsterdam: Harwood Publishers, 1996. Daymond, M. J., J. U. Jacobs, and Margaret Lenta, eds. Momentum: On Recent South African Writing. Pietermaritzburg, South Africa: University of Natal Press...

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