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BIBLIOGR APHY (* indicates publications in which KBW or its antecedents are discussed) Abimbola, ’Wande. 1971. “The Yoruba Concept of Human Personality.” In La Notion de personne en Afrique noire, pp. 73–89. Paris: Centre National de la Recherche Scientifique. ———. 1975. Sixteen Great Poems of Ifá. Niamey, Niger: UNESCO. ———. 1976. Ifá. Oxford: Oxford University Press. ———. 1977. Ifá Divination Poetry. New York: NOK Publishers. Abimbola, ’Wande, and Barry Hallen. 1993. “Secrecy and Objectivity in the Methodology and Literature of Ifá Divination.” In Secrecy: African Art That Conceals and Reveals, ed. P. Nooter, pp. 213–21. New York: Museum for African Art, and Munich: Prestel.* Abiodun, Rowland. 1983. “Identity and the Artistic Process in the Yoruba Aesthetic Concept of Iwa.” Journal of Cultures and Ideas 1, no. 1: 13–30. ———. 1987. “Verbal and Visual Metaphors: Mythic Allusions in Yoruba Ritualistic Art of Ori.” Word and Image 3, no. 3: 252–70. ———. 1990. “The Future of African Art Studies: An African Perspective.” In African Art Studies: The State of the Discipline, pp. 63–89. Washington, D.C.: Smithsonian Institution Press. ———. 1994. “Introduction: An African (?) Art History: Promising Theoretical Approaches in Yoruba Studies.” In The Yoruba Artist: New Theoretical Perspectives on African Arts, ed. R. Abiodun, H. Drewal, and J. Pemberton, pp. 37– 47. Washington, D.C.: Smithsonian Institution Press.* Abiodun, Rowland, Henry J. Drewal, and John Pemberton. 1994. Yoruba Art and Aesthetics. Zurich: Center for African Art and the Reitburg Museum. Abraham, R. C. 1958. Dictionary of Modern Yoruba. London: University of London Press. Abraham, W. E. 1962. The Mind of Africa. Chicago: University of Chicago Press. Adams, Monni. 1989. “African Visual Arts from an Art Historical Perspective.” African Studies Review 32, no. 2: 55–103. Adepegba, C. O. 1983. “Ara: The Factor of Creativity in Yoruba Art.” Nigerian Field 48: 53–66. Adewale, S. A. 1988. The Religion of the Yoruba: A Phenomenological Analysis. Ibadan, Nigeria: Department of Religious Studies, University of Ibadan. Albert, E. 1970. “African Conceptual Systems.” In The African Experience, ed. J. Paden and E. Soja, pp. 99–107. Evanston: Northwestern University Press. 180 | BIBLIOGRAPHY Allen, Norm, Jr., ed. 1991. African-American Humanism: An Anthology. Buffalo, N.Y.: Prometheus Books. Allison, P. A. 1973. “Collecting Yoruba Art.” African Arts 6, no. 4: 64–68. Anderson, E. 1972. “The Concept of Justice and Morality among the Bakuta in the Congo-Brazzaville.” Ethnos 37: 5–39. Anyanwu, K. C. 1987. “The Idea of Art in African Thought.” In African Philosophy . Vol. 5: Contemporary Philosophy: A New Survey, ed. G. Floistad, pp. 235–60. Dordrecht: Martinus Nijhoff Publishers, and Boston: Kluwer Academic Publishing. Appiah, Kwame Anthony. 1992. In My Father’s House: Africa in the Philosophy of Culture. Oxford: Oxford University Press.* ———. 1995a. “Why Africa? Why Art?” In Africa: The Art of a Continent, ed. Tom Phillips, pp. 21–26. Munich: Prestel. ———, ed. 1995b. African Philosophy: Selected Readings. Englewood Cliffs, N.J.: Prentice Hall. Arenson, J. J. 1974. Tradition and Change in Yoruba Art. Sacramento, Calif.: E. B. Crocker Art Gallery. Armstrong, D. 1973. Belief, Truth, and Knowledge. Cambridge: Cambridge University Press. Armstrong, Robert P. 1971. The Affecting Presence: An Essay in Humanistic Anthropology . Urbana: University of Illinois Press. Austin, J. L. 1961. Philosophical Papers. Oxford: Oxford University Press. ———. 1962a. How to Do Things with Words. Oxford: Oxford University Press. ———. 1962b. Sense and Sensibilia. Oxford: Oxford University Press. Awolalu, J. O. 1970. “The Yoruba Philosophy of Life.” Presence Africaine 73: 79–89. ———. 1979. Yoruba Beliefs and Sacrificial Rites. London: Longmans. Ayoade, John A. A. 1984. “Time in Yoruba Thought.” In African Philosophy: An Introduction, ed. Richard Wright, pp. 93–112. New York: University Press of America. Banton, Michael, ed. 1966. Anthropological Approaches to the Study of Religion. London: Tavistock Publications. Barber, Karin. 1991. I Could Speak until Tomorrow: “Orı́kı̀,” Women, and the Past in a Yoruba Town. Washington, D.C.: Smithsonian Institution Press. ———. 1994. “Polyvocality and the Individual Talent: Three Women Orı́kı̀ Singers in Okuku.” In The Yoruba Artist: New Theoretical Perspectives on African Arts, ed. R. Abiodun, H. Drewal, and J. Pemberton, pp. 151–60. Washington, D.C.: Smithsonian Institution Press. ———. 1995. “African-Language Literature and Postcolonial Criticism.” Research in African Literatures (Austin) 26, no. 4: 3–30. ———. 1999. “Quotation in the Constitution of Yoruba Oral Texts.” Research in African Literatures 30, no. 2: 17–41. ———, ed. 1997. Readings in African Popular Culture. Bloomington: International African Institute and Indiana University Press. Barber, Karin, and P. F. de Moraes Farias. 1989. Discourse and Its Disguises: The Interpretation of African...

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