Sound, Speech, Music in Soviet and Post-Soviet Cinema

Index

295 Index Numbers in italics refer to illustrations. Absolute Beginners (dir. Temple, 1996), 12 Abuladze, Tengiz, 231–32, 234–35, 239–43, 245– 46. See also individual films Accordion, The (Garmon’, dir. Savchenko, 1934), 258–59 Adorno, Theodor, 7, 145, 175 Aleinikov, Moisei, 65 Alexander Nevsky (dir. Eisenstein, 1938), 215 Alexandrov, Grigori, 60, 88, 195, 208–209, 255, 260. See also “Statement on Sound” All-Union Party Conference on Cinema of March 1928, 38, 40, 61, 64, 87, 258 Alone (Odna, dir. Kozintsev and Trauberg, 1931), 55, 75, 121 animated film, 33–34 Anoshchenko, Nikolai, 88 Arsenal (dir. Dovzhenko, 1929), 34 Arseniev, Eduard, 13 Asafiev, Boris, 188–89 ASSA (dir. Soloviev, 1987), 12, 233, 263–64, 272n41 Association of Workers in Revolutionary Cinematography (ARRK), 64, 74, 82–91, 93–96 Avraamov, Arseny, 7, 22–26, 23, 28, 30–35, 90, 155 Azarin, Azary, 186 Bakhtin, Mikhail, 234 Balázs, Béla, 21, 27, 100, 110 Barthes, Roland, 113 Battle for Rome, The (Kampf um Rom I and II, dir. Siodmak, 1968), 171 Battle for Our Soviet Ukraine, The (Bitva za nashu Sovetskuiu Ukrainu, dir. Dovzhenko, 1943), 129, 138–41 Battle of Stalingrad, The (Stalingradskaia bitva, dir. Petrov, 1949), 127, 155 Battleship Potemkin (Bronenosets Potemkin, dir. Eisenstein, 1925), 40, 131, 213–14 Bells Are Ringing (dir. Minnelli, 1960), 146 Blockade of Leningrad, 131–38 Blok, David, 182–83, 184 Blue Light, The (Das blaue Licht, dir. Fank and Riefenstahl, 1932), 119 Border, The (Granitsa, dir. Dubson, 1933–35), 123, 124, 126 Brando, Marlon, 147–48, 150, 152, 156–58 Broadway (dir. Fejos, 1929), 91 Broadway Melody, The (dir. Beaumont, 1929), 258 Bugoslavsky, Sergei, 182–83, 184 Burglar, The (Vzlomshchik, dir. Ogorodnikov, 1988), 12, 233 By Water and Smoke (Koliivshchina, dir. Kavaleridze , 1933), 119 Carnival Night (Karnaval’naia noch, dir. Riazanov , 1958), 147 censorship, 10, 64, 114, 168 Chance Encounter, A (Sluchainaia vstrecha, dir. Savchenko, 1936), 107–108 Chapaev (dir. Vasiliev and Vasiliev, 1935), 123, 185 Cheremukhin, Mikhail, 185–87, 189–90 Chion, Michel, 7, 56n31, 101, 103–104, 110, 130–31, 134 cinematic education, 5 cinematic realism, 4 Circus (Tsirk, dir. Alexandrov, 1936), 100, 126– 27, 194, 205, 259–60, 269n4 Clift, Montgomery, 147–48 Clockwork Orange, A (dir. Kubrick, 1971), 243 Close to Us (Riadom s nami, dir. Bravko, 1931), 77 Coffman, Joe W., 73 Cold War, 11 Composer Glinka, The (Kompositor Glinka, dir. Alexandrov, 1953), 208 Crow’s Dance (Tanets vorony), 27 Cultural Revolution, 94, 203 Dean, James, 147–48, 157–58 Defense of Tsaritsyn, The (Oborona Tsaritsyna, dir. Vasiliev and Vasiliev, 1942), 127 296 | Index Dianin, Sergei, 30 Dovzhenko, Alexander, 120, 138–41. See also individual films Dunaevsky, Isaak, 195 Durovicová, Nataša, 8, 165 Earth (Zemlia, dir. Dovzhenko, 1930), 34, 120, 122 Earth Thirsts, The (Zemlia zhazhdet, dir. Raizman , 1932), 76 East of Eden (dir. Kazan, 1955), 157 Eisenstein, Sergei, 84, 88, 131, 212–20, 225, 227, 232, 260. See also individual films; “Statement on Sound” Ekk, Nikolai, 91, 96 End of St. Petersburg, The (Konets SanktPeterburga , dir. Pudovkin, 1927), 122 Enthusiasm (Entuziazm: Simfoniia Donbassa, dir. Vertov, 1931), 71, 75, 121 Enthusiasts, The (Entuziasty, dir. Simonov, 1934), 258 Erofeev, Vladimir, 88, 90 Eternal Love (L’éternel retour, dir. Delannoy, 1943), 171 Face of International Capitalism, The (Litso mezhdunarodnogo kapitalizma, dir. Kasianov , 1932), 93 Factory of the Eccentric Actor (FEKS), 39, 54, 256 Fall of the Romanov Dynasty, The (Padenie dinastii Romanovykh, dir. Shub, 1927), 131 February Revolution, 83 Feld, Steven, 1 Feldman, Konstantin, 69, 93 Five-Year Plan, 63, 67–68, 81, 86, 102–104 Footlight Parade (dir. Bacon, 1933), 259 42nd Street (dir. Bacon, 1933), 259 400 Blows, The (Les quatre cents coups, dir. Truffaut, 1959), 172 futurism, 29–30, 33 Gachev, Dmitry, 184–85 Genika, Yury, 88 Gerasimov, Sergei, 1 Godfather, The (dir. Coppola, 1972), 170 Gogol, Nikolai, 40 Golden Mountains (Zlatye gory, dir. Yutkevich, 1931), 75, 77, 155 graphic sound, 21–36 Grease (dir. Kleiser, 1978), 253 Guys and Dolls (dir. Mankiewicz, 1955), 150 Hamlet (dir. Kozintsev, 1964), 150 Hanslick, Eduard, 188 heteroglossia, 119–20, 124–27 Hipsters, The (Stilyagi, dir. Todorovsky, 2008), 12, 252–55, 253, 254, 260–68, 262, 266 Hitler, Adolf, 119, 146 Hollywood, 66, 91, 157, 182, 193; comparison to, 11, 77; influence of, 60–64, 195; multilingualism of, 149; musicals, 252, 254–55, 258–60, 267 Hopak (Gopak), 33 Hot Summer in Kabul (Zharkoe leto v Kabule, dir. Khamraev, 1983), 13 How He Lied to Her Husband (Kak on lgal ee muzhu, dir. Berezantseva, 1956), 149 Hungarian Dances—Study...