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General Index Page numbers in italics indicate musical examples and illustrations. Abbate, Carolyn, 15n14, 17n19, 46, 50n49, 138n4 absolute music, 4, 12, 14n1, 65, 227, 253 Adorno, Theodor W., 143n61 Agawu, Kofi, 5, 8, 11, 285n6 Almén, Byron, 13, 18n29, 265, 269 ambiguity, formal (blurring boundary points), 169, 235, 250n53, 252; tonal, 182, 18n27, 254, 256–57, 266, 283, 289n40 Ambros, August Wilhelm, 190, 214n11 Aristotle, 8, 117, 118, 139n19 Auerbach, Brent, 14n3 augmented sixth chord, 74, 122, 128, 134, 135, 141n40, 156, 178, 181, 273, 276, 277, 278, 280, 289n35 Austro-Germanic musical tradition, 12, 218, 219, 220, 228, 244 auxiliary cadence, 86, 106n17, 255 Bach, Johann Sebastian, 186, 234 Backfisch, 88, 89–90, 92, 104, 107n24, 107n27, 108n35 Bailey, Robert, 17n26, 18n27, 106n13, 285n2 Baroque, 118, 120, 186, 286n14 Barthes, Roland, 80, 105n4 Beckerath, Rudolf von, 288n27 Beethoven, Ludwig van, 15n11, 53, 106n12, 140n32, 171, 218, 219, 221, 228, 229, 244, 248n38, 249n44, 250n57, 259, 283, 285n9, 285n12; Symphony no. 9, 219, 229, 239, 240, 247n25 Beller, Steven, 47n10 Beller-McKenna, Daniel, 34, 48n16 Bernsdorf, Eduard, 218, 230, 249n52 Berry, Paul, 15n8, 66 Bierbaum, Otto Julius, 90, 107n27 Billroth, Theodor, 81, 105n5, 111, 113, 115, 117, 134, 137 Bizet, Georges, 27 Blake, William, 110n56 Bloom, Harold, 187, 202 Böcklin, Arnold, 90, 92, 98, 104, 108n33, 109n45, Plate 4.1 Bottge, Karen, 33, 48n39 Böttinger, Peter, 243, 246n18 Boyer, John, 47n10 Boyle, Nicholas, 123, 140n30, 143n31 Bozarth, George, 49n36, 245n3, 290n44 Brachmann, Jan, 48n16, 72, 76 Brahms, Johannes: allusions to other composers, 5, 15n8, 66, 217, 226, 228–29, 249n49, 283, 290n44; autobiographical implications of works, 17n21, 48n12, 104, 107n20, 110n56, 217, 226–28, 229; chamber works, 12, 27; influenced by other composers, 186–89, 190, 196, 201, 203, 204, 207; influenced by Schumann, 226, 249n49, 253, 257, 263, 274, 283–84, 286n12, 287n23, 290n44; intermezzi, 8, 24, 27, 45, 46, 48n16; late style, 8, 10, 24; lieder, 13, 80, 85–86, 97, 103, 105n5, 107n28, 108n40, 109n42, 110n52, 110n56; the performer, 48n18, 246n10; performing music by, 8, 24, 27–30, 31, 40–41, 43, 45–46, 49n26, 50n41; reception history of works, 5, 8–9, 25–31, 41, 47n10, 47nn18–19, 53, 54, 103, 111, 115–16, 117, 118, 131–32, 136, 141n47, 143n60, 218, 246n10, 249n52; and women, 66, 80, 105n1, 110n56. See also Index of Brahms’s Compositions Brinkman, Reinhold, 48n16 Bruckner, Anton, 11, 24, 253 Cadwallader, Allen, 18n28 Cai, Camilla, 216n33 Candidus, Karl, 55, 65 canon, 14, 19, 33–36, 38, 39, 40, 43, 45, 50n41, 154, 172, 174, 179, 235 Caplin, William, 7, 141n40 capriccio, 11, 48n11, 186, 187, 188, 189, 190–92, 196, 199, 201, 207, 209–12, 213n2, 216n34 Chamisso, Adelbert, 90 Chopin, Fryderyk, 245n7, 248n38, 253 circle of fifths, 147, 148, 150, 153, 156, 161, 168, 171, 174, 176, 178, 179–81, 237, 239, 259, 280 Classical style, 147, 183, 185n21, 222, 225, 231, 246n15, 248n38 coda, 10, 141n42, 147, 148, 152–54, 156–59, 161, 163, 164, 169–71, 172–83, 185n16, 243–44, 272, 275, 278, 280, 288n29 Coester, Mathilde, 88, 94 Cohn, Richard, 7, 14n3, 16n16, 18n28, 78n20, 107n20, 248n39, 251n68 concerto, 221, 228, 231, 238, 246n15, 246n18. See also sonata form, in concerto first movements 302 General Index Cornelius, Peter, 92 counterpoint, 26, 39, 129, 153, 154, 159, 176, 179, 183, 191, 246n18. See also canon; invertible counterpoint Culler, Jonathan, 131 cyclical works, 71, 79n32, 209, 216n32, 244, 245, 258, 260, 275, 282. See also Klinger, Max, Brahms Fantasy cyclical relations Dahlhaus, Carl, 14n1, 26, 27, 243, 245n5 dance types and topics, 87, 233, 256, 267, 269, 272, 275; Ländler, 255; sarabande and gavotte, 274, 287n25; waltz, 39 Daverio, John, 79n32, 287n23 Day-O’Connell, Jeremy, 141n44 declamatory rhythm, 57, 58, 63, 73, 79n39, 100 Deiters, Hermann, 7 Dessoff, Otto, 100 dialogic relationship, 6, 12, 13, 17n21, 218, 219–21, 234, 238, 239 Dietrich, Albert, 227 directional tonality, 253, 275, 278, 280, 283 distance, 31, 34, 50n41, 59, 65, 66, 72, 96, 99, 101, 102, 113, 125, 135, 138n4, 142n57, 194 drama, musical, 12, 13–14, 58, 59, 95, 96, 99, 104, 148, 169, 171, 186, 220, 222, 226, 234, 244, 245; tonal, 225, 250, 252, 253, 260, 265, 266, 272, 280, 287n24 Dubiel, Joseph, 225, 232, 236, 240, 243, 245n5, 248n43, 251n63 Eibner, Franz, 192, 215n17 enharmonic reinterpretation, 74, 85, 134, 178, 181, 194, 204, 273 Euripides, 112, 117, 123, 136 Everett, Walter, 102, 106n19 fantasy, 187, 188, 189, 190, 192, 196...

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