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283 Index Page numbers in italics refer to illustrations. abundance psychology, 101 Acheson, Dean, 71 act of writing, 10–11, 24 Adler, Alfred, 48 Adorno, Theodor, 75, 262n11 The Adventures of Augie March (Bellow ), 10 advertising man image, 101–102 “The Affective Fallacy” (Wimsatt and Beardsley), 135 African Americans: Beats’ fascination with, 128–31; Mailer’s view, 119; women’s movement and, 236; writers, 3, 12, 37. See also Black Panthers ; Cleaver, Eldridge After the Genteel Tradition (Cowley), 36 Against Interpretation (Sontag), 171– 72, 262n16 aggression, 14, 26; counterculture view of, 189–91; critiques of, 65, 71, 75; Depression-era views of, 42, 45, 46; female, 45; of leisure class, 30; negation of, 166; psychological research on, 42, 45, 57; as social problem , 75–77; toward mother figure, 78; U.S. military view of, 72–74; valorization of, 46–48, 73, 80 agitprop vasectomy film project, 237–39 Aiken, Conrad, 138–39 Alpert, Richard (Ram Dass), 189 Amburn, Ellis, 126–27, 258n12 “The American Fear of Literature” (Lewis), 35–36 An American Obsession: Science, Medicine , and Homosexuality in Modern Society (Terry), 40 American Psychiatric Association (APA), 224–25, 266n11 The American Soldier, 72–73 Anderson, Sherwood, 1, 2, 4, 8 androgyny, 232, 236 Angels in America (Kushner), 245 Another Country (Baldwin), 215 anti-gay discourse, 4, 20–21, 23, 40, 71, 95, 232–34 anti-intellectualism, 24, 50, 96–97, 121–22, 166–67, 176; presidential campaigns and, 247 anti-Semitism, 75–76, 79–80 antiwar movement, 194, 219 Apollonian sensibility, 12–16, 166 284 Index Arnold, Matthew, 172 Artaud, Antonin, 196, 197 Atlantic Monthly, 33–34 audience, 52, 58–60, 178, 243–45, 261n7; cathartic response, 38–39, 198; gender preconceptions of, 9–10; as impotent, 1–3; Living Theatre and, 155, 156, 157, 194–211; sexual assaults on, 205–207, 210; shock tactics of Living Theatre, 197–98, 207–209; white, 38–39; white-collar male, 1–2; women, 34, 36; working class, 1, 3 The Authoritarian Mind (Adorno), 75 authority, masculine, 112, 114–16 authors: body types and gender myths, 9–10; as custodians of ethical values, 33–34; female, 16–17; homosexuality imputed to, 26–27; literary marketplace and, 9, 10, 17; sexuality/sexual preference of, 9, 163. See also individual authors The Autobiography of Abbie Hoffman (Hoffman), 237 Awake and Sing! (Odets), 58, 60–62, 65 Baldwin, James, 215–19; Another Country, 215; “The Black Boy Looks at the White Boy,” 217, 256n7; “No Name in the Street,” 218–19 Bales, Robert F., 111–13 Beardsley, Monroe, 134, 135 beast-man, 33–34 Beatles, the, 179 Beats, 13, 21, 23–24, 40; gender doubleness, 123–24, 128–29, 142, 147, 177–78; irrationalism and, 120, 123, 128–30; Kinsey, meeting with, 98–99; Podhoretz’s view, 121–22; squares as counterpart to, 99–100; women’s gender roles and, 123, 125, 147, 257n11. See also Burroughs, William S.; Ginsberg, Allen; Kerouac , Jack Beck, Julian, 155, 165, 193, 196, 204, 207 Bederman, Gail, 19, 35, 253n9 “behavior,” as term, 201–202 Being Busted (Fiedler), 161 Bellow, Saul, 10 Bentley, Eric, 208, 209 Berger, Ralph (Awake and Sing!), 60–62, 65 Biff (Death of a Salesman), 109–110 Bigger Thomas (Native Son), 38–39 The Birth of Tragedy (Nietzsche), 12–13, 172 “The Bitch Manifesto” (Freeman), 231–32 “The Black Boy Looks at the White Boy” (Baldwin), 217 Black Panthers, 212–13, 216, 224 “Blueprint for Negro Writing” (Wright), 12, 37–39 body: class identity and, 8; Dionysian/ Apollonian binary, 12–16; effeminacy , charges of, 27, 31–32; fetishized male, 64; gay working-class, 39–40; of intellectual, 95–96; Jewish, remasculinization of, 58–59; of leisure class as effete, 5–8, 19, 32, 152; literary male, 4, 7–8; literary style produced by, 27, 31; malleability of, 14, 16, 197; as mechanized, 179–80; phallic dominance, 15, 37, 51, 57, 190, 216–17; of poet as feminized, 136–37, 142–43; porousness of male, 8, 13–14, 16, 68, 96, 128–29, 165, 180–81, 193; type, and gender myths, 9–10; visibility, trope of, 4, 174, 177, 211; of women as erotic only, 143; working-class male, 29, 246 Bogart, Humphrey, 72 Bonaparte, Joe (Golden Boy), 63–65, 66 Brass, Perry, 222–23 Breines, Paul, 12 The Brick Foxhole (Brooks), 75, 77 The Bridge of San Luis Rey (Wilder), 26 The Brig (Brown), 196 The Brig (Living Theatre), 155, 194, 196–99, 210 [18.225.209.95] Project MUSE (2024-04-24 16:05 GMT...

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