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Angelica Nuzzo offers a comprehensive reconstruction of Kant's theory of sensibility in his three Critiques. By introducing the notion of "transcendental embodiment," Nuzzo proposes a new understanding of Kant's views on science, nature, morality, and art. She shows that the issue of human embodiment is coherently addressed and key to comprehending vexing issues in Kant's work as a whole. In this penetrating book, Nuzzo enters new terrain and takes on questions Kant struggled with: How does a body that feels pleasure and pain, desire, anger, and fear understand and experience reason and strive toward knowledge? What grounds the body's experience of art and beauty? What kind of feeling is the feeling of being alive? As she comes to grips with answers, Nuzzo goes beyond Kant to revise our view of embodiment and the essential conditions that make human experience possible.

Table of Contents

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  1. Cover
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  1. Contents
  2. p. v
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  1. Preface
  2. pp. vii-ix
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  1. Key to Kant Works Cited
  2. pp. xi-xii
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  1. Introduction: Transcendental Embodiment
  2. pp. 1-18
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  1. Part 1.The Body in Theory
  2. p. 19
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  1. 1. Bodies in Space
  2. pp. 21-44
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  1. 2. Bodies and Souls
  2. pp. 45-68
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  1. 3. Disembodied Ideas
  2. pp. 69-92
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  1. Part 2.The Body in Practice
  2. p. 93
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  1. 4. Bodies in Action
  2. pp. 95-122
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  1. 5. Pure Practical Reason and the Reason of Human Desire
  2. pp. 123-158
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  1. 6. Freedom in the Body
  2. pp. 159-194
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  1. Part 3.The Body Reflected
  2. p. 195
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  1. 7. Aesthetics of the Body
  2. pp. 197-225
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  1. 8. Reflections of the Body, Reflections on the Body
  2. pp. 226-267
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  1. 9. Embodied Ideas
  2. pp. 268-314
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  1. Transcendental Embodiment: A Final Assessment
  2. pp. 315-322
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  1. Notes
  2. pp. 323-386
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  1. Bibliography
  2. pp. 387-402
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  1. Index
  2. pp. 403-414
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