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Figure 12. Juliet Thompson as a young woman. “There is a magic in Juliet’s eyes,” her friend Dimitri Marianoff once said. Juliet Thompson, The Diary of Juliet Thompson (Los Angeles: Kalimat Press, 1983), viii, xxiii. Figure 13. Juliet Thompson, Shop Window. Frick Art Reference Library, New York, New York. [3.17.150.163] Project MUSE (2024-04-25 21:31 GMT) Figure 14. Images of carriages on the Akka beach. Archie Bell, The Spell of the Holy Land (Boston: The Page Co., 1915), 306. Figure 15. Thompson’s portrait of Abdu’l-Bahá. Juliet Thompson, The Diary of Juliet Thompson (Los Angeles: Kalimat Press, 1983), 312. [3.17.150.163] Project MUSE (2024-04-25 21:31 GMT) Figure 16. Kahlil Gibran’s portrait of Abdu’l-Baha, April 1912. Private Collection. Figure 17. Order form for Juliet Thompson’s I, Mary Magdalen. Office of the Secretary, Records, Files on Individuals, 1940s, Bahá’í National Archives, Wilmette, Illinois. [3.17.150.163] Project MUSE (2024-04-25 21:31 GMT) Figure 18. Agnes Pelton, Future, 1941. The Buck Collection, Laguna Beach, California. Figure 19. Agnes Pelton, Evensong, 1934. Collection of Leighanne Stainer, Fremont, California. Photograph courtesy of Palm Springs Art Museum. ...

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