Roll Over, Tchaikovsky!
Russian Popular Music and Post-Soviet Homosexuality
Publication Year: 2014
Published by: University of Illinois Press
Title Page, Copyright Page, Dedication
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It is not so much with a nostalgic nod to postmodern theory as it is from the experiential standpoint of having worked on this manuscript for several years that I must aver that no text can claim to be the creation of a single author. ...
Notes on Transliteration, Translations, Attribution of Informants' Quotations, and Audiovisual Resou
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1. Introduction: Homosexual Bodies/Embodied Homosexuality
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The gay pride parade, an annual fixture of the contemporary landscape in such far-flung locales as New York, Montréal, Reykjavík, Johannesburg, and São Paolo, is a complex phenomenon. Not only sites for celebration and revelry, such parades are also inherently sociopolitical actions, visible and public manifestations of communities and identities formed, in part, in relation to the variable of sexual orientation. ...
2. Music, Form, Penetration
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The relative relaxation of geopolitical borders in Russia, post-perestroika, has allowed an intercourse with the West that, although certainly not absent during the Soviet era, or without restrictions in the present, increased the visibility, number, and variety of Western cultural products on Russian soil. ...
3. Phantom Faggots
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If the Soviet era was remarkable for its sexophobia, palpable as, paradoxically, an absence of explicit speech about sex or sexual matters, then the post-Soviet era, notable for a virtual explosion of unambiguous and open speech about sex—in the yellow press, as well as in academic discourse—might be seen as its garrulous corrective.1 ...
4. Corporeal Intentions
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It was about 2:00 A.M. when, having earlier flagged a passing car outside of my Moscow apartment and negotiated a fare,1 I arrived at the gay club Dusha i telo (Soul and Body). Located approximately twenty minutes outside of the city center, the entrance on the first floor of a large, severe, Soviet-era building complex, ...
5. Gay-Made Space
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It was only in 2012 when St. Petersburg and Moscow, two of the largest cities in Eastern Europe, joined the ranks of the “virtually visible”; in February of that year, the Google Maps street view feature was finally enabled, allowing internet visitors to view some of the world’s most famous sites and sights, architectural and otherwise. ...
6. Conclusion: The Eloquence of Flesh
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It was 25 December 2004, and I was waiting in the frigid weather in front of the building at 28 Kanal Griboedova in the center of St. Petersburg, the typically overcast sky compounding the cold from the gray pavement that seemed to seep up through the soles of my wholly inadequate boots. ...
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With the collapsing of both time and space brought about by an increasingly (if not yet fully) digitalized media society, work on studies dealing with popular music and popular culture—to say nothing of those dealing with post-Soviet space—takes on a growing sense of immediacy and urgency. ...
List of Interlocutors and Interviewees
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About the Author, New Perspectives on Gender in Music, Back Cover
Page Count: 352
Publication Year: 2014
Series Title: New Perspectives on Gender in Music