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index Photographs are located after page 92 and on separately numbered pages. In the index, they are italicized as 92.1, 92.2, etc. Abravanel, Maurice, 199 Adams, John, 75, 78 AFM (American Federation of Musicians), 68, 194–95, 210, 259n55 AGMA (American Guild of Musical Artists ), 170 Aldrich, Richard, 93, 99–100, 107, 115, 247n15 Arthur Judson Foundation, 239 Associated Musical Bureaus (AMB), 71, 72–80, 83, 220, 222 Astor (Hull), Helen, 94, 214 AT&T (American Telephone and Telegraph ), 82–86, 88 audiences: and Barbirolli, 141–42, 151, 161; concept of “floating” audience, 195, 228; decline, 227; and Furtwängler, 115, 116; growth in twentieth century, 7, 121, 123, 220; and local management, 11; and Mitropoulos , 207–9; mob mentality, 36–41; and reception of modern music, 116, 142, 196–97, 211; in small communities, 18–20; and World War I, 48–55 Barbirolli, John, 107, 132, 172; becomes Judson client, 132–33; competition with Toscanini , 148–50, 155–56; debate about La Mer, 155–58; first Philharmonic season, 136–45; programming American music, 151, 160, 163–64; programming new music , 141–42, 150–53. See also Downes Barclay, John, 62, 71, 80 Barlow, Howard, 89, 124, 172, 178, 179, 260n84 Barnum, P. T., 11 Bartók, Béla, 6, 115, 151, 152, 163 Bauer, Harold, 38–40, 246n24 Baumol (William J.) and Bowen (William G.), 225 Beall, Harry, ix, 10, 11, 232, 233, 236, 237 Beecham, Thomas, 123, 125, 132; programming English music in New York, 136, 137, 255n2, 256n42 Bellevue-Stratford Hotel (Philadelphia), 60 Bench, Edna M., 20 Bendix, Max, 27 Bernstein, Leonard, 178, 233 Blair, Floyd, 191, 210, 212–14, 241 Bok, Curtis, 135 Boston Symphony Orchestra, 45, 51–52, 217, 232, 259n65; manager’s dual roles, 60; and Mitropoulos, 204; and Munch, 188, 199; New York performances, 94, 140, 163, 176, 195; pursuit of Toscanini, 110; tours, 70 Bottenheim, Samuel, 102, 111, 113, 114, 253n40 Brard, Madeleine, 60, 61 Doering_Text.indd 269 12/10/12 3:06 PM 270 . index Braslau, Sophie, 80 Burke, Edmund, 80 Busch, Fritz, 131 business and the modern musician, 32–36 Buswell, James, IV, 219; on Judson’s management of young artists, 233–34 Butler, Nicholas Murray, 94 CAMI (Columbia Artists Management Inc.). See Columbia Concerts Corporation Casadesus, Henri, 60, 61 CBS (Columbia Broadcasting System), x, 2, 6, 178, 189; antitrust investigations of, 169, 171; founding, 88–90 Chamber Music Association of Philadelphia , 59–60 Charlton, Loudon, 30, 60, 75, 76, 246n24 Chavez, Carlos, 134, 136 Chicago Opera Orchestra, 67, 110 Chicago Symphony Orchestra, 25, 26, 45, 54, 191 Cincinnati Symphony Orchestra, 42, 55, 61, 140; appearance at Granville Spring Music Festival, 23–25; audiences, 37; Judson’s advisory position, 77, 80, 122; and Kunwald , 54; loaning Reiner, 124, 125; manager ’s dual roles, 61; Stokowski departure, 55 City College (New York), 65, 66, 81–82 City Symphony (New York City Symphony Orchestra), 184 City Symphony (of the 1920s), 95, 96 Cleveland Orchestra, 172, 182, 206 Coats, George, 87, 88, 89, 252n77 Colin, Ralph, 177, 212–14 Columbia Concerts Corporation, 2, 6, 8, 217, 220, 221; divesture from CBS, 171; FCC investigation, 169–72; founding, x, 90; Mitropoulos relationship, 204; Rodzinski relationship, 175, 182, 185 Columbia Phonograph Company. See CBS Community Concerts, Inc., 6, 220, 235; criticisms , 170; founding, 78–79, 90 Concert Management Arthur Judson (CMAJ), 2, 90, 91, 124; founding, 58–62, 71, 73, 74; split from Associated Musical Bureaus, 78–80 Conference of Managers, 263n2 conflict of interest, 2, 10; acceptance in orchestra management, 60, 61, 69–71; and internal investigations of Judson, 215, 216, 218 cooperation (as music management trend), 5, 35, 71, 72, 79, 124 Cortot, Alfred, 60, 61, 62, 71 cost disease, 225, 227–28 Cresap, McCormick and Paget, 215, 216–17 Cueny, Elizabeth, 76 Curzon, Clifford, 232 Damrosch, Walter, 96, 109, 257n67 Daniel, Oliver, 185, 203, 239 democratization of music listening, 228 Denison University, x, 15–26; academic credit for music, 21–22; awarding Judson honorary doctorate, 92.7; coeducation, 16–17; hiring Judson, 16; Mandolin and Guitar Club, 17, 22, 92.3; recital hall, 92.4; University Chorus, 21, 22; University Glee Club, 17, 22; University Orchestra, 15–17, 22 Diamond, Milton, 71, 72, 75, 76, 78 d’Indy, Vincent, 62 Downes, Olin, 32, 112, 134, 260n76; Barbirolli criticism, 154, 155, 258n37 Dumensil, Maurice, 60 Dwight, John Sullivan, 31 Edwards, Frank, 61 Ellis, Charles, 52, 60 Elman, Misha, 59, 74, 206 Elson, Louis, 30 Enesco, Georges, 132, 134, 149 Engles, George, 60–61...

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