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Abertura, political opening of, 31, 88-89, 91, 93-94, 96, 100, 104, 127 abortion: discussion of in media, 118, 12730 , 145, 167-68; legalization of, 123, 14449 , 182 Aborto dos Outros, O, 168 Abreu, Gilda de, 4, 17 ABVP (Associação Brasileira do Vídeo Popular ), 137, 143 activism: cultural, 169; feminist, 7, 10, 122, 135, 140-53, 194n6; political, 40, 41, 96, 120, 164 Afram, Silvana, 136-37 AfroBrazilians. See black Brazilians A hora da Estrela, 23, 94-95. See also Suzana Amaral AI-5 (Ato Institucional Número 5, Fifth Institutional Act), 30, 48, 88 alienation, 47, 52, 57, 64-65, 70, 79, 95, 104, 117. See also Bertolt Brecht allegory, 29-30, 57, 66, 93, 95, 110 alternative exhibition, 121, 140, 142-43 Alvarez, Sonia E., 50, 123, 137 Amaral, Suzana, 88, 95 Amaral, Tata, 11, 16, 25, 30, 42 Amélia, 165. See also Ana Carolina amnesty (Anistia Geral), 20, 31, 50, 77, 88, 140 Amores de Rua, 167. See also Eunice Gutman Ana Carolina, 8-9, 17-18, 20-21, 23-25, 29, 31, 33, 35-36, 38, 40-41, 44, 165-66, 182 ANCINE (Agência Nacional do Cinema, National Film Agency), 43, 158 Andrade, Oswald de, 95 Anthropophagic movement, 95 Antônia, 11, 176-79, 209n41. See also Tata Amaral A Rocinha Tem Histórias, 130-32, 135. See also Eunice Gutman As Melhores Coisas do Mundo, 169. See also Laís Bodanzky As Meninas da Esquina: Diário dos Sonhos, Dores e Aventuras de Seis Adolescentes do Brasil, 175-76 Através da Janela, 177. See also Tata Amaral Audiovisual Law, 42, 44 auteur: mode of filmmaking, 14, 18, 35, 39, 43-44, 52, 159; and women’s filmmaking, 8, 48, 160-65, 169 Avassaladoras, 170, 183. See also Mara Mourão Azevedo, Ana Luiza, 168, 203n21 Baltar, Mariana, 116 Basaglia, Maria, 5 Beiriz, Anayde, 107-8, 110-15 Belton, Robert J., 72 BEMFAM (Sociedade Civil Bem Estar Familiar no Brasil), 143 index Marsh_Text.indd 229 8/7/12 2:34 PM 230 . INdex Benamou, Catherine, 195n27 Bengell, Norma, 9, 23, 53, 88, 95 Bicho de Sete Cabeças, O, 169. See also Laís Bodanzky birth control, 118, 129-30, 141, 143-44, 146-47, 150-51, 168. See also pregnancy; reproductive healthcare black Brazilians, representation of, 99, 135-40, 152, 154, 166, 172, 205n57. See also race Bodanzky, Jorge, 32, 169 Bodanzky, Laís, 169 Bordwell, David, 163. See also Kristin Thompson Braithwaite, Ann, 169 brasilidade (Brazilian cultural identity), 3, 11, 65, 41, 88, 90, 95-100, 182-83, 164-66, 171, 182-83. See also imagination Brava Gente Brasileira, 166. See also Lúcia Murat Brecht, Bertolt, 64, 195n35. See also alienation Breton, André, 70, 78, 80. See also surrealism Brooks, Peter, 116 Burton, Julianne, 115, 117, 201n56 CAIC (Comissão de Auxílio à Indústria Cinematogr áfica), 15 Camurati, Carla, 42, 158, 167, 183 Cardoso, Fernando Henrique, 1, 155 Carlota Joaquina, Princesa do Brasil, 42, 158, 167, 183. See also Carla Camurati Carmen Miranda: Bananas is My Business, 166-67. See also Helena Solberg Carnaval, 125-27, 139 Casamento de Louise, O, 159, 163, 170. See also Betse de Paula Casamento, O, 57-58. See also Arnaldo Jabor Catholic Church, critique of, 31, 49, 51, 75, 84, 93, 110, 124, 133, 140. See also Christ CECF (Conselho Estadual da Condição Feminina, State Council on Feminine Condition), 136-38 Celeste & Estrela, 160-65. See also Betse de Paula censorship, political and economic modes of, 5, 8, 15, 20, 24, 28-36, 44, 48, 88, 91, 92-94, 115, 118, 198n14, 198n15 Chadwick, Whitney, 71, 80 Chauí, Marilena, 60-61 Chega de Saudade, 169. See also Laís Bodanzky Christ, representation of, 76, 84-85 Cidade de Deus, 166, 168, 172, 175-78. See also Kátia Lund Cidade dos Homens, 172, 175, 178, 183 Cinédia, 4 Cine Mambembe, 169. See also Laís Bodanzky Cinema Novo, 3, 5, 8-9, 14-17, 20-24, 28-30, 35, 46-47, 51-52, 57, 62, 66-68, 89, 93, 96, 108-10, 166-67 Cine Mujer, 136 Cine Tela Brasil, 169. See also Laís Bodanzky citizenship, 2, 3, 6-11, 88-89, 94-96, 99-100, 108-9, 120-25, 147, 153-58, 171-74, 183 Civelli, Carla, 5 civil code, reformation of, 50, 54-55 Coisa de Mulher, 170. See also Eliana Fonseca Collor de Mello, Fernando Affonso, 2, 5, 4243 , 157-58, 171 community development...

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