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Index AC/DC, 1, 77–78 Adair, Sandra, 3, 68, 84, 111, 131 Adler, Stella, 119 Aerosmith, 28, 33 aesthetic experience, 5, 38–40 Akerman, Chantal, 6 Albee, Edward, 128 Alberti, Maryse, 61 Alexanian, Alexis, 61 Alphaville Productions, 26 American Boy (1978), 6 American Graffiti (1973), 6, 26, 27 Anderson, Benedict, 59 Anderson, Sherwood, 106 Andrew, Dudley, 57 Anger, Kenneth, 6 animation, 55, 58–59, 96, 136 Arnold, Gary, 26 Arquette, Patricia, 148 Astruc, Alexandre, 55 attendance to the present. See time Auden, W. H., 38 Austin (Texas), 12, 18, 20, 40–41, 129 Austin Film Society, 6, 12, 18, 130 auteurism, 60 authorship and film, 3, 60, 95 avant-garde, 6, 14–15, 55, 57 Babe, The (1992), 112 Bad News Bears (2005): and allusion, 6; and America, 92–94; analysis of, 89–95; and attendance to the present, 10, 94–95; and autobiographical connections , 95; and Dazed and Confused, 93; and Linklater’s filmography, 3; and 1976 version, 6, 89, 90–94; and political realities, 93–94; principal cast and crew of, 158; production history of, 89–90, 142; as remake, 90–92; and The School of Rock, 89; script of, 90–91 Bad News Bears, The (1976), 6, 89, 90–94 Bad Santa (2003), 89 Barker, Michael, 19 Barthes, Roland, 88 Baseball (1994), 112 Bataille, Georges, 7, 38 Baudrillard, Jean, 97, 98 Bazin, André, 9, 88 Before Sunrise (1995): and aesthetic experience, 38–40; and allusions, 6, 35–37; analysis of, 33–40; and attendance to the present, 9; and Before Sunset 34–35, 37, 81, 83; and explicit treatment of time, 37–38; and life of the mind, 38–40; and Linklater’s filmography , 2, 125, 133; and Linklater’s politics, 104; principal cast and crew of, 154; production history of, 47, 132–33; and Robin Wood, 5, 34; and Slacker, 132; and subUrbia, 40; and Waking Life, 55 Before Sunset (2004): and aesthetic movements, 85; analysis of, 81–89; and Before Sunrise, 34–35, 37, 81, 83, 140; Celine’s grandmother in, 87–88; and explicit treatment of time, 9, 37, 138; final scene of, 86–89; and Linklater’s filmography, 1–3, 125; and Linklater’s politics, 104; and mystery of time, 83–84, 86–89; opening sequence of, 1, 170 | Index 82–84; photographs in, 86–88; principal cast and crew of, 157–58; production history of, 81–82, 140–41; and Waking Life, 81, 87 Belber, Stephen, 61, 64, 137 Bellafante, Ginia, 120 Benjamin, Walter, 39 Benning, James, 6, 14–15 Berlin Film Festival, 82 Bernie (2012), 89, 125, 127, 148–49 Bertolucci, Bernardo, 103 Beuka, Robert, 41–42 Black, Jack, 2, 74, 140, 148 Black, Louis, 4, 104 Bloom, Kath, 37 Body Heat (1981), 27 Bogosian, Eric, 40, 41, 133, 134 Bonnie and Clyde (1967), 136 Bonomo, Joe, 77–78 Bordwell, David, 30, 76 Brakhage, Stan, 14 Breathless (1960), 37 Brennan, Meg, 19 Bresson, Robert, 6, 130 Brief Encounter (1945), 35 Bull Durham (1988), 112 Burns, Ken, 112–13 Bush, George W., 93–94 Butch Cassidy and the Sundance Kid (1969), 6, 49 Butthole Surfers, 23 Caldwell, John T., 112 Callow, Simon, 120 Cambridge Film Festival, 82 caméra-stylo, 55 Cannes Film Festival, 104 Cassavetes, John, 66 Castle Rock, 41, 47, 132 Cats and Dogs (2001), 89 CBS Radio, 120 Celebration, The (1998), 61 Cheney, Dick, 144 Christie, Thomas A., 4, 8 Ciampa, Su, 68, 73 cinema: and digital formats, 54–56; and documentary-narrative hybrids, 23; end of, 9, 55; future of, 125, 147–48; history of, 49, 75; independent, 19–20, 147–48; and memory, 63–65, 68, 69; problems defining, 111–12; and reality, 21–23, 56; reception of, 56–61, 111–12; and representation, 63–65, 68; and television, 111–12. See also time: and cinema CinemaNX, 117–18 cinema studies: and cinephilia, 5, 33–34; and directors, 3, 4, 110; and end of cinema, 56; and time, 9 cinematography: in Bad News Bears¸ 90; in Before Sunrise, 36–37; in Before Sunset, 86; in Dazed and Confused, 31–33, 115; in Inning by Inning, 115– 16; in It’s Impossible to Learn to Plow by Reading Books¸ 12, 14, 16; in Me and Orson Welles, 121; in The School of Rock, 79; in Slacker, 21–23; in subUrbia , 40; in Tape, 64–65, 66–67 cinephilia, 5, 33–34, 89 Citizen Kane (1941), 147 Clash, The, 77 Clooney, George, 96 CMT (cable network), 136 Cody, Colonel William F., 50 Collective for Living Cinema, 129 College...

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